The PhotoBook Journal

August 23, 2017

Media partners – Lucie Foundation

Filed under: Photo Book NEWS, Photo Books — Tags: , — Doug Stockdale @ 2:51 pm

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Lucie Foundation, Photo Book Prize

We are very happy to announce that The PhotoBook Journal is a media partner with the Lucie Foundation for their first Photo Book Prize. We will continue to provide additional updates on the Book Prize as information becomes available.

The deadline for making the virtual book submission is looming. Books will not be required unless these are juried-in for the New York exhibition.

At the moment, we regretfully do not plan to be in NYC for this photobook event; I will be teaching a one-day Photo Book Marketing workshop that weekend with LACP and Gerhard will be participating in the Medium Photo Festival in San Diego. A very busy Fall schedule!

Cheers,

Douglas

August 15, 2017

CLAP! – Contemporary Latin American Photobooks

Filed under: Book Publications, Book Reviews, Photo Book Discussions, Photo Books — Tags: , — Doug Stockdale @ 1:45 pm

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Edited by Olga Yatskevich, Russet Lederman, Matthew Carson & Michael Lang

Published by 10 x 10 Photobooks (NY) copyright 2017

Text: English & Spanish (Español) & Portuguese

Stiff cover with folded dust jacket, sewn binding, four-color lithography, Index, List of Photographers and Editors, printed by SYL, Barcelona, Spain

Photobook designer: Richardo Baez

Notes:

This is another collective survey of photobooks by the 10 x 10 photobooks team, Editors Olga Yatskevich, Russet Lederman, Matthew Carson & Associate Editor Michael Lang, this time with a focus on what has been published in and by Latin America(s) between 2000 and 2016. These Latin photobooks were selected by 18 photobook specialist who study or follow the publications by photographers in this region. This survey is an interesting, broad and diverse teaser of publications by Latin photographers and photographic oriented artist. Likewise, the subject matter is equally broad, with many photobooks that might be termed having a strong Latin orientation.

CLAP! has a very creative design layout which unlike the earlier 10×10 American Photobooks I found be a challenge to determine what the true orientation of the referenced interior book spread, thus a bit confusing as to what the photobook may actually look like. The accompanying CLAP! Photobook Index of the book’s covers is a more traditional design and layout as well as a delight to cruise and speculate what might be lurking within the covers.

In our efforts for this journal to provide a broad discussion of international photobooks we have previously reviewed some of the photobooks found in CLAP!, thus we can help provide a little more in-depth examination of what is occurring in Latin America. Our book reviews include those by Alejandro Cartagena, Before the War and Carpoolers, Mariela Sancari, Moises and Guilherme Gerais, Intergalatico.

CLAP! provides wonderful evidence of the diversity and high energy going into the development of photobook by Latin photographers and this catalog provides ample opportunity to explore the many Latin photobook possibilities.

Previous 10×10 Photobook publications featured on TPBJ: 10 x 10 American Photobooks

If you found this review of interest, you may also want to check out America Latina Photographs: 1960 – 2013.

Cheers, Douglas Stockdale

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August 12, 2017

Harvey Benge – The Month Before Trump

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Photographer: Harvey Benge (resides Auckland (NZ) and Paris (FR))

Self-Published & Limited Edition with signed print (Edition – 50): New Zealand copyright 2017

Text: English

Stiff cover, saddle stitch binding, four-color lithography, printed NZ

Photobook designer: Harvey Benge

Notes: x

Harvey Benge’s The Month Before Trump is a collection of photographs made in the United States, specifically San Francisco and New York in October 2016, the month before the presidential elections. As a New Zealander who spends equal time between Auckland and Paris, he provides a sophisticated outsider’s eye which reminds me of a contemporary Robert Frank and his 1950’s seminal photobook The Americans.

While I believe Frank is a bit more searing in his vision, I find Benge to be a bit more subtle, while both photographers provide a unique while sarcastic view of the American urban landscape. As in earlier Benge photobooks, the paring of the mostly horizontal images create wonderful dialogs while usually sharing a spot of color or tonality to complement the resulting juxtaposition narrative.

Benge explains;

My pictures explore the strange anthropology of cities. The unusual and overlooked in the human landscape. I am asking the viewer to question the idea that photographs as documents are complete representations of subject. I’m interested in the universality of life and the idea of parallel lives – when one thing is happening here, something else is happening over there. The democracy of non-places fascinates me, in the knowledge that inevitably nothing is as it seems.

While the making his observations of the morphing American landscape was at a time prior to knowing the political outcome, the subsequent editing for his book was with the full realization of who had inadvertently landed a White House job. Thus perhaps the reason for what I perceive as an underlying dark edginess to his urban investigation.

Other photobooks by Harvey Benge that have been reviewed on The PhotoBook Journal; Sri Landa Diary, Birds, Against Forgetting, Eat me, Still Looking for It, All the Places I’ve Even Known, One day – Ten Photographers.

