The PhotoBook Journal

July 14, 2018

Cathy Immordino – Through The Looking Glass

Filed under: Artist Books, Book Reviews — Tags: , , — Doug Stockdale @ 9:52 am

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Artist: Cathy Immordino (born Eden Prairie, MN & resides Los Angeles, CA)

Self-Published, USA, 2017

Text: English

Soft cover, hand printed & PVA binding, leporello design, cyanotype printing, Edition 20

Artist book concept & designer: Cathy Immordino

Notes: In Lewis Carol’s fantasy novel Through the Looking Glass, the reader embarks on a curious journey that takes them to strange and wondrous events, as if in the Twilight Zone, into a mysterious parallel world. Likewise Cathy Immordino taps into another mysterious experience with the design and layout of her complex and layered artist book of the same title.

She states “The book explores the different uses of lenses in a steampunk manner. From space helmets and ships to submarines, robotic birds and fish, lens growing trees, robots and interior design and more. “Through the Looking Glass” further explores the possibilities of lenses in another reality”.

As observed in the top view of her book below, the book can be experienced by folding, refolding and examining the contents from various perspectives. In the process one finds some mysterious and wonderfully hidden content. Similar to Carol’s narrative, Immordino invites the reader to take a “trip” to consider how one experiences reality and the many possible alternatives to view one’s life perspective.

That the book contains a submarine and to find out the book was Cyanotype printed in her basement (yes, there a few of these in Southern California) is a delightful autobiographical twist. This artist book is very high on creative entertainment value.

Cheers!

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June 9, 2018

Ellen Korth – Fabric of Time

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Artist: Ellen Korth (b. The Hague, Netherlands – resides Deventer (Netherlands) & Nordhorn (Germany)

Self-Published 2018 and developed in collaboration with Castle (Kasteel) Twickel (Netherlands) (see exhibition photo below), signed and numbered Edition of 50

Text: English

Poetry: Pablo Nerudo

Stiff cover, rolled, artist printed on 14-gram Japanese Awagami double-layered paper, and then bottom layer removed, Japanese binding by Fopma Wier/Wytze Fopma

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Photobook designer: -SYB- (Sybren Kuiper)

Notes: Family mysteries and family secrets, how does one investigate these and then subsequently report their findings? What if there is no collaboration; those who could speak to what occurred are no longer among us, then how does one know really with certainty what the “truth”, a slippery slope at best, might be?

Ellen Korth is continuing to investigate into what might be her family history. With this latest work, a layered translucent artist book, she provides a wonderful metaphor for memory while attempting to deal with her mother’s desire to keep her own past a secret.

Her subject are garments that are from a wardrobe collection at the Castle (Kasteel) Twickel, which are reminiscent of her mother’s under clothes that constitute very personal feminine items. It is by looking closely at these personal items similar to those her mother choose to spend much time in cleaning and preparing, Korth might find some understanding or make a connection with the secrets of her late mother’s past that she was reluctant to share.

Perhaps fitting that Korth is investigating undergarments in a quest to further understand here own mother, as these items are things that a woman would keep secret, as these are concealed under her clothing. Metaphorically clothing is a facade, meant to hide what resides underneath, while the undergarments create both exterior form as well as concealing the person’s full identity. A facade is a false front, projecting something that one might want others to think they know and with Korth’s own mother, not allowing others to know the true person who lurks within.

Likewise utilizing the thin translucent Japanese Awagami paper to print her book, Korth layers her subjects, allowing one to see thru the ghostly layers.  Nevertheless these layered pages, without providing a clear and sharp definition, are visually representing various attributes of a murky and unknown memory.

