Paul Seawright’s earlier photographic work provides the conceptual foundation for this photobook. In his Sectarian Murder, 1988 he photographed the sites of sectarian murders around Belfast and removed reference to the victim’s religion. By depoliticizing the violence, Seawright focuses on the extensive civilian losses that occurred during this conflict. In his 2002 Afghanistan photographs, Seawright photographs artifacts that remain after a conflict again attempting to depoliticize the events that led to the violence.
In Volunteer, Seawright investigates the locations and sites adjacent to where the US military recruits. His narrative provides an examination of location of the US military recruitment centers sprinkled around the country and thus investigates the US Military recruit practices. His bleak viewpoint is focused away from the actual recruitment centers and out toward the surrounding urban landscape. It is his attempt to describe where, thus indirectly who, are the individuals that the US military is seeking to recruit.
The selected body of work depicts urban locations commonly found on the fringes of society. Many of the store fronts are vacant, structures are abandoned and the parking lots are virtually empty. This body of work is meant to be another series of depoliticizing photographs. Nevertheless these images are other than coldly objective, providing a subtle criticism of violence and war. Most of the photographic form is somber, featuring forlorn man-built landscapes predominantly captured during overcast days to create dreary feeling landscapes.
This is an image wrap hardcover book, without pagination or captions. The Introductory essay is by Seawright. The book’s binding is Smyth sewn which allows for a wonderful lay-flat read and was printed in four-color by Cassochrome in Belgium.