The PhotoBook

February 3, 2013

LA Art Book Fair

Filed under: Book Publications, Photo Book NEWS, Photo Book Stores, Photo Books — Doug Stockdale @ 11:59 pm

LA_Art_Book_Fair_2013_covers

Copyright the photographers; Paul Schiek’s “Dead Men Don’t Look Like Me” (TBW Books), Dan Gluibizzi’s “Folding Space”/Zefrey Throwell’s “Pressing Time” (Ampersand Gallery & Fine Books), Nicolas Hoosteing’s Matador (Etudes Books), Notes on Fulford’s Raising Frogs for $$$ (The Ice Plant), Alec Soth & Brad Zellar’s “Michigan” (Little Brown Mushroom), The LA Art Book Fair Catalog.

I had an opportunity to attend the LA Art Book Fair this weekend, a cool event by Printed Matter (NYC) that until now was only hosted in NYC. The fair was made up mostly by small press, zines and booksellers/dealers, with only a few larger publishers and distributors present. I have to say it was a really diverse & International show.

I was doing my walk-about on Friday and even still, the fair was well attended. The space was the Geffen Contemporary at MOCA, thus the interior lighting was better suited for exhibiting artwork and a bit tricky for reading books although it seemed that everyone adapted pretty quick. The were a number of smaller spaces which provided some sense of intimacy, but also created a maze and the potential of missing some of the exhibitors, as I almost missed one small section when I think I accidentally stumbled into just before closing. To their credit, the Book Fair did provide a map of the booth locations and next time I will take time to look at it from the start, so my bad. 

The Book Fair was not dedicated to photobooks, but there were a fair amount of photobook publishers and dealers/bookshops present and had a special focus, as did the Zines in their section aptly titled Zine World. My issue was there were toooo many photobooks to choose from and I decided to look for photobooks that were about the photobook object, providing a photobook experience that would not translate to an iPad or other digital media. I will have to say that Dan Gluibizzi’s “Folding Space”/Zefrey Throwell’s “Pressing Time” with its pantyhose outer wrap recently published by Ampersand Gallery & Fine Books easily met my criteria.

Encourging news for us in Orange County was provided by Claire Cottrell that  Book Stand (ArtBookStand.com) is looking at a location in San Juan Capistrano in additional to their on-line presence. Very nice!

I hope that this is the first of many LA Art Book Fairs. The discussions that I had with book dealers, publishers and attendees indicated that this is a success event from the very start of the opening night. Nice.

Cheers

October 3, 2012

Fotografia Photobook Exhibit – Opening

Filed under: Photo Book NEWS, Photo Books — Tags: , , — Doug Stockdale @ 5:22 pm

Photographs copyright 2012 Lorenzo Formicola Lina Pallotta (author of )

I just received a couple of photographs from Lina Pallotta  which were taken by Lorenzo Formicola during the opening of my photobook exhibition at Fotografia in Rome last month. Lina is the author of Piedras Negras which I had selected for this exhibition and is my Ace on-the-floor reporter for this event. Thank you Lina and Lorenzo for sharing!

Regretfully my one night pop-up exhibit for these same photobooks at the Irvine Fine Art Center later this month will not have the same clean and sophisticated appearance as Rome. More details of this event are available here.

Update to the original post; photographs were made by Lorenzo Formicola.

October 1, 2012

Pop-up PhotoBook exhibition at Irvine Fine Art Center – work

Filed under: Photo Book NEWS, Photo Books — Tags: , , — Doug Stockdale @ 5:31 pm

copyright the various photographers

Please join me for one evening this month as I share a pop-up photobook exhibition of the vast majority of the photobooks that are currently included in my exhibition at FotoGrafia Festival Internazionale in Rome Italy, which explores the theme of “work”. I will provide a short introduction about my selection for this exhibition and discuss a few of the photobooks.

Although this is not an official PhotoBook Club event per se, it is an exploratory meet-up to determine an interest in a PhotoBook Club group in Southern California. The issue in the past for similar meet-ups to this has been that Southern California is a very large and spread-out region, that a meet-up in Orange County may not be suitable for those in Santa Monica, the SF valley, SG Valley or San Diego. Thus the main reason that this is an exploratory meet-up!

