The PhotoBook

February 29, 2016

Ralph Gibson – Political Abstraction

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Copyright 2014 Ralph Gibson

Photographer: Ralph Gibson (born Los Angeles, resides NYC, USA)

Publisher: Lustrum Press (USA) (Distributed: University of Texas Press, Austin)

Essays: Ralph Gibson

Text: English

Hardcover book with dust cover, sewn binding, four-color lithography

Photobook designer: not stated

Notes: This is Gibson’s first stated foray into digital photography and the book is also meant to be an exhibition catalog. His vertical photographs, now incorporating color in combination with his classic black & white images, are ambiguous photographs and not unlike those of his earlier seminal photobooks Somnambulist and Deja-vu. Gibson’s current book, Political Abstraction again provides Surrealistic juxtapositions, as his stated intent is to provide photographic diptychs for the reader/viewer to compare and contrast.

The Abstraction aspect of the book’s title is somewhat easy to grasp, as his truncated photographs are simplified and ambiguous forms, lines, shapes and colors without revealing the greater context of what (or where) the subject actually is. Gibson does pull back to provide more contextual information to the female nude forms, one of his stated sources from which all shapes are derived from. In his introduction, Gibson bullet-points almost 50 definitions of what he considers Synapses, including three repetitions of the “in democratic cosmopolitan culture a book can begin or end on any page in the book”, a key element of his Political theme, thus signaling that his paired pages can stand alone and his book does not necessarily provide an overall narrative save what the reader might glean form their appraisal of his collective pairings. Gibson concludes that “the reader is the subject of this book”, an interesting, if not confounding statement, born of his Ed Ruscha/ LA generation.

Cheers

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February 26, 2016

Published Photobook Competition announced

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Recently announced Left Coast photobook competition, this one is for photobooks that have been published and the winners need to be available for sale during PhotoBook Independent at the end of April in Los Angeles. Details are as follows, and if you have a published photobook, then check it out. By the way, there does not appear to be a restriction on when your book was published; all are fair game, as long as you still have copies to sell.

2016 PHOTOBOOK COMPETITION

PhotoBook Independent announces the 2016 PhotoBook Competition. Winning books will be exhibited and for sale at PhotoBook Independent and will be featured on the Photo Independent website and in their marketing campaign.

PhotoBook Independent will again take place at the Raleigh Studios in Los Angeles April 29-May 1, 2016 together with Photo Independent.

Now in it’s 3rd year, Photo Independent weekend celebrates international photography and talented image-makers across various genres of the medium. PhotoBook Independent will include curatorial walk-throughs, book signings, artist talks and other events. This is an incredible opportunity to reach an audience of photo book lovers and collectors in Los Angeles and environs, and to have your book featured on our website, social media and other marketing platforms.

Three books from the PhotoBook Competition will be chosen as Best in Show and will be honored at the Fair.

SUBMISSION GUIDELINES:

The PhotoBook Independent competition is open to all photographers and independent publishers in the United States and abroad.  Entrants may submit books of any size, format, or style. Submitted books may be self-published, by an on-demand service such as Blurb, Lulu, Apple Books, etc.; created by small run publishing companies; or have been hand-made/hand-bound. Dummy books and PDFs will be accepted, though actual books are preferred, so they can be offered for sale at PhotoBook Independent.

Submissions will be judged on book design, including page layouts, text, cover; strength of the photography and emotional impact of the overall book. All judging is at the complete discretion of the jurors and all decisions are final.

SUBMISSION FEE
The submission fees are as follows:

  • $25 for 1 book
  • $35 for 2 books
  • $45 for 3 books

SUBMISSION INFORMATION

Entries must be received (in hand) no later than March 21, 2016.

Winners will be notified in early April.

To enter:

  • Full out form here including uploading a JPEG file of your book cover(s)
  • Pay Submission Fee
  • Mail one copy of each book submitted to the following address:

Fabrik Media/PhotoBook 2016
269 S. Beverly Drive, #1234
Beverly Hills, CA 90212

If you would like the book returned, you must include a pre-addressed mailing label and sufficient postage. Otherwise your book will become the property of Fabrik Media.

Winning PhotoBook photographers and publishers will have the option of sending additional books to have for sale at the fair. Winners need not be present at the Fair.

All submissions must be original works created by the submitting photographer or be submitted by a publisher who has permission to submit the work.

By entering, the photographer or publisher warrants that the submission does not infringe any third party’s rights, and that you have obtained all necessary permissions from any third party. Once entered, all Submissions are final; no changes or edits may be made to your book.

February 23, 2016

Alessandra Kila – Calabria Upon Return

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Copyright 2015 Alessandra Kila

Photographer: Alessandra Kila (born Reggio di Calabria, IT, resides: London UK)

Publisher: Paper Tiger Books (London)

Poems: Alessandra Kila

Text: English

Stiff-cover book with French folds and elastic strap closure, loose binding, concertina insert four-color off-set, printed in UK by Jigsaw Colour in a numbered addition of 300

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Photobook designer: Laura Braun

Notes: Kila’s investigating the concept of “never being able to go home again”, as that once you leave a place, perhaps even for a short while, many things are not perceived the same upon returning. A person returns with different “eyes”, the new experiences change and modifies one’s memory and the subtle day-to-day changes that once went unnoticed become very staggering in retrospect.

This small photobook has a very smart, if not brilliant design. The text is printed on a concertina insert that weaves through the interior literally and conceptually holding the loose photographs, thus the book content’s, together. A photobook that immediately captures my imagination; recommended and I hope you can obtain one, as I suspect that these will disappear fast.

Cheers, Doug

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