The PhotoBook

August 25, 2016

Rania Matar – L’Enfant-Femme

Rania_Matar- L_Enfant-Femme_cover

Copyright 2015 Rania Matar

Photographer: Rania Matar (b. Lebanon – resides Boston, MA, USA)

Publisher: Damiani (Italy)

Essays: Her Majesty Queen Noor of Jordan, Louis Lowry, Kristen Gresh

Text: English

Hardcover book with tipped in photo, sewn binding, four-color lithography, captions and pagination, Plates, printed by Grafiche Damiani in Italy

Photobook designer: Jesse Holborn, Design Holborn

Notes: This is Rania Matar’s third book, L’Enfant-Femme (French: The Child Woman) is a continuation of her previous feminine exploration, A Girl in Her Room, of young girls on the cusp of womanhood. Likewise, this is also a study of the similarities and subtle differences of two geographic regions and their associated cultures; Northeastern U.S.A. and Lebanon, places that Matar knows equally well.

Her young subjects have a direct gaze towards the photographer and her lens, thus a direct connection with the viewer. As pointed out in essay by Kristen Gresh, Matar’s analog photographic methods do not provide the immediacy of visual feedback that her subjects probably have become so accustomed to. We view their meditative gaze, not smiling as requested by Matar, but sometimes I can still detect the hint of a smile in the corner of their mouths or in stark contrast, a guarded, if not defiant stare.

Matar’s captions provide a minimum of information about her subjects; age at the time of the portrait, and the young girl’s first name, although to dispel some of the ambiguity about her subjects, the location of each photograph is provided in the concluding page of Plates. To further reveal that these young women are in a stage of rapid transition, the concluding section has a series of facing pages with her subjects at the age of when this project began in in 2011 and then close to its conclusion in 2015.

As elegantly stated by Her Majesty Queen Noor of Jordan “work that inspires the viewers to reassess their stereotypes of girls and women, particularly in the Middle East. In calling these boundary-building preconceptions into question, Matar brings emphasis instead to what is both unique and universal, and thus to what connects us all.”

Like many great photographers, this photobook also provides a glimpse into her latest on-going portrait project in which she is working that I expect will be published soon (hint: daughters and their mothers).

Rania Matar has been previously featured on The PhotoBook: A Girl in Her Room (2012) and Ordinary Lives (2009).

Cheers

Rania_Matar- L_Enfant-Femme_1

Rania_Matar- L_Enfant-Femme_2

Rania_Matar- L_Enfant-Femme_3

Rania_Matar- L_Enfant-Femme_4

Rania_Matar- L_Enfant-Femme_5

Rania_Matar- L_Enfant-Femme_6

Rania_Matar- L_Enfant-Femme_7

Rania_Matar- L_Enfant-Femme_8

Rania_Matar- L_Enfant-Femme_9

August 13, 2016

Robert Adams – The New West

Robert_Adams-The_New_West_cover

Copyright 2015 (Steidl Edition) Robert Adams

Photographer: Robert Hickman Adams, Ph.D. (b. Orange, NJ – resides USA)

Publisher: Steidl Verlag (Germany) (first published by Colorado Associated University Press, 1974)

Essays: John Szarkowski & Robert Adams

Text: English

Hardcover book with illustrated dust jacket, sewn binding, four-color lithography, pagination and captions, printed in Germany

Photobook designer: Paul Weaver

Notes: This is a Steidl version of Robert Adams 1974 photobook of the same title which is a published photographic project resulting from his 1973/74 Guggenheim grant. Black and White photographs selected from this same project were also included in the now famous 1975 “New Topographics” exhibition at the George Eastman House (NY). There is not any overlap of the images in this book with the Eastman exhibition. Both this book and the Eastman exhibition share similar dispassionate urban and rural landscape images and I find it interesting to look at both of these bodies of work to grasp the larger context of Adam’s work at the time. And yes, I was drawn back in again to re-read Steidl’s 2009 edition of New Topographics, which I enjoy doing from time to time anyhow. Also interesting to note that Robert Adams was on the fence about participating in the Eastman exhibit as he was a fan of Ansel Adams’s environmental work at this same time.