Other photobook by Ellen Korth featured on The PhotoBook Journal: CHARKOW 

Cheers

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May 31, 2018

Douglas Stockdale – Middle Ground / En Medio Tierra

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Photographer:  Douglas Stockdale (born in Butler, PA; living in Rancho Santa Margarita, CA)

Self-published artist book of 31 images hand-bound by the artist in an accordion (leporello) presentation, yielding 66 pages (blank verso), attached to stiff covers with flip-over French fold; 8.5×6.75 inches; printed in four-color lithography by Dual Graphics, Brea, California; edition of 99 plus 5 artist proofs; © 2018

Text:  English and Spanish

Photobook Designer:  Douglas Stockdale

Notes:  This innovative artist book by Douglas Stockdale brings to mind the parable “Before the Law” by Franz Kafka, in which a man is confronted by what seems to be an overwhelming obstacle and fails to overcome it, even though he could have, as we who are the readers readily understand. How often in life are we confronted by small barriers that can easily become seemingly overwhelming …

Here is a volume of innovatively presented and artfully sequenced freeway observations. The 31 photographs that Douglas Stockdale has arranged in leporello (accordion) fashion constitute a panorama of barriers. We sense the static moments of being stuck in stop-and-go traffic, repeated moments sufficient to take photographs of dividers put up for traffic purposes, with ‘beautification’ planters placed behind them. There is the aggravation of heavy traffic along the Interstate 5 route toward the border in San Diego; there is the annoyance and challenge of being separated from that which lies beyond the barriers. And we observe details: some houses, some palm trees, the national flag almost beyond reach, and other structures to which we can’t immediately relate. And yet there must be other people there … who and where might they be? And some of the barriers are much less than perfect, they show damage or are surrounded by debris. It is a less than perfect, seemingly endless constructed landscape.

So we can consider this project, which is a typology of barriers, a metaphor for the barriers and separators of all kinds that people wish to throw between and among us. Especially in our current moment in time there are many whose main task is to foment social, racial, and/or economic anger and pin it on the “others,” whether we are talking about ethnic, social, economic, or other groups.

Can we overcome these barriers? Of course we can. Look at Stockdale’s images: there are gaps one can squeeze through, there are small boards or a bit of sand to help us take the first step beyond, to let the middle ground lead us toward reaching a better understanding of those that may be different, yet almost within reach. In every country there are many ethnic, economic,  religious groups or segments of the population with somewhat different belief systems, individual preferences, or somewhat different shades of skin color that some wish to marginalize or not give the full respect they deserve. It is important to overcome such barriers and to take the all-important steps toward others. Truly united societies require respectful collaboration rather than splintering into subgroups, and Stockdale’s visual compendium can be an impetus toward overcoming barriers and obstacles.

This project invites each viewer to engage with the presentation and to find individual meanings. It is my guess that this volume, which has been given a bilingual slant but no artist admonition as to its interpretation, will become quite a collector’s item. I would advise you to get your copy while you can, as the edition is very small. For those of you who can make it to L.A. this weekend, Stockdale will give an artist presentation about this work at the closing reception of the exhibition on Saturday, June 2, at 4-7 p.m., Fabrik Projects Gallery, 2636 South La Cienega Boulevard, Los Angeles, CA (near Culver City).

The PhotoBook Journal has previously featured or reviewed the following other books by Douglas Stockdale:  Ciociaria, In Passing, Pine Lake, Bluewater Shore, and Guide to Self-Publishing an Indie Artist Book.

Gerhard Clausing

 

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May 14, 2018

LA Pages – Book Fair for Independent West Coast Publishers

LA Pages – Book Fair for Independent West Coast Publishers

Dates: May 18-19-20th

Times: 11am – 8pm

Location: Mayra’s Banquet Hall, 6075 Normandie Ave, Los Angeles (yes, believe it or not, just below South Park)

This event is produced by 8-Ball Community, Bunny Jr and Ooga Booga, and it’s a one time only, not for profit and in memory of Shannon Michael Cane. Everyone is welcome, & FREE entry!

With 80+ exhibitors.

THU 5/17 – FUNDRAISER EVENT
Food by Familia Romero
Music performance by Yanga (8pm)

FRI 5/18
Music curated by 8-Ball Radio
Food by Natural Soul Food
Music performance by Black Congress (7pm)
Future Preservation / Short film festival curated by 8-Ball TV & Symposium (8pm)

SAT 5/19
Music curated by Bunny Jr.
Food by Mai Downs
Music performance by É Arenas (7pm)

SUN 5/20
Music curated by Kchung Radio
Food by Natural Soul Food
Music performance by Jazzy Romero (7pm)

May 6, 2018

Acid-Free Los Angeles Art Book Market 2018

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Acid-Free LA Art Book Market, Blum & Poe 2018 copyright Douglas Stockdale

This past weekend, May 4-6th, 2018 was the first Acid-Free LA Art Book Market held at Blum & Poe, Los Angeles, near the Culver City Art District.

