The PhotoBook

September 21, 2014

Tri-Fold Pages

Filed under: Photo Book Discussions, Photo Books — Tags: , , — Doug Stockdale @ 8:16 pm

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Copyright Laia Abril 2014 “The Epilogue” published by Dewi Lewis Publishing

I just received Laia Abril’s photobook “The Epilogue” and I was surprised by a design aspect of her photobook that is both unique as well as very smart;  interior pages (leaf) that a reader could pull out to reveal a hidden panel. Perhaps this page design has been lurking out there in the designers book of tricks, but it was new to me. It is similar in idea to a gate fold to conceal interior page panels, but with an interesting twist.

I quickly queried both Abril and the publisher, Dewi Lewis, as to what they were calling this design aspect. Abiril and Ramon Pez, her photobook design collaborator,  are calling it tri-fold pages, while the publisher is calling this a concertina fold out. Both descriptions seem applicable, but I am going to defer to Abril and Pez for what this design is called as they were responsible for the initial concept of this design as part of the final object. I do give immense credit to the Dewi Lewis publishing team for advancing this design into the resulting photobook as well as the spot-on printing execution by Grafiche Antiga (Italy) which is already a well know high quality photobook printer and binary.

The subtly of the design and execution lies in the near invisibility of the fold until the reader notes the subtle added thickness of the page and upon grasping, extendes the page out which reveals the hidden panel (see the example below from the photobook’s interior). For this book the revealed panel extends the narrative as well as symbolically “breaking the book” when the subject of the book, Cammy, has experienced a severe break down in her life’s journey. Brilliant!

Looking down on the top view of the book, the tri-folded pages are a bit more apparent.

Cheers

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1 Comment »

  1. I’m not an insider in the photobook design community, but Ramon Pez strikes me as an absolute genius. In addition to the tri-fold page design, his input was largely responsible for muting the tones in the printing of de Middel’s Afronauts. If you’ve seen the original prints, you know what I mean. They have a color sensibility similar to Sassen’s fashion photos. If the book had been published with those tones it would have had a cartoonish look and, I think, been wildly less successful

    Comment by Gary Bowden — October 16, 2014 @ 4:52 am


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