Regretfully I do not own a copy of the 1974 version of The New West to compare with this version, but from prior experience with Steidl’s republication of seminal photobooks, I expect that it is equal to and potentially better in printing and binding than the original (which was clothbound with illustrated jacket). I also do not have the $1,000 plus to purchase a 1974 copy either.

This now classic book is divided into five sections that lead the viewer from the rural to the urban and concludes in the mountains; Prairie, Tracts and Mobile Homes, The City, Foothills, Mountains. You also get a subtle glimpse of Adams wry sense of humor as he usually seems to avoid signage, but apparently he could not resist with the house being built on the corner of Darwin Place. The body of work is a series of an anti-Modernist landscape images which document mankind’s encroaching developments in the New West of Colorado, providing what Adam’s calls “a normal view of the landscape”. And in the process Adams became a part of the continual process of redefining what “normal” is in the context to the landscape photography.

My only minor gripe is that each image has a huge white margin around it on the page and if the margins were reduced, could have allowed these wonderful images to be printed larger.

Recommended for those interested in the historical context of contemporary landscape photography.

Related photobook reviewed on The PhotoBook: Steidl’s edition, New Topographics 

Cheers

Robert_Adams-The_New_West_1

Robert_Adams-The_New_West_2

Robert_Adams-The_New_West_3

Robert_Adams-The_New_West_4

Robert_Adams-The_New_West_5

Robert_Adams-The_New_West_6

Robert_Adams-The_New_West_7

Robert_Adams-The_New_West_8

 

August 4, 2016

Alejandro Cartagena – Rivers of Power

Alejandro_Cartagena-River_of_Power_cover

Alejandro_Cartagena-River_of_Power_slipcover

Copyright 2016 Alejandro Cartagena

Photographer: Alejandro Cartagena (born Dominican Republic, resides Mexico)

Archive images: Fototeca de Nuevo Leon

Publisher: Newwer

Essays: Ximena Peredo, Gonzalo Ortega

Text: English and Spanish

Stiffcover book with printed slip cover, naked-sewn binding, printed insert, four-color lithography, printed in Spain

Photobook designer: Alejandro Cartagena & Fernando Gallegos

Notes: Rivers of Power is Alejandro Cartagena’s recently released photobook that explores the relationship between man and nature and the futile attempts by man to try to control nature, which in this case is the Catarina River running through the Mexican city of Monterrey.

His story reveals an empty and seductive river bed that seems to beckon entrepreneurs to take advantage of the unobstructed wide open spaces. A story about how mankind soon forgets that the usually trickle of river water can be deceiving evil in the face of the next horrific hurricane advancing in from the Caribbean.

Cartagena mixes historical photographs of the early riverbed construction to control this waterway to set the context for his story, then introduces his investigation using a documentary style of color photographs. The brilliant design of his book is a wonderful metaphor for his subject; the flexible interior book, like the river water, is encased in a hard shell, much like the conducts and pipes to control the water, which almost collapses when the interior book is removed. The stiffcover naked-binding allows the book to lay flat and in conjunction with the photographs printed full bleed across the two page spread, creates an enjoyable reading experience. Recommended.

Other Alejandro Cartagena photobooks previously featured: Before the War and Carpoolers.

Cheers

Alejandro_Cartagena-River_of_Power_1

Alejandro_Cartagena-River_of_Power_2

Alejandro_Cartagena-River_of_Power_3

Alejandro_Cartagena-River_of_Power_4

Alejandro_Cartagena-River_of_Power_5

Alejandro_Cartagena-River_of_Power_6

Alejandro_Cartagena-River_of_Power_7

Alejandro_Cartagena-River_of_Power_8

Blog at WordPress.com.