This is a new left coast art book event that occurred this weekend here in Southern California/Los Angeles. Regretfully this event did not get onto my radar until the last few days until various publishers and galleries announced their booth information. Fortunately for me, the location at Blum and Poe is literally across the street from the gallery that represents me, Fabrik Projects and where my exhibition was opening Saturday morning.

So a two-fer for a Saturday; check-in at Fabrik Projects to ensure everything was copacetic for my exhibition, Middle Ground/En Medio Tierra, and then pop across the street to quickly check out Acid-Free. Since my leporello book dummy for Middle Ground/En Medio Tierra was also being exhibited, this allowed me to Segway to my exhibition while talking self-published books and book designs. A win-win. Or at least I thought so (yuk, yuk).

Acid-Free is a three-day art book market organized by a collective of Los Angeles based independent publishers. Approximately 80 exhibitors, both local and International, with video, music, programming, and some food and drink.  I am still unsure of the reason for this Art Book Market’s name of Acid-Free and no one present could explain it either. Another mystery wrapped in an enigma.

Attendance was lighter than I expected compared to the Saturday mob usually found at the alternative event hosted by Printed Matter and their LA Art Book Fair. (note: LA Art Book Fair was canceled this year due to unforeseen events). Most of my book friends were not aware of this event until the middle of last week.

Nevertheless, still in attendance were some of my local and international favorite publishers and book stores; Lucy Soto with Artbook, Clint Woodside with his Dead Beat Club, Tricia at The Ice Plant, Morel Books, Chris and his Nazraeli Press, TBW Books, Hassla, Winfried Heininger (he was putting more money in the meter and missed photographing him) and his Swiss Kodoji Press and some local galleries were present as well, such as Kopeikin Gallery (Paul giving me his stoic gallery gaze) and Peter Fetterman Gallery.

As anticipated, I left with my share of photobooks tucked in my kit-bag; Deanna Templeton’s They Should Never Touch the Ground, pub 2015 by Dead Beat Club (#31); Lucas Foglia’s Human Nature, pub 2017 Nazraeli Press; Alejandro Cartagena’s Santa Barbara Shame on US, pub 2017 Skinnerboox & distributed by Kopekin Gallery, and Mark Klett’s Traces of Eden: Travels in the Desert Southwest, pub 1986 David R. Godine, Publisher, Inc (also signed by Klett) and copies are still available from Kopekin Gallery.

And of course, just a tiny bit of book publishing gossip. Really, just a tiny bit.

Cheers,

Douglas

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April 26, 2018

Pre-order: Douglas Stockdale – Middle Ground/En Medio Tierra

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Middle Ground/En Medio Tierra (book dummy) 2018 Douglas Stockdale

As I just announced on my personal photo-blog Singular Images, I am very excited to accept pre-orders for my artist book Middle Ground/En Medio Tierra! Which is one of the reasons that I have not been providing book reviews for the past couple of weeks. The other wonderful reason for my absence is that the book publication will occur concurrent with the exhibition of this body of work at Fabrik Projects, a gallery located in Los Angeles (adjacent to Culver City), which opens May 5th and runs through June 2nd, 2018. The artist reception will be on Saturday, May 12th, so if you are on the left coast at that time, I hope you can join me from 6-8pm on the 12th.

Also, I was just notified by Los Angeles Center of Photography (LACP), that two of the photographs from this project were selected for their third annual Fine Arts exhibition which will exhibit concurrently. This is a new experience for me!

