The PhotoBook

January 13, 2017

David Carol – No Plan B

david_carol_no_plan_b_cover

Copyright 2016 David Carol

Photographer: David Carol (born and resides NYC, NY)

Publisher: Peanut Press (Los Angeles, CA)

Essays: David Carol Introduction, Afterword by Jason Eskenazi

Text: English

Hardcover book with debossed cover, sewn binding, duotone printing with slight varnish, captions, printed by Meridian Printing in RI

Photobook designer: Ashly Stohl

Notes: This monograph of David Carol’s photographs recaps twenty-three years of candid and ironic black and white street photography and is a visual testament to his love of this medium. He has been fortunate to have a career as working photographer, but these are his personal out-takes of situations that momentarily captured his wild imagination. These mini-narratives speak to the power of always having a camera available and constantly looking for the possibilities, open to what might unexpectedly come by your way.

His photographs range from the subtle reflection in a window that juxtapositions oil wells with wedding dresses, the surreal image of an oversized white gorilla sitting in front of a suburban home, humorous photographs of his son doing funny kid’s stuff, to the poignant  self-portrait of his cast shadow on the snow holding his symbolic son’s hand. Who has not found themselves trying to talk to someone and something is blocking their face, but Carol recognized this humorous situation and captured it.

Carol seizes upon the opportunity to create humorous antidotes about mankind and as he states “My job is to find stuff and report back”. Which he is doing quite well and he has no plans to do otherwise.

Other photobooks by David Carol featured on The PhotoBook: All of My Lies are True

Cheers

david_carol_no_plan_b_1

david_carol_no_plan_b_2

david_carol_no_plan_b_3

david_carol_no_plan_b_4

david_carol_no_plan_b_5

david_carol_no_plan_b_6

david_carol_no_plan_b_7

david_carol_no_plan_b_8

January 11, 2017

Claire Felicie – Only The Sky Remains Untouched

claire_felicie-only_the_sky_remains_untouched_cover

Copyright 2016 Claire Felicie

Photographer: Claire Felicie (born Breda, NL, resides Amsterdam, NL)

Self-published (the Nederland)

Essays: Claire Felicie

Text: English

Stiffcover book, sewn binding, quad-color (2 blacks, dark grey, warm grey) lithography by Colour and Books, printed in the Nederland

Photobook designer: Sybren Kuiper ( -SYB- )

Notes: Claire Felicie has undertaken a daunting task of investigating the dark inner psyche of war veterans who after engaging in terrifying military combat, have returned home with the invisible wounds of PTSD (post-traumatic stress disorder). Felicie carefully chose a symbolic location to stage her portraits, which is a former military weapons factory.  Her portraits and landscapes are subsequently mashed-up and interwoven together in an attempt create a more chaotic and disjointed narrative. The black and white photographs lean heavily into grey and dark tonalities, providing a very somber setting for this body of work.

Her subjects recline half-dressed on a minimalist and symbolic military style cot within a stark space. Some cannot confront the camera, needing to turn their backs to look away. The remaining gazes appear blank, dull, without energy and momentarily without resistance. Many of her portraits are truncated with the interleaving of pages, see images 2 and 3 below, and as well as images 5 and 6, visually revealing only a partial embodiment of her subject, as though that person is no longer whole and symbolically broken.

Many of portraits are paired with images of a decaying structure; a desolate and foreboding environmental context that seems well suited to the disturbing war stories her subjects share in the afterword. Her subjects have experiences that are difficult for a non-combatant viewer to fathom, even after reading about the events that have been witnessed. These are the experiences that subsequently result in sudden bouts of intense anxiety, fear, and sadness accompanied with a loss of trust and a sense of security. Thus pairing a portrait with an abstract marking that could be representative of a weeping wall, bottom image below, is a beautiful symbolic metaphor for a depressing sadness.

Essentially all conceptual projects, although especially portraits, attempt to find ways to explain the unexplained and visualize the invisible. Books and photographs become a silent witness. Nevertheless, I find her photographs of these veterans sequenced among the moody rural and urban landscape photographs elicits a perceived sadness emulating from her subjects and although I don’t know the extent of their pain, it feels palpable.

The surrounding forest, although rendered darkly, is steadily reclaiming the man-made structures, thus offers hope for a slowly regenerative healing for her subjects and mankind as well.

In closing, a beautiful book object that results from the creative collaboration of Felicie with the smart book designer Sybren Kuiper and the beautifully lithography by Sebastiaan Hanekroot at Colour and Books. Recommended.