This pop-up exhibition will not have the same polished appearance as my exhibition in Rome, as one component will be missing. For the Rome exhibition, I asked the participating photographers to re-photograph their book’s interior and we then hung these photographs around the book display. Nevertheless, these re-photographs are available here. Additionally, I will bring a few other photobooks from my collection that also investigate the theme of “work”.

The photobooks included in Fotografia that are planned for this exhibition include: Pierre Bessard - Behind China’s Growth, Julie Blackmon - Domestic Vacations, Michal Chelbin’s The Black Eye, Chris Coekin’s The Altogether, Clayton Cotterell’s Unarmed, Marco Delogu’s The Thirty Assassins, Charlotte Duma’s Al Lavoro!, Andy Freeberg’s Guardians, Thijs Heslenfeld’s Men at Work, Sarah Hobbs’s Small Problems in Living, Henry Horenstein’sSHOW, Rob Hornstra’s Sochi Singers, Pieter Hugo’s Permanent Error, Ron Jude’s Lick Creek Line, Chris Killip’s Seacoal, Gina LeVay’s Sandhogs, Rania Matar’s A Girl in her Room, Kendall Messick’s The Projectionist, Darin Mickey’s Stuff I Gotta Remember Not to Forget, Cristina de Middel (Puch)’s The Afronauts, Bertil Nilsson’s Undisclosed, Andreas Oetker-Kast’s manpower, Louie Palu’s Cage Call, Lina Pallotta’s Piedras Negras, Christian Patterson’s Redheaded Peckerwood, Nina Poppe’s ama, Florian von Roekel’s How Terry Likes His Coffee, Ken Schles’s Oculus, Martin Schoeller’s Female Bodybuilders, David Schulz’s Lone Wolf, Melissa Shook’s My Suffok Downs

This PhotoBook pop-up exhibition will run concurrently with the Photographic Exchange meeting.

Exhibition venue: Irvine Fine Art Center, 14321 Yale Ave, Irvine, CA 92604

Date and duration: Thursday, October 18th, 2012 from 6:30 pm to 9:0 pm

I look forward to seeing you there.

Douglas Stockdale for The Photobook

September 25, 2012

Fotografia Photobook Exhibit – First look

Filed under: Photo Book NEWS, Photo Books — Tags: , , — Doug Stockdale @ 3:17 pm

photograph copyright 2012 Marc Prust

Thanks to Marc Prust, I have my first look at the FotoGrafia di Roma photobook exhibition. Very nice!

Regretfully due to a change in travel plans, I was unable to attend the grand opening of Fotografia di Roma last week. Looking at this photograph by Marc I can see that Margherita Nuti along with Marco Delogu, the Artistic Director of FotoGrafia, Claudia Caprotti and their support teams designed and installed an excellent exhibition space. Thanks to you all!

I have to admit, I feel a bit like those at the turn of the twenty century who were able to for the first time view photographs of far away lands and look at images of sights and views that they could not directly experience themselves. I find it odd that for as often as I view photographs as a photobook review, that this would be an experience I felt. I need to reflect on this experience some more.

Nevertheless, Marc has captured the essence of this exhibit in this one photograph; the physical photobooks that are accessible for viewing and inspection, the stream of interior photographs on the adjacent wall and my artistic statement hung in the midst of this exhibition. Very nice indeed.

I am looking forward to the postings of other photographs and comments of those who attended. Please share!

Cheers!!

September 19, 2012

FotoGrafia di Roma XI Photobook exhibition – Work

Photographs copyright of the artists

The concept that the XI FotoGrafia di Roma is intent on exploring is the theme of “Work”. Likewise as curator of the photobook exhibition, I am also interesting in broadly interpreting this theme. I am also intrigued with the idea that  a photobook is a physical product of a photographer’s work and adds another subtle layering to the intent of XI FotoGrafia.

As a photobook commentator and blogger, many, if not most, of the photobooks for this exhibition are being discussed and posted on my blog. As of today, I still have a half-dozen books yet to discussed. Interestingly there are some additional photobooks that I have become aware of since finalizing my exhibition selection that although will not be at FotoGrafia, I will include on my blog to continue this theme of investigating “work” through the month of October.