This project investigates an urban landscape in a documentary style. Although this project was initially developed as a political satire to create a parody of “bigley” wall on the America”s southern border with Mexico, it has come to symbolically represent some issues that are more universal. This American landscape is a metaphor for political, economic, social, and cultural barriers and walls that people create to impede the progress and acceptance of others. If you are building or maintaining walls, you are not building bridges to acceptance. Aesthetically, this project has already been likened to a mash-up of Ed Ruscha’s “Every Building on the Sunset Strip” with Christo’s “Running Fence”.

The books will be ready to ship by the middle to end of next month. I am doing the leporello binding and it may take me a little while to complete each of the dozen connections required for these artist books.

So here are the artist book publication details:

Self-published, publication date; May 2018 (concurrent with exhibition at Fabrik Projects, Los Angeles, CA)

Stiff covers with flap-over French fold, Leporello book design

Pages: 66 pages (blank verso)

Photographs: 31 Images, color

Printing: 4 color lithographic printing

Leporello binding: hand-bound by the artist

Book design and layout by the artist

Artist book, edition size 99 + 5 A/P

Book trim size: 6-1/2” x 8-1/4” (165mm x 210mm)

Acknowledgements & Colophon, without essays, captions or pagination

Text: English and Spanish

Cover paper: 18 pt C1s Tango

Interior paper: 80# GPA Uncoated Text (Gloss)

Retail price: $59.50 USD (CA residents add sales tax)

I can process your book orders through Paypal. Until May 5th, for those in the United States, the price will include my shipping costs. For outside the U.S. I need to add an additional $15.00 to the cost of the book for shipping (if it turns out that it is more, I will absorb it).

Note: since the book will not been printed until next week, the book images are from my book-dummy.

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March 18, 2018

Report on Photobook Day at LACP Open House, March 17

Filed under: Artist Books, Book Publications, Photo Book Discussions, Photo Books — Tags: — Gerhard Clausing @ 9:30 pm

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Yesterday was a very exciting day at the Los Angeles Center of Photography (LACP) in Hollywood. During its Open House Weekend, March 17 emphasized photobooks.

The day started with a fascinating presentation by our own Douglas Stockdale. In covering the topic “Photobook Pre-Visualization,” he took the audience on a tour of his own book-publishing history, and shared some of the thoughts, trials, and tribulations behind each of several projects. Contrasting his commercially published volume Ciociaria with several projects in the self-publishing category (Bluewater Shore, Middle Ground), it was an apt demonstration how projects move from the conceptual stage to the finished product, and what all can happen in between. Doug especially emphasized the importance of the necessary haptic and visceral experience with physical “dummies” (maquettes), since you can change the format and sequence around as much as necessary until a satisfactory sample is arrived at. For his latest project, Middle Ground, he showed four stages of dummy preparation.

Dan Milnor, Creative Evangelist for Blurb, was next, with his presentation “Self-Publishing for Photographers: Blurb Books.” Here too the emphasis was on creativity and experimentation. Blurb provides a variety of tools and printing sizes and formats to fit any idea a photographer might have. Dan emphasized that potential photobook artists should dare to break out of the constraints of predictability and sameness. He encouraged each photographer to be “an interesting original human being” and to collaborate, especially with excellent designers.  He then presented a range of photobooks, published by himself over time, as well as by others, showing multiple format ideas, and discussed some cost issues as well.

The third major event was a panel discussion on “How to Get Your Book Published.” With Douglas Stockdale as moderator, experiences were shared by Stephen Schafer, Cat Gwynn (we will be reviewing her book here shortly), Sarah Hadley, Dan Milnor, and Mark Edward Harris. Projects covered included, among others,  photography in exotic locales, publishing offbeat projects, and the role of photography as a therapeutic experience.

In the vendor area, it was possible to check out products and services presented by ASMP-Los Angeles, Blurb, Canon, Dual Graphics, Fabrik Projects, Freestyle, Hahnemühle, and The Artist Corner. A portfolio and book walk by LACP members and presenters (shown above), as well as raffle prize drawings, rounded out the afternoon. The day was also enhanced by food and refreshments facilitated by the one and only Julia Dean (Executive Director), Brandon Gannon, and other dedicated staff members and assistants. Thank you to all — it was a lovely and productive day!

