The PhotoBook

April 29, 2015

Photobook Independent this weekend in LA

Filed under: Uncategorized — Doug Stockdale @ 3:53 pm

This weekend in LA is the initial Photobook International that will occur in conjunction with Photo Independent and Paris Photo LA.

The opening night premiere party and exhibition preview is Friday, May 1, 5-10pm and the exhibition is Sat 11am – 7pm and Sunday 11am – 6pm.

Both Photobook Independent and Photo Independent will be at the Raleigh Studios Hollywood, 5300 Melrose Ave in Hollywood, which is right across the street from Paris Photo LA. A book faire and able to walk a film/tv production sound set, so how cool is that? Who knows whom you will bump into?? (maybe me?)

Photobook Exhibitors include:

Artists Corner Books, Los Angeles
Brittany Hutchinson, Los Angeles
Hesse Press, Los Angeles
Li Sun, Los Angeles
Linda Morrow Handmade Photobooks, Long Beach, CA
Lorena Turner, Los Angeles
Malulu Editions, San Francisco
Mark Dahle Portfolios, La Jolla, CA
Queensland Centre for Photography, Australia
Roustan Body Paint, Redondo Beach, CA
Schiffer Publishing, Ltd., Pennsylvania
Silvershotz, Australia
Teresa Heim, Petaluma, CA
Waltz Books, Indianapolis
ZERO+ Publishing, Claremont, CA
I will be making the rounds, checking out the photobooks, so hopefully see you there. I will be the guy wearing white PhotoBook Club pin!
Cheers!!

April 14, 2015

Andreas Oekter-Kast – Looking for (auf der suche nach) Wonderland

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Copyright 2013 Andreas Oekter-Kast, Published by bt:st Verlag

This photobook is photographed in a documentary style and could be considered a quintessential American Road-Trip, perhaps without the same amount of angst as found in Robert Frank’s The Americans. Both Frank and Andreas Oekter-Kast (Born 1964, Baden-Baden, Germany, currently lives in Kiel, Germany) are Europeans who are examining the American landscape and culture, with Frank originally from Switzerland and Oekter-Kast is from Germany. Much has occurred in the span of fifty-five years between the publications of their two photobooks.

As Oekter-Kast has shared in our exchange while I prepared this review; this is actually a road trip that was envisioned in 2001. At that time, he and his family had moved to Seattle from Germany and was now required to relocate to Boston, MA, but regretfully, time was of the essence and the ensuing drive was rushed. Since then, he has since moved back to Germany but this missed opportunity was omnipresent to both he and his wife’s mind and then they had the opportunity to recently revisit this journey.

Oekter-Kast and his wife were able to restart this journey in Seattle, visiting their American friends in conjunction with a strong desire to really see America. This road trip narrative is about making connections, with the past and the present while investigating what home is, having earlier made some strong connections in American while now living in Germany.

The itinerary was to meander from Seattle (WA) south through Portland (OR) to Northern California, then a hard left turn towards Chicago (IL), passing through Nevada, Utah and Wyoming before moving South into Illinois and Chicago then again due East to New York City (NY), up to Boston (MA) and return back to New York for the flight back to Germany.

So did Oekter-Kast find the Wonderland he was looking for? Perhaps. This photobook is a bit of diary that documents a personal quest and I suspect that he and his wife did experience more the complexity, contradictions and vastness that encompass the vast amount of space that we call America. It is evident to me and perhaps to the reader that he found some touchstones, some in small details, and others in his attempt to capture the grand landscape. Not an easy task to accomplish in a short span of time.

Having lived and worked in America for a while, Oekter-Kast is not a complete stranger to this complex culture and multi-faceted landscape, but yet it is still evident to me that he has perspective of someone who is somewhat a stranger in a very strange land and leaves us with something new to consider.

auf der suche nach / looking for / wonderland

This is a stiff cover book that is encased within a printed paperboard sleeve that also holds an accompanying DVD in an opposing pocket. The photobook/DVD sleeve is further packaged within a printed and embossed paperboard slip-cover. The text is in German and English, while the DVD has German subtitles. The introduction is provided by Richard Tooke and essays by Oekter-Kast. The filming for the DVD was by Angelika Oekter-Kast and co-edited by Andreas Oekter-Kast.

Previous Andreas Oekter-Kast photobook reviewed on this blog: Man-Power

Cheers!

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April 11, 2015

Bull City Summer

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copyright, 2014, the various photographer, writers and published by Daylight Books

It is April and the American baseball season is now in full swing, to savor the pun. I had obtained this photobook shortly after it was published in the Fall of last year, right smack in the middle of the American Football season, not exactly the time of year to be thinking about a collective project that explores the subject of baseball. Thus I waited until the pre-season baseball games were well in progress to started thinking about this photobook.

The subject encompasses a sporting event with well-choreographed players, at a specific location that is also a local social event. This project revolves around the Triple-A farm team Durham Bulls (not the hit movie Bull Durham) who play at their stadium, Durham Bulls Athletic Park, located Durham, North Carolina for the 72 game season in 2013.

I am usually more interested in photobook projects authored by a singular photographer but found myself intrigued by this commissioned body of work. The invited photographs are Alex Harris, Frank Hunter, Kate Joyce, Elizabeth Matheson, Leah Sobsey, Alec Soth, Hank Willis Thomas, and Hiroshi Watanabe. The book does not provide any clues as to why these photographers were selected, but does state that the photographs were not encumbered with any specific assignments.

Each photographer provides a unique perspective, but interesting that it is also difficult to identify some of the photographers by their work as to the similarity of their photographs. The tintypes of Leah Sobsey stand out as very unique as are the meditative black and white photographs by Watanabe, who grew up in a place where baseball was not the local pastime.

I can see myself in these pages, not necessarily attending a Triple-A baseball game, but thinking back to when my dad and I would walk over to watch the local high school games and on that rare occasion heading downtown with my dad, my glove in hand, to Tiger stadium, sitting high up in the bleachers wildly cheering on Norm Cash, Denny McLain, Jerry Lumpe, Willie Horton, Al Kaline and the rest of the team so long ago. At that time the Single-A, Double-A and Triple-A teams that lurked in the background, essentially the underbelly of this sport, were totally unknown to me.

In reading this book the photographers capture aspects of the unfolding events that take place outside and within the stadium, the atmospheric conditions that prevail in this part of the country at night, the social milieu in the bleachers, the players on the field, and the back story of the stadium operations. This narrative does not try to explain the game of baseball and the photographs are not the norm of the newspaper sporting pages. The book results in an interesting mix and blend and is a nice read. A definite recommendation if you are a baseball fan and enjoy great photography.

The hardcover photobook has an image-wrap cover and includes a photographic index and biographies for both the photographer and writers. The book was edited by Sam Stephenson and the essays are provided by Howard Craft, Michael Croley, David Henry, Emma Miller, Adam Sobsey and Ivan Weiss and the book designer is Ursula Damm. The four-color book was printed and bound in China.

Cheers!

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