The PhotoBook Journal

March 4, 2018

Photo Book pop-up exhibit and curator talk at Palos Verdes Art Center

Filed under: Artist Books, Photo Book NEWS, Photo Books — Tags: , , , — Doug Stockdale @ 3:31 pm

02-28-18 Stockdale Photo Book Presentation for PADA by Karen Schuenemann

Photo Book Pop-up exhibition, Palos Verdes Art Center, February 2018 copyright photos by Karen Schuenemann

As was previously announced, I gave a curatorial talk about Photo Books as Art for the Photographic and Digital Art (PADA) group of the Palos Verdes Art Center (PVAC) at their facility last week.

I had intended to highlight just the photobooks that Gerhard and I had selected as the Most Interesting Photo Books for 2017, but as I set these aside, on the spur of the moment I included some additional photobooks from my collection that provided a more diverse look at the creative side of the photo book object. Thus I included the following photographer’s photobooks; Mariela Sancari’s self-published Moises (one of the best photobooks of 2016), Claire Felicie’s self-published Only the Sky Remains Untouched (second place, Photo Independent’s International Photo Book Competition), Ellen Korth’s self-published CHARKOW (winner, Photo Independent’s International Photo Book Competition), Roger Ballen’s Ballenesque and The Theatre of Apparitions, Max Pam’s Ramadan in Yemen, Kate Nolan’s Neither, Andrej Lamut’s Nokturno, Renee Jacobs’s Slow Burn (limited edition version) Tymon Markowski’s self-published Flow, Harvey Benge’s Home Town Dream, Matej Sitar’s self-published America, My Way and Nancy Rexroth’s IOWA. I also shared by Blurb book dummy In Passing and introduced my photographic project Middle Ground to illustrate the development of a book dummy, which I had all three versions of Middle Ground.

The group was pretty enthusiastic about the international scope and creative designs that I included in this pop-up mini exhibition. The discussions were pretty wide ranging from the book designs, book designers, self-publishing, book printing and just about everything in between. At the conclusion of my presentation, everyone had a chance to inspect and further discuss the featured books.

Later this month I will be providing a mini-seminar, Photo Book Pre-visualization, as well as leading a book discussion panel for Los Angeles Center of Photography (LACP) on Saturday, March 17th, details here. I will also have available some of my photobooks, including Bluewater Shore, Ciociaria and Guide to Self-publishing an Indie Artist Book.

Cheers!

02-28-18 Stockdale during Photo Book Presentation for PADA by Karen Schuenemann

February 24, 2018

Photobook Day March 17 With Douglas Stockdale & Special Guests – LACP Open House (March 16-18, 2018)

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Photo courtesy of Douglas Stockdale, Founder/Editor of  The PhotoBook Journal

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Join LACP for our Sixth Annual
Spring Open House


Featuring workshops, panel discussions, portfolio & photo book walk, raffle prizes, vendors, food, drink and much more!!

March 16th – 18th, 10 am – 5 pm

 

On Friday, March 16, 10 am – 5 pm, bring your old, used camera equipmentand turn it into cash! 

  • KEH Camera will be at LACP all day buying used photo equipment
    On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

 

Saturday, March 17, 10 am – 5 pm

On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

10:15-11:00 am – “Photo Book Pre-Visualization” taught by  Douglas Stockdale, Founder/Editor, The PhotoBook Journal
$20 for Members; $40 for Non-Members

11:15 am-12:00 pm – “Self-Publishing for Photographers: Blurb Books” with Dan Milnor,
$20 for Members; $40 for Non-Members

12:30-1:30 pm – Free Panel Discussion, “How to Get Your Photo Book Published,
moderated by Douglas Stockdale, Founder/Editor, The PhotoBook Journal
Panelists include Dan Milnor, Cat Gwynn, