The PhotoBook Journal

February 9, 2017

Paula Bronstein – Afghanistan: Between Hope and Fear


Photographer:  Paula Bronstein (American, lives in Bangkok, Thailand)

Publisher:  University of Texas Press, Austin, 2016

Essays:  Foreword by Kim Barker / “Afghan Women” by Christina Lamb / Afterword by Paula Bronstein

Text:  English

Hardcover cloth-bound book with 228 numbered pages, 114 color images with captions; sewn binding, printed in China. Louann Atkins Temple Women and Culture Series Book 42.



Paula Bronstein is a courageous and committed photojournalist with a distinguished career. The cultural and political situation of a war-laden country is not easy to depict, and she does not shirk from a gutsy presentation that documents the Afghanistan situation from 2001 through 2015. In comparison to other book reviews I have done, this particular one has been a true emotional challenge. Paula Bronstein gets right to the heart of things; having received amazing access in difficult situations, she confronts the viewer with a very stark reality through stunning, in-your-face photographic documents, each of which is a story in itself, enhanced by situational details in the captions. The entire volume is a heart-wrenching documentation of America’s longest war. As she depicts a variety of problems, she also provides small glimpses of hope that point to possible solutions.

The volume is divided into three sections labeled “The Situation,” “The Casualties,” and “The Reality.” Besides the 114 color photographs comprising these three sections, there are also three essays: A foreword by Kim Barker deals with the photographer and the context. “Afghan Women” by Christina Lamb describes the background as well as the progress that they have made over the years. Paula Bronstein in an ‘Afterword’ (pp. 224-225) also describes some of the difficulties she faced in doing this work.

Subjects covered in this photographic journey include clashes between belief systems, cultural transitions under the influence of modernity, political and military strife, and the promise of educational opportunities for all, against a background of great turmoil. Both people’s fears and hopes are made relevant through the immediacy of the visual documents. Bronstein does her best to illuminate all the things that are often ignored or shoved aside, such as the byproducts of warfare euphemistically labeled “collateral damage” and the difficulties of oppression, be they cultural or religious: she shows the pain of it all, as well as some small joys and pleasures. As the sample double pages from the work shown below illustrate, military and political as well as social and medical challenges are included. Injuries depicted, both physical and mental, cry out for finding solutions to create a better world.

If ever there was a volume that shows the follies of strife and the need to make a huge effort to find peaceful solutions, this is the one. As I write this review, the press reports that the Afghan war killed 25% more children in 2016 than in 2015, as well as causing injuries to 23% more children than the previous year, affecting thousands of families (Los Angeles Times, February 7, 2017, p. A4), along with all of the equally lamentable adult casualties.

Gerhard Clausing










  1. Beautiful photographs but your Web site formatting doesn’t working properly on iPad and latest iOS 10…

    Comment by George Wedding — March 3, 2017 @ 5:09 am

    • Thanks for your comment, George. We have noticed that too, and are looking into fixing it!

      Comment by Gerhard Clausing — March 3, 2017 @ 7:07 am

  2. Bravo Paula Bronstein. She’s been making incredible images for decades!

    Comment by Robyn Wishna — March 3, 2017 @ 12:47 pm

  3. I will buy a copy. I’d love you to sign it somehow. Following you all these years. Never a reply. But I have always loved you as a friend. Remember me?
    Maybe not. Regardless, I am grateful here for social media. That’s what matters for staying connected.
    Rit 1975
    Kathleen murray

    Comment by Kathleen murray — March 10, 2017 @ 9:13 am

  4. […] We are in the midst of increasingly unacceptable acts of intolerance, escalating from verbal to physical violence. Today’s event on a baseball field near the U.S. capital is just the latest example. When will they ever learn: VIOLENCE DOES NOT SOLVE PROBLEMS! And so this book is another very important example to demonstrate this point, as was the work by Paula Bronstein on Afghanistan, which I reviewed here as well. […]

    Pingback by Richard Humphries – Kingdom’s Edge | The PhotoBook — June 15, 2017 @ 1:40 am

  5. […] the violence is nowhere on the horizon. Only a few months ago I reviewed the strong contribution by Paula Bronstein, Afghanistan: Between Hope and Fear, a work that has been well received and admired, especially in regard to the courage and insights […]

    Pingback by Giles Duley – One Second of Light | The PhotoBook Journal — September 13, 2017 @ 11:04 am

  6. […] Paula Bronstein, Afghanistan: Between Hope and Fear, University of Texas […]

    Pingback by Lucie Photo Book Prize Exhibition | The PhotoBook Journal — October 19, 2017 @ 11:26 am

  7. […] Bronstein, Afghanistan: Between Hope and Fear, University of Texas Press, 2016; a long term photo-documentary project about the on-going social […]

    Pingback by Interesting Photobooks of 2017 (plus a few from 2016) | The PhotoBook Journal — November 29, 2017 @ 2:34 pm

  8. […] concentrated on the fundamental strife in these countries of origin, such as Paula Bronstein’s Afghanistan – Between Hope and Fear, and Giles Duley’s One Second of Light. In this volume, Oeschger examines one geographic area – […]

    Pingback by Christoph Oeschger – They’ve Made Us Ghosts | The PhotoBook Journal — May 28, 2018 @ 6:52 pm

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