 

 

Cheers, Douglas Stockdale

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August 10, 2017

Announcing LUCIE PHOTO BOOK PRIZE

Filed under: Artist Books, Book Publications, Photo Book NEWS, Photo Books — Tags: , — Doug Stockdale @ 3:13 pm

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Lucie Foundation

We think that this is another interesting photobook prize to consider; here are the details:

The Lucie Foundation is dedicated to celebrating all forms of photography, in print and online and is pleased to introduce the Lucie Photo Book Prize. This program is a juried competition open to a diversity of submissions – from published to prototype to hand-made books.  The awards will be presented to photographers, editors, curators or publishers who have created such projects anywhere in the world within the last 24 months of our public call, starting July 25. The Lucie Foundation is proud to offer two cash prizes to the top two finalists for their outstanding work – one Traditional $3,000 cash prize and one Independent $2,000 cash prize. The Traditional Prize will be awarded to a photographer, editor, curator or publisher whose book is commercially produced and distributed. The Independent Prize will be awarded to a photographer, editor, curator or publisher whose book is published and distributed independently. The Lucie Photo Book Prize will coincide with the Lucie Foundation’s programming in New York City this fall, which includes the prestigious 15th Annual Lucie Awards, the 3rd annual Lucie Technical Awards and our sister-effort, the International Photography Awards Best of Show.  The top 30 finalists will have their work displayed at Splashlight Studios in New York City on October 28, 2017.

SUBMISSION PROCESS

Photographers, editors, and curators are all welcome to submit their books. Eligible books include exhibition catalogs, prototypes, proposals, independently published, self-published, traditional, limited edition, multi-artist, multi-author, single-author, intersectional, zine, handmade, reissue, and more!

DEADLINE TO SUBMIT: August 25, 2017

FINALISTS ANNOUNCED: October 2, 2017

WINNERS ANNOUNCED: October 28, 2017

APPLICATION PROCESS:  Complete Submission Form and upload PDF File of Book- http://luciephotobookprize.com/submit/

  1. Traditional- $50 for first submission, $30 for each additional category.

The Traditional Prize will be awarded to a photographer, editor, curator or publisher whose book is commercially produced and distributed.

  1. Independent- $25 for first submission, $10 for each additional category.

The Independent Prize will be awarded to a photographer, editor, curator or publisher whose book is published and distributed independently.

CATEGORIES:

1-Exhibition Catalogue: Printed publication made to accompany a temporary exhibition or installation at a gallery or alternative space.

2- First: Open to photographers, authors, and publishers who have not previously had a book published by a third party publishing house.

3- Handmade: Self-published book made by hand.

4-Intersectional: Publication that mixes photography with another medium. This can include text, music, painting, graphic design, poetry, and more.

5-Limited Edition: A book that is released in a limited quantity print run.

6-Multi-Artist: More than one artist, curator, etc. is featured in the publication.

7-Multi Author: Publication composed by more than one author.

8- Proposal: Plan or scheme of a publication, including visual and text which outlines book idea. To be juried by three publishing companies.

9-Prototype: Mock-up of a proposed publication.

10- Other: Publication that does not fit within in any of the thirteen categories.

11-Reissue: A book that has not been available for a period of time, but is now being published or produced again.

12- Self-Published: Publication of any book or other media by its author without the involvement of an established publisher.

13-Single Author: Publication produced by one author.

14- Zine: A small-circulation, self-published work.

SUBCATEGORIES: Culture, Documentary, Fashion, Fine Art, Nature, Other, Photojournalism, Portrait, Single Subject

JURY

The newly established Lucie Photo Book Jury – consisting of independent curators, creative directors, editors Lucie Honorees, and photography critics – will take part in recognizing and rewarding deserving photographers, editors, curators, and publishers  who share the passion of making incredible imagery through the photo book medium. The Jury is responsible for choosing the 30 finalists, as well as the top two cash prize winners.

ABOUT LUCIE FOUNDATION

Lucie Foundation is a 501(c)3 nonprofit charitable organization whose three-tiered mission is to honor master photographers, discover and cultivate emerging talent, and promote the appreciation of photography, worldwide. Lucie Foundation presents a variety of programs throughout the year, including its signature program, The Lucie Awards.

August 8, 2017

Eanna de Freine – The Indie Photobook Publishing Guide

Filed under: Photo Book Discussions, Photo Book NEWS, Photo Books — Tags: , , — Doug Stockdale @ 12:56 pm

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Copyright Eanna de Freine 2017

Since many of the readers of TPBJ are either interested in self-publishing or at least knowing more about self-publishing, we want to share a new and (somewhat) FREE Indie Photobook Publishing Guide. Okay, maybe not entirely free, as you can read the Guide on line, but if you want to download it and obtain some of the other freebies, then you will need to recommend it to three friends, providing de Freine with some additional email addresses for his newsletter. Regretfully not always a free lunch.