Cheers

claire_felicie-only_the_sky_remains_untouched_1

claire_felicie-only_the_sky_remains_untouched_2claire_felicie-only_the_sky_remains_untouched_3

claire_felicie-only_the_sky_remains_untouched_4

claire_felicie-only_the_sky_remains_untouched_5

claire_felicie-only_the_sky_remains_untouched_6

claire_felicie-only_the_sky_remains_untouched_7

claire_felicie-only_the_sky_remains_untouched_8

claire_felicie-only_the_sky_remains_untouched_9

claire_felicie-only_the_sky_remains_untouched_10

January 8, 2017

Barbara Kyne – By Fire

00-kyne-fire-cover.jpg

Ph­otography:  Barbara Kyne (Oakland, California)

Fall 2015, self-published; ISBN 978-0-578-16037-5. Softcover book with 32 pages, not numbered; 10 duotone photographs; 8.75 x 7.25″; $20. Marketed by Norfolk Press  and by the photographer.  For a limited time included as a bonus upon purchase of the second book, A Crack in the World, to be reviewed here shortly.

Essay:  “On Contemplation and Perception” by Barbara Kyne

Text:  English

Photobook design: Yon Sim

Notes:  By Fire is a fascinating seminal volume that has as its goal creating a connection between severe personal tragedy and the universe of nature as a sphere of continuity and as a context permitting some healing. In ten well-chosen images that have also been given intriguing titles, Barbara Kyne allows the viewer to enter a foreboding yet promising atmosphere: we can project events that have fundamentally affected our lives into a series of fiery depictions of nature. These often include a shadowy figure – a stand-in and ethereal spirit, hinting at a gutsy universality beyond the comprehension of any one individual being, as well as pointing toward some solace and an understanding that we are not alone.

Barbara Kyne has a keen interest in pursuing the deeper meaning of reality and discovering clues to the great existential questions, using her photography to serve as a conduit to understanding “the cycles of life, death, and rebirth, often and surprisingly connecting pathos and joy.” Regarding this volume, she states, “If we move through the metaphorical fire with awareness, we may find that facing mortality creates expansion and renewed life.” Indeed, there is a mysterious and mythical quality to her photography that envelops and fascinates the viewer, inviting several types of discovery.

Barbara Kyne is continuing her important photography in further volumes. We admire her work and are looking forward to further illuminations.

Gerhard Clausing

01-kyne-fire.jpg

02-kyne-fire.jpg

03-kyne-fire.jpg

04-kyne-fire.jpg

January 6, 2017

Young-hwan Choi – BABEL

young-hwan_choi_babel_cover

Copyright 2014 Young-hwan Choi

Photographer: Young-hwan Choi (born & resides in Seoul, South Korea)

Self-Published (South Korea)

Essays: Young-hwan Choi, Dong-sun Jin, Sang-yong Shim

Text: Korean & English

Stiffcover book with tipped in image, perfect binding, four-color lithography, printed by Photonet in South Korea

Photobook designer: Photonet, South Korea

Notes: Choi’s self-published photobook BABEL is a tall, thin collection of black and white photographs that investigate a towering urban landscape in which the vegetation is either attacking a structure or attempting to conceal it, as though a futile potential reclamation is in process.

This is a dark poetic and surreal allegory about the pursuit of happiness by means of accumulating power and wealth through the construction of tall looming structures, similar to the vain construction of the towers of Babel, is but a hollow chase. None of these structures has been able to truly reach heaven.

In writing about Choi’s photograph, Sang-young Shim states “the excessive deficiency of light, which often comes close to absence. Sometimes all light is extinguished except for the minimum required for perception. Even that is reflected light, with the light source nowhere to be seen. The main tones range between grey and black, but as the darkness advances to the extreme level, it often threaten the middle tones as well…the plant is a place that should be brighter, for sure. One should poke a hole through the sky cover in ash-colored clouds. The ominous grey that pressed down should be covered with brilliant colors. But the signs of dawn are too faint.”

I met Choi at Photo Independent last spring in Los Angeles and I was impressed with his photographic exhibit and his two self-published photobooks, this and his earlier REQUIEM (published in 2011).

I find BABAL’s visual narrative to be extremely relevant to the current global events, especially those occurring in the United States. Anyone who builds large and tall structures with their name bronzed in large letters across the front for all to see (hoping for admiration) is indeed pursuing a dark folly that was characteristic of Babel.