After some additional consideration, I decided to add yet another layer to the photobook exhibition with a working assignment for the photographers and their respective books. I requested the exhibition photographers to re-photograph a double-page spread of the book’s interior, providing a minimum of direction. Only that they should choose a double page spread which they think captures the essence of their book. The results have been humorous, provocative and revealing.

We will exhibit this mash-up of singular interior book images in conjunction with the photobooks. I hope that this will create a diverse and interesting dialog between the many surrounding interior photographs with the book objects and the viewers and participants of this exhibit. As a preview for the exhibition, many of these interior photographs are now revealed below.

Update: I needed to provide a link to the photobooks selected for this exhibition: exhibition listing

Douglas Stockdale (Curator) for The PhotoBook

July 30, 2012

FotoGrafia di Roma XI: Work – PhotoBook Exhibition

Filed under: Photo Book NEWS, Photo Books — Tags: , , — Doug Stockdale @ 11:49 pm

photographs copyright of photographers and publishers

FOTOGRAFIA Festival Internazionale di Roma XI Edition: Work

The theme of Work for XI FotoGrafia di Roma is complex and multi-faceted subject, which I attempted to broadly explore in my selection of contemporary PhotoBooks for this exhibition. This theme is also ambiguous and illusive, which can be as much about one does as well as what one is doing.

I want to create the opportunity for those attending this exhibition to investigate the contemporary aspects and explore the rich narratives as to what constitutes work, as seen by a diverse range of creative photographers in conjunction with their book designers and publishers who support these endeavors. As a result, I selected what I hope is an interesting mix in the various ways photographers using the PhotoBook as a medium investigate this conceptual theme. The PhotoBooks continue to add yet another layer and dimension to the Festival’s theme, as the PhotoBook object is also the actual work of a photographer, book designer, printer and publisher.

In addition to the PhotoBooks being present as a physical object, I am complementing these with a concurrent exhibition of interior double-page spreads re-photographed by the photographers. Thus the physical book would be present for viewing as well as be surrounded in a sea of interior photographs that should create a reference to the other.

In my investigation of this conceptual theme, I find an undercurrent of identity interwoven in many of these PhotoBooks, posing a quintessential question; are we defined by work, or does work define us?

The photographers and their PhotoBooks that will be in the exhibition, in alphabetic order, are:

Pierre BessardBehind China’s Growth

Julie BlackmonDomestic Vacations

Paul Flyod BlakePersonal Best

Andrew BuurmanAllotments

Michal ChelbinThe Black Eye

Chris CoekinThe Altogether

Clayton CotterellUnarmed

Marco DeloguThe Thirty Assassins

Charlotte DumasAl Lavoro!

Andy FreebergGuardians

Thijs HeslenfeldMen at Work

Sarah HobbsSmall Problems in Living

Henry HorensteinSHOW

Rob Hornstra – Sochi Singers

Pieter HugoPermanent Error

Ron JudeLick Creek Line

Chris KillipSeacoal

Gina LeVaySandhogs

Janne LehtinenNight Shift (not available)

Rania MatarA Girl in her Room

Kendall MessickThe Projectionist

Darin MickeyStuff I Gotta Remember Not to Forget

Cristina de Middel (Puch)The Afronauts

Bertil NilssonUndisclosed

Andreas Oetker-Kastmanpower

Louie PaluCage Call

Lina PallottaPiedras Negras

Christian PattersonRedheaded Peckerwood

Dana PopaNot Natasha

Nina Poppeama

Florian von Roekel How Terry Likes His Coffee

Ken SchlesOculus

Martin SchoellerFemale Bodybuilders  (not available)

David SchulzLone Wolf

Melissa ShookMy Suffok Downs

Lars TunbjorkOffice

I will be posting information on most of these PhotoBooks leading up to the exhibition in September.

As to the PhotoBook exhibition:

dates: September 20 through October 28, 2012

venue: MACRO Testaccio, Piazza Orazio Giustiniana 4, Roma

Best regards, Douglas Stockdale

Curator, 2012 FotoGrafia di Roma PhotoBook exhibition

Note: the photobook exhibition is now scheduled for a Southern California one-night pop up exhibit at the Irvine Fine Art Center on October 18th, more information here.