So in advance I will reveal that I was involved in the development of this guide as a Beta reader, Editor and interviewed for one of the self-publishing Case Studies about my recently released Bluewater Shore. I was also joined by Clare Rowland, Tom Westbury, Euan Ross, Kalen Lee, Domenico Bruno Lobkowitz, David Flynn, Gabriele Harhoff and Uwe Bedenbecke in the Editing and other Case Studies were provided by Rohan Hutchinson, Gabrielle Harhoff, Nuno Moreira, Sebastien Tixier, Dustin Shum, Christophe le Toquin, Matej Sitar (America My Way), Sandra Koestler and Diane Vincent (OBEN).

Eanna de Freine is the publisher behind the Indie press The Velvet Cell and has seven years experience producing over 60 titles (six of which are his own photobooks) that have achieved total sales of over 5,000 copies. So he draws on all of that publishing experience as well as the collective advice from the various Editors that he has enlisted to ensure that his Guide is based on solid footing.

That said, what the guide does not get into in much depth is the editing and sequencing of a book, but the accompanying Case Studies do discuss this important aspect of developing a photobook.

Where the Guide shines is:

  • Why consider Indie publishing for your photobook
  • Important questions to ask yourself before proceeding
  • The biggest mistakes self-publishers make
  • How to fund and validate your photobook before you go to print
  • How to prepare and print your photobook in the most economical way
  • How to sell and distribute your photobook online and to bookshops
  • Creative ways to grow your fan-base and build an audience who will eagerly await your next book

Thus if self-publishing is in your future then this practical Guide should help as many photographers and artists can attest that publishing a photobook, either with an established publisher or doing it yourself, can be a bumpy ride. It is really nice opportunity to take advantage of the pitfalls and experience of others.

So check it out (here) and see if this Guide might help you on your self-publishing journey. I would be interested in hearing your feedback. I am also available to assist with mentoring you on this journey if you would like some additional assistance.

Cheers, Douglas Stockdale

August 5, 2017

KayLynn Deveney – All You Can Lose Is Your Heart

Filed under: Book Publications, Book Reviews, Photo Book Discussions, Photo Books — Tags: , — Gerhard Clausing @ 1:39 pm

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Photographer:  KayLynn Deveney (born Albuquerque, New Mexico; resides in Northern Ireland and New Mexico [summers])

Publisher:  Kehrer Verlag, Heidelberg & Berlin, Germany; © 2015

Essays:  KayLynn Deveney, Jean Valjean Vandruff, Hank Stuever

Text:  English

Cloth-bound sewn hardcover; 128 numbered pages, 62 full-color illustrations; 20×24 cm, printed in Germany

Designer:  KayLynn Deveney and Kehrer Design

Notes: 

The “typology” approach – series of objects that are similar yet different, and their interesting variations – has been around in photography since the exhibition and publication of New Topographics in 1975. Here at The PhotoBook Journal, we reviewed the industrial typologies of the Bechers in 2009, dealing with the works  At Museo Murandi  and Basic Forms of Industrial Buildings, as well as applying the same principle to other man-made structures in landscapes in our 2010 review of New Topographics (an excellent short overview of some of the genre’s history). That work was mostly monochrome, thus visually somewhat removed from our everyday life as we experience it in our current super-saturated current world of smartphones and selfies.

So here we find ourselves in the era of typology revisited – photographer KayLynn Deveney visits “storybook ranch houses” in the Western United States more than half a century after they were built, in order to observe what has happened in the meantime, resulting in a typological study of latter-day user treatments. This is a documentary and a sociological assignment, to be sure; many of the houses have changed hands a number of times in the interim, and a variety of people have left their mark on these buildings that once represented the homes that middle-class buyers were encouraged to dream about. As she states in the introduction on page seven, “the photographs of the houses come to stand in as metaphorical family portraits.”

It seems that color images are the best way to document these changes: plants (some of which outdo the relatively drab structures in color and size), seasonal decorations, cars and trucks, pets or statues of pets, and pottery, add some warmth to a generally alien and distant architecture of kitschy sameness that nevertheless has the effect of conveying or providing some simulated folk-world-related comfort. We marvel at the variety of ways that residents have added touches of individual meaning to their homes. In addition, there are a few double-page spreads featuring two similar houses in different locations, or two treatments of portions of the same house. The locations of the homes are noted in their captions.

This volume also greatly benefits from an essay by Hank Stuever on “Dream Homes” that explains the architecture from the perspective of the culture of its time, and delves into the application of a fairy-tale approach to people’s homes in an age of nuclear anxiety. The essay gives us an idea regarding the dreams and hopes of buyers of times gone by, and how the dream-fulfillment was orchestrated by architects and builders of the middle of the 20th century, as well as how it was implemented in several areas of the United States. “All you can lose is your heart” was an advertising slogan meant to entice families (especially the “lady of the house”) to purchase such homes that were somewhat at odds with the environment for which they were built. The comments by the architect, Jean Valjean Vandruff, regarding the concept and history of these “Cinderella Homes,” along with reprints of the original advertising and an exterior design drawing, also provide some important background information.

A very interesting study indeed! I am hoping that KayLynn will apply her formidable visual scouting prowess to similar projects of homes and their culture in Northern Ireland and other places!

Gerhard Clausing

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