Best regards

young-hwan_choi_babel_1

young-hwan_choi_babel_2

young-hwan_choi_babel_3

young-hwan_choi_babel_4

young-hwan_choi_babel_5

young-hwan_choi_babel_6

 

January 1, 2017

Daniel Alexander & Andrew Haslam – When War is Over

daniel_alexander__andrew_haslam-when_war_is_over_cover

Copyright 2016 Daniel Alexander & Andrew Haslam

Photographer: Daniel Alexander (born Edinburgh, Scotland, resides London, UK)

Publisher: Dewi Lewis Publishing (UK)

Essay: Daniel Alexander

Text: English

Hardcover book with embossed cover, inserts, multiple gatefolds, sewn binding, four-color lithography, printed in Italy

Photobook designer: Daniel Alexander

Notes: Towards the end of World War I in 1917, the United Kingdom made a decision to establish the Imperial War Graves Commission that currently tracks and maintains the burial of 1.7 million Commonwealth war dead from World War I and II in perpetuity. Daniel Alexander’s photobook When War is Over provides a documentary style investigation of this on-going process of memorialization.

Alexander and Haslam’s photographic project took on more meaning for me as I had recently completed a related photographic project documenting road-side memorials. In my investigation I was documenting what family and friends had erected as a personal memorial at the site of a tragic accident in an attempt to create a remembrance and deal with their personal grief. Similarly Alexander and Haslam investigate an organized process of remembrance for those who tragically passed while serving in the military with the government acting on the behalf of families who might not otherwise have a means or capacity to do so, such that those who passed were honored equally.

For me this photobook calls into the question of how we create a remembrance of those who we have known and loved, but who have now passed on. How do we maintain that memory and how that memory is passed on to later generations? Does a well maintained cemetery create this experience, or does it provide an associated remembrance as an example that is available to us all? Likewise this photobook, although not about someone specifically still elicits a poignant remembrance of my family members who were lost in military action during these wars as well as those who were in the war but have passed since, such as my own father who was in the American army during World War Two.

This photobook documents the various aspects of maintaining these burial sites, which engages administrators, quarry-men, stone cutters, and gardeners for the upkeep of 2,500 cemeteries, 21,000 other burial grounds and 200 memorials for the missing in 154 countries. I also find that this photobook is a sober narrative about the terrible price of war, but if so engaged, those valiantly involved will be remembered.

daniel_alexander__andrew_haslam-when_war_is_over_1

daniel_alexander__andrew_haslam-when_war_is_over_2

daniel_alexander__andrew_haslam-when_war_is_over_3

daniel_alexander__andrew_haslam-when_war_is_over_4

daniel_alexander__andrew_haslam-when_war_is_over_5

daniel_alexander__andrew_haslam-when_war_is_over_6

daniel_alexander__andrew_haslam-when_war_is_over_7

daniel_alexander__andrew_haslam-when_war_is_over_8

December 30, 2016

Ara Oshagan – Mirror

ara_oshagan-mirror_cover

Copyright 2015 Ara Oshagan

Photographer: Ara Oshagan (born Beirut, Lebanon, resides Glendale, CA, USA)

Self-Published (USA)

Essay by Ara Oshagan

Music & Lyrics by Gor Mkhitarian

Text: English & Armenian

Hardcover exposed boards with tipped in image, sewn binding, four-color lithography, printed in China

Photobook designer: Ara Oshagan & Varoujan Hovakimyan

Notes: Ara Oshagan and his self-published photobook Mirror uses a documentary style to create a predominately black and white diary of the Gor Mkhitarian band but with an unusual twist; he incorporates some new technology that allows the viewer to scan the appropriate interior pages and link up the related music on their phone. Oshagan has incorporated the free Aurasma.app (available from Apple or Google) that after downloading and subsequently pointing the phone’s camera to the red icon pages of his book, the reader will be able to experience Mkhitarian’s band play the related music.

Oshagan states “Images mirror music. Music is a mirror of images. Darkness and light reflected in both. The diary’s very structure is a mirror; the lexicon of the pages that follow one another has a visual rhythm, an echo of the ebb and flow of music itself.”

Oshagan was present at Photo Book Independent last spring when I had an opportunity to meet him and discuss his photographs as well as the technology lurking in this book. I usually do not provide reviews of musical band documentaries, but this was really an intriguing collaboration of a nice physical photobook with the download of the related music, which I find more interesting that an iPad experience. I am guessing that once the reader downloads this app, that they should even be able to scan the photographs in this review and interact with the music. Cool.

Cheers

ara_oshagan-mirror_1

ara_oshagan-mirror_2

ara_oshagan-mirror_3

ara_oshagan-mirror_4

ara_oshagan-mirror_5

December 24, 2016

Merry Christmas & Happy Holidays

Filed under: Photo Book NEWS — Tags: — Doug Stockdale @ 6:16 pm

2016_christmas

Christmas wreath 2016 copyright Douglas Stockdale

We wish you and your families a wonderful and Joy filled Christmas and Holiday season.