July 11, 2012

PhotoBook exhibition – curating in progress

Filed under: Photo Book NEWS — Doug Stockdale @ 1:04 am

I was recently invited to submit a curatorial proposal for a photobook exhibition based on the thematic subject of “work”, which is an interesting word as well as subject for photographers. Idea is tap into the history of photography in recent years, reinterpreted through a great deal of attention to differences and changes of the languages of photography and contemporary work.

As stated by the exhibition director;  

What remains of “20th-century” work? Its “vision”, which was often also mythological, full of physical exertion and large masses, has changed and in many cases endures alongside more sophisticated, often solitary, technological kinds of work that are frequently difficult to transform into visions. How do these old visions marry the new ones? What unites them? Perhaps some of the answers to these questions contain a global vision of the world and a vision of photography that we consider the most effective tool for the analysis of contemporary society and its languages.

A study of work is therefore also an investigation into identity.

My goal is to bring together 25 – 30 photobooks by contemporary photographers who explore and investigate this multifaceted and complex theme. To add a further layer to the exhibition, I am asking the photographers to select and re-photograph a two page spread from their book in which we will exhibit the prints of the interiors of photobook on the walls surrounding the photobooks.

As examples of those which are on my short of photobooks are Melissa Shook’s My Suffolk Downs, Ron Jude’s Lick Creek Line, Clayton Cotterell’s Unarmed, Thijs Helenfeld’s Men at Work, Christian Paterson’s  Redheaded Peckerwood, Rania Matar’s A Girl in her Room, Bertil Nilsson’s Undisclosed, Rob Hornstra’s Sochi Singers, Gina LeVay’s Sandhogs, Andy Freeberg’s Guardians, Beth Dow’s In the Garden, Lauren Burke’s Birth of a Statesman, Dan Nelken’s Till the Cows come Home, Chris Shaw’s Life as a Night Porter, Pierre Bessard’s Wuhan Boiler Company Workers, Susan Anderson’s High Glitz, and Louie Palu’s Cage Call.

Please leave a comment about any photobooks that you think deserve consideration and if possible include a link to the book and its interior images.

Best regards, Doug

 

June 24, 2012

Hiroshi Watanabe – 99 Findings

Filed under: Photo Book Discussions, Photo Book NEWS — Tags: , , — Doug Stockdale @ 5:58 pm

watanabe-findings-cover

copyright the photographers

Earlier this year I had the great pleasure to be included in a iPad App project that brought together my friend and photographer Hirohsi Watanabe, videographer Michal Kastenam and myself, as the interviewer, to expand on an earlier Watanabe photobook Findings, a photobook which I had reviewed in 2009. Watanabe was a Critical Mass winner and the resulting Findings was published by Photolucida, Portland, OR. The iPad App is titled 99 Findings, and increases the number of Watanabe’s photographs to 99, of course.

The iPad app is being produced by Hibiku, Inc in Japan this summer and 99 Findings will be available very soon on iTunes. In addition to the 99 photographs, there is my interview in which we discuss some of these photographs as well as Watanabe’s background and philosophy. There is also a segment of Watanabe working in his beautiful darkroom, a darkroom which I featured on a post in Singular Images.

As an iPad app, more content can be provided that traditional found in a photobook, and one that Watanabe is very interested is a photo-site linkage, best described in his words  “There are also links in each photograph to specific locations (where the photographs were taken) in Google Map. In some case, you will see the actual view of the landscape and surroundings by the Street View in the Google Map.”

This iPad app should be very interesting. I have not seen any of the post-production edits yet and this app just might be the reason I finally break down and purchase an iPad. I hope that I make a good “talking head” but thankfully all eyes will be on Watanabe and his delightful and open-ended photographs.

He has published a photobook before Findings as well as couple more since, including his first color photobook Ideology in Paradise  and most recently Love Point, published by Toesisha Publishing and subsequently a One Book by Nazareli Press.

by Douglas Stockdale for The PhotoBook

May 12, 2012

Douglas Stockdale – Ciociaria Limited Edition Book + Photograph Set

Copyright Douglas Stockdale 2011

Warning Notice: this is a self-serving personal shout-out about the availability of my book in a Limited Edition Book + Photograph set. You may find yourself spending a small amount of loot while yet making a wonderful investment, so be warned before proceeding any further!!