Gerhard Clausing

 

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Douglas Stockdale, explaining one of the dummy stages of Middle Ground

 

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Dan Milnor, Blurb Creative Evangelist

 

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Panel Discussion: D. Stockdale with Stephen Schafer, Cat Gwynn discussing Ten-Mile Radius, and Sarah Hadley

 

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Sarah Hadley discussing her project about Venice, with Dan Milnor

 

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Dan Milnor listening to Mark Edward Harris

 

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Photography is about sharing!
All photographs © Gerhard Clausing 2018

March 4, 2018

Photo Book pop-up exhibit and curator talk at Palos Verdes Art Center

Filed under: Artist Books, Photo Book NEWS, Photo Books — Tags: , , , — Doug Stockdale @ 3:31 pm

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Photo Book Pop-up exhibition, Palos Verdes Art Center, February 2018 copyright photos by Karen Schuenemann

As was previously announced, I gave a curatorial talk about Photo Books as Art for the Photographic and Digital Art (PADA) group of the Palos Verdes Art Center (PVAC) at their facility last week.

I had intended to highlight just the photobooks that Gerhard and I had selected as the Most Interesting Photo Books for 2017, but as I set these aside, on the spur of the moment I included some additional photobooks from my collection that provided a more diverse look at the creative side of the photo book object. Thus I included the following photographer’s photobooks; Mariela Sancari’s self-published Moises (one of the best photobooks of 2016), Claire Felicie’s self-published Only the Sky Remains Untouched (second place, Photo Independent’s International Photo Book Competition), Ellen Korth’s self-published CHARKOW (winner, Photo Independent’s International Photo Book Competition), Roger Ballen’s Ballenesque and The Theatre of Apparitions, Max Pam’s Ramadan in Yemen, Kate Nolan’s Neither, Andrej Lamut’s Nokturno, Renee Jacobs’s Slow Burn (limited edition version) Tymon Markowski’s self-published Flow, Harvey Benge’s Home Town Dream, Matej Sitar’s self-published America, My Way and Nancy Rexroth’s IOWA. I also shared by Blurb book dummy In Passing and introduced my photographic project Middle Ground to illustrate the development of a book dummy, which I had all three versions of Middle Ground.

The group was pretty enthusiastic about the international scope and creative designs that I included in this pop-up mini exhibition. The discussions were pretty wide ranging from the book designs, book designers, self-publishing, book printing and just about everything in between. At the conclusion of my presentation, everyone had a chance to inspect and further discuss the featured books.

Later this month I will be providing a mini-seminar, Photo Book Pre-visualization, as well as leading a book discussion panel for Los Angeles Center of Photography (LACP) on Saturday, March 17th, details here. I will also have available some of my photobooks, including Bluewater Shore, Ciociaria and Guide to Self-publishing an Indie Artist Book.

Cheers!

02-28-18 Stockdale during Photo Book Presentation for PADA by Karen Schuenemann

February 26, 2018

Harvey Benge – Home Town Dream

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Photographer: Harvey Benge (born New Zealand & resides Auckland, New Zealand & Paris)

FAQEDITIONS (Self-Published) Limited Edition, signed and numbered book + print (E 50): Auckland, NZ copyright 2017

Text: English

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Stiff cover, saddle-stitch binding, four-color printing, printed in NZ

Photobook designer: Harvey Benge

Notes: A mysterious and ambiguous narrative with dark hints of surrealism, which in some ways appears that I am attempting to describe a fine bottle of wine. Perhaps I am.

In Harvey Benge’s introduction, he states that this smaller body of work is an extraction from a trade book intended to be published in 2018 and that this compilation of photographs was created over a ten year duration. “In this experimental work I simply wanted to see what would happen if I constructed this book only using the Auckland pictures, placing them in the same order that they will appear in the expanded trade edition. This makes for a picture sequence that is totally random and constructed without the use of logic or intuition. Make of it what you will.”

Nevertheless there are still some characteristics of Benge’s photo-documentary style that resonates with me apparently irrespective of this attempt at randomness. Each page spread is a mini-drama echoing some element; be it shapes, color or a similar poignant moment. This stylistic thread that runs thru the book probably hearkens back to the larger edit in his investigation of the nature of dreams. His short narrative creates an interest in what still lies ahead.

