I had announced on my personal blog earlier this week that my photobook reviews will soon start being co-published in EMAHO magazine. Manik Katyal, the editior and publisher, has also asked me to be the “America” photobook specialist while Colin Pantall focuses more on the European photobooks. I thought that this was an interesting request and we are still defining this request. At the moment, as hopefully illustrated by the stack of books above, I am taking a very broad and liberal viewpoint on what constitutes an America photobook. I think I have always had a global perspective on contemporary photobooks, so I will not preclude discussing photobooks that don’t fit into this America category. Should be interesting.
The readers of this blog will probably notice some changes. First, since EMAHO is an on-line magazine for photography, fine art and music, I do need to format the size of my images to be consistent with their layout. All supporting photographs will have a wide frame and slightly larger than I have been using to date. I had standardized a long time ago on a 800 pixel width which will not change to a 868 pixel width. You might like the larger photographs, eh?
Another change is the background that the photobooks are resting on, which has been the flooring of my work area. This background has at times created a bit of inconsistency in the color management of my supporting photographs effecting the color of the books and their interiors. This color drift issue has been bugging me for some time so in conjunction with a recent rearrangement of my studio, I have created a new space to photograph the books. I am still tweaking this a little, but I am evaluating at a couple of different white backgrounds.
So the first book that I plan to publish on EMAHO magazine is the late W. Eugene Smith opus The Big Book published by the University of Texas Press (Austin, TX) last year. This book is a facsimile of a maquette (book dummy) that Smith created in 1960 but the final book was never published in his lifetime. Below are a couple of my test images with the new format and background. I still notice a very slight color shift of the backgrounds in the two images (same background), but an improvement over my earlier process. Still a little bit more work to do.
Oh yes, I did not realize until I published this book photo that I had inadvertently inverted Andreas Oekter-Kast photobook Looking for Wonderland, a German photographer’s road trip through America.