The PhotoBook Journal

January 11, 2018

Gerard Boyer – Ser de La Cala

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Photographer:  Gerard Boyer (born in L’Ametlla de Mar, Spain; lives in Tarragona, Spain)

Publisher:  Fuego Books, Murcia, Spain; © 2011-2016 by Gerard Boyer

Texts:  Quotes in Catalan, Spanish, and English

Zine-style, naked-bound and glued, with stiff printed wrap; 22.6 x 32 cm; 64 pages; edition of 500; printed in Spain by CeGe

Photobook Design and Art Direction:  Gerard Boyer, Ignasi López, Román Yñán

Notes: Our memories are very tricky things – they are partial, emotional, full of gaps and uncertainties, and prone to embellishment. Good ones, bad ones, and everything in between. What was, might have been, could have been, should have been? And what is our role in what we have made prominent in all of this, or shoved aside as faded bits and pieces?

Gerard Boyer is from Catalonia, an area politically part of Spain, but with its own language and proud identity. Along the eastern coast there is a certain rugged landscape by the sea and an independent spirit to go with it. This had its impact on this volume of recollections: a view of childhood and its contexts in the “La Cala” (The Cove). The book, professionally designed to make an impression of incidentally “found” detail, illustrates these feelings very well, in that it approximates how detail swerves in and out of our consciousness. The format is that of a large-size glossy magazine; the binding is “naked” (check out our discussion “Naked Bound”), and we get the impression of a past that is full of distinct yet partial memories. Some text portions with quotes are bound to the front and also internally, to evoke further associations in the viewer. There is also a map of the area, with a small window, perhaps suggesting the distant access for an outside viewer. The volume is contained in an intriguing folded, cover-like wrap-around, with an abstract design suggesting land and sea.

The images are an appropriate mix of subjects, showing childhood portraits, family members, area landscapes and other local markers, and some of the folks from the family and the community. Some of the images show a certain ruggedness and imperfection, such as large out-of-focus areas, light-struck film exposures, and faded color to parallel fading memories and thought intrusions.  Themes such as the rugged camaraderie and sensory strength among anglers and the major role of motherhood emerge. As we view this multilayered sequence of images that are presented effectively to approximate the workings of the mind as it comes up with its recollections, we are confronted with doing our own memory work, remembering things from our own childhood as well. And isn’t that precisely what an effective photobook will do, to make us also get in touch with ourselves. An innovative treatment, well done!

Gerhard Clausing

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