Warmest regards,

The editorial team and families of Douglas & Gerhard

December 16, 2016

David Taylor – Monuments

david_taylor-monuments_cover

Copyright 2015 David Taylor

Photographer: David Taylor (resides Tucson, Arizona)

Publisher: Radius Books (Santa Fe)

Essays: Claire C. Carter, Daniel D. Arreola, William L. Fox, Rebecca Senf (interview)

Text: English, Spanish

Hardcover book, sewn binding, four-color lithography, Document section (essay, maps, articles, Plate details), printed in Verona, Italy

Photobook designer: David Chickey, David Taylor

Notes: This photobook is an investigation of the borderland straddled by the United States on one side, Mexico the other that extends the 690 miles between the two El Paso/Juarez and Tijuana/San Diego. Marking that transition point are 276 boundary obelisks, with 52 constructed initially of stone (1883) standing 11 feet high then later 224 additiaonl were fabricated of iron (1891-1895) and slightly smaller at 6 and a half feet tall.  Taylor has photographed these boundary Monuments in a documentary and visually objective style, similar in idea to that of Bernd and Hilla Becher’s typologies. His photographic project was initiated in 2007, well before this borderland became a contested subject in the recent American presidential election and a book that probably has not been viewed in its entirety by the president-elect. This photobook project is essentially an expansion on Taylor’s 2008 Guggenheim fellowship that resulted in his earlier photobook, Working The Line, also published by Radius Books.

This is a obsessive investigation, as he has stated “the obelisks have ended up familiar figures invested with enormous meaning for me“. Each of the 276 boundary markers rests within an urban or rural landscape relative to the two respective countries. His photographs of the urban marker landscape provides a sharp visual contrast to the lives on either side of the borderland. The urban markers these are usually adjacent to a high fence or barrier to impede (or control) clandestine foot traffic. The urban photographs are in sharp contrast to the rural markers found in the mountains and large expanses of the desert, as these lonely markers provide the only evidence that a man-designated boundary occurs.

In terms of current social-political discussions about borders, especially as one contemplates the lonely markers high in the mountains or in the open desert, these photographs beg the question about what does a border really means?  Is a location/site more “American” or more “Mexican” ten feet, or even one thousand feet, on either side of the marker?

This is a large and thick volume, beautifully designed and printed, which results in a book object that is a pleasure to read.

Note: As one of the photobook judges earlier this year for Photo Book Independent, I had juried Taylor’s Monuments submission into the subsequent exhibition.

Cheers!

david_taylor-monuments_1

david_taylor-monuments_2

david_taylor-monuments_3

david_taylor-monuments_4

david_taylor-monuments_5

david_taylor-monuments_6

david_taylor-monuments_7

david_taylor-monuments_8

Early bird discount for photobook workshop ends this Saturday

douglas-stockdale-1

LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could also be a wonderful Christmas present for someone special ;- )

Just saying…

your wonderful Editor.

December 8, 2016

Kenneth O’Halloran – Bing, Bing, Bong, Bong, Bing, Bing, Bing

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_cover

Copyright 2016 Kenneth O’Halloran 

Photographer: Kenneth O’Halloran (born Corofin, Country Clare, resides Dublin, Ireland)

Self-published (Ireland)

Essay: Presidential Announcement speech, 2015

Text: English

Hardcover book with printed belly-band, sewn binding, four-color lithography, edition of 500, printed by Mirex, Gdansk (Poland)

Photobook designer: Mac & Ken

Notes: This documentary style project occurred in Los Angles on Hollywood Boulevard in the summer of 2016 during the United States presidential election. O’Halloran’s perspective was that of an outsider looking into an on-going political process, visiting this Southern California region from his native Ireland.

O’Halloran documented the raw emotional reaction of his subjects when confronting the name of one of the candidate’s bronzed in the sidewalk. His portraits of his subjects are tightly composed which appears to add an additional layer of tension to the emotional charged environment surrounding this location.

It might be an understatement that most of his subjects did not appear to react favorably to this landmark, as this candidate went on to lose the popular vote in the election by over two and half million votes as of this writing, while still becoming president-elect.

Best regards, Doug

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_1

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_2

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_3

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_4

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_5

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_6

kenneth_o-halloran-bing_bing_bong_bong_bing_bing_bing_7

Older Posts »

Blog at WordPress.com.