I recently published two small versions of a Limited Edition Book + Photograph Set in conjunction with my hardcover book Ciociaria. The edition size for both versions is 25 and I choose two photographs which were not included in the design and printing of the book. Both the photograph and book are signed and numbered, with the photograph printed on archival stock. After a number of discussions with Susan Burnstine during the development of this Limited Edition set, I opted to go with an inexpensive version to keep my costs low and a provide a reasonable price of $150.00 per set.

The initial interest in the two Limited Edition sets is good and I am nearing the halfway point for selling the editions. I can’t say they are selling like hotcakes yet, but are doing well enough and building a small reserve fund to finance my next book that I hope to be able to announce shortly.

The Fiuggi Edition, photograph below, was an interesting turning point for me while working on this project. I had been deferring to a more topographical investigation of the memories of this area, which is to say photographing the urban landscape without the presence of any individuals. As this scene unfolded before me, it spoke of another way to create a narrative as to how memory is preserved. But as book designs go with the choice, pairing and sequencing of the images, this photograph did not find a good home within the book. So it seemed a nature to include this as a special edition.

Fiuggi Editon

 

The other version of the Limited Edition is the Morolo Edition, which includes the photograph below. I saw this lyrical web of branches with the different phases of the decaying fruit and hints of the surrounding residences. It speaks to the past memories intersecting with the current moment.

The Limited Edition Book + Photograph sets of Ciociaria will be available from specialty photographic bookstores.

Now available at:

Ampersand, Portland Oregon

Coming soon to photo-eye

The standard hardcover book at $55.00 is currently available at both Ampersand and photo-eye.

Additional interior photographs from the book and links to some of the book reviews can be found here.

Check back as I expect this bookseller list to grow.

Best regards, Doug

Morolo Edition

 Now back to your normal programing…

May 10, 2012

The Photobook Review – issue 002

Supplement to Aperture magazine – issue 002, Spring 2012

Hear all about it! Get your Photobook News here!!

Okay, a “newspaper” that is published only twice per year is not exactly something that provides the hot, hot, hot daily news one might expect or want. But then again, the evolution of the photobook industry is not exactly moving at lightening speed either.

As a supplement to their magazine, Aperture has made an interesting decision to publish this newsprint edition, focusing on the growing phenomena of photobooks within the fine art photography establishment. With limited gallery and exhibition space availability, photographers have realized that a photobook will potentially reach a much wider audience over a longer duration as well as providing a more democratic venue & access to their content.

Interestingly The Photobook Review (TPR) is very similar in organizational structure to the now defunct photo-eye magazine edited by Darius Himes, which was published quarterly. This magazine was a perfect-bound stiffcover book that was a delight to hold and read and is sadly missed.

The TPR articles are much longer than any tweet or Face Book shout-out and probably longer than most blog articles, but perhaps shorter than many magazine feature articles. I find the inclusion of some new terminology interesting, last issue was an emphasis on maquettes for the word Book Dummy, and this issue is leporello for the word concertina (I discuss this book design here) or continuous gate-fold.

For TPR, Aperture Publisher Lesley Martin has decided to bring in guest editors, and for this issue the guest editor is photobook publisher and bookseller, Markus Schaden, hailing from Kohn, Germany. Overall TPRis segmented with sections about the photobook developmental process, in this issue the sequencing of the photobook (e.g. Garry Badger’s “It’s Narrative, But Not as we Know it…Sequencing the Photobook), a Designer profile (Greger Ulf Nilson), Publisher profile (Bohm/Kobayashi, Dusseldorf), a feature section (Book Dummy’s including a discussion of Kiyoshi Suzuki’s Soul and Soul that I reviewed), a photobook artist (Ken Schles interviews Christian Patterson) and last photobook reviews (12 of them in this issue, including photobooks by Taishi Hirokawa, Katsumi Omori, Paul Graham, Donald Weber (which I will review soon), and Nina Poppe to name a few.

And thanks to Helka Aleksdottir for providing me with this current issue.

Douglas Stockdale – The PhotoBook

« Newer PostsOlder Posts »

The Silver is the New Black Theme. Blog at WordPress.com.

Follow

Get every new post delivered to your Inbox.

Join 11,859 other followers