Other photobooks of Harvey Benge reviewed on TPBJ: The Month Before TrumpStill Looking for ItAll of the Places I’ve Even Known,  Eat Me, Sri Lanka Diary, February 2011BirdsAgainst Forgetting

Cheers

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February 24, 2018

Photobook Day March 17 With Douglas Stockdale & Special Guests – LACP Open House (March 16-18, 2018)

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Photo courtesy of Douglas Stockdale, Founder/Editor of  The PhotoBook Journal

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Join LACP for our Sixth Annual
Spring Open House


Featuring workshops, panel discussions, portfolio & photo book walk, raffle prizes, vendors, food, drink and much more!!

March 16th – 18th, 10 am – 5 pm

 

On Friday, March 16, 10 am – 5 pm, bring your old, used camera equipmentand turn it into cash! 

  • KEH Camera will be at LACP all day buying used photo equipment
    On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

 

Saturday, March 17, 10 am – 5 pm

On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

10:15-11:00 am – “Photo Book Pre-Visualization” taught by  Douglas Stockdale, Founder/Editor, The PhotoBook Journal
$20 for Members; $40 for Non-Members

11:15 am-12:00 pm – “Self-Publishing for Photographers: Blurb Books” with Dan Milnor,
$20 for Members; $40 for Non-Members

12:30-1:30 pm – Free Panel Discussion, “How to Get Your Photo Book Published,
moderated by Douglas Stockdale, Founder/Editor, The PhotoBook Journal
Panelists include Dan Milnor, Cat Gwynn, and more (TBA).

2:30-4:30 pm – Free Portfolio and Photo Book Walk featuring the work of LACP Members  (contact info@lacphoto.org to sign up for a table space)

Throughout the day:
• There will be various organizations and vendors present including ASMP Los Angeles, Hahnemühle, Freestyle, Blurb, The Artist Corner, and more!
• Raffle tickets available and prize drawings!
• Complimentary lunch (served from 1:30 – 2:30 pm)
• Complimentary wine and beer (served from 1:30-4:30 pm)

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Sunday, March 18, 10 am – 5 pm

  • Come take part in one of several of our 17 “mini” classes and seminars.  A full day pass is only $100!!

10:00 am:
1) “Portraiture: An Artistic Journey” with Ken Merfeld
2) “Understanding Your Camera’s Features” with Peter Bennett

11:00 am:
1) “Introduction to the Documentary World” with Kevin Weinstein
2) “Let’s Talk Lenses” with Peter Bennett
3) “Creating Worlds and Stories with Photomontage” with Ry Sangalang

12:00 pm:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “The Singular Vision” with Andrew Southam
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

2:00 pm:
1) “Street Photography Essentials” with Ibarionex Perello
2) “Moving Your Career Forward: Steps to Success for Photographers” with Sherrie Berger
3) “Black & White Conversion using Lightroom” with Rollence Patugan

3:00 pm:
1) “Crash Flash” with Julia Dean
2) “Best Practices Using Social Media for Photographers” with Paul-Michael Carr, TBA
3) “Monitor Calibration” with Eric Joseph

4:00 pm:
1) “How to Teach Photography” with Julia Dean
2) TBA
3) “Digital Printmaking Primer” with Eric Joseph

  • Click HERE to sign up for the classes.  (Please note not all classes are posted yet.)
    • Individual classes are $20 for Members; $40 for Non-Members. Sign up now! Seating is limited.
    A one-day Sunday pass is $100 for Members; $200 for Non-Members.

The Open House is all about community. It’s a time and place for all those interested in photography and the arts to come together and meet, socialize, learn, laugh and grow. Network with other artists, try your luck at some terrific raffle prizes, sell your used camera equipment, meet organizational vendors, take some classes and more! Whatever your pleasure may be, we encourage you to spend a weekend with us, invite your family and friends, and enjoy some good camaraderie, fellowship and fun!

A Time and Place for the
Photo Community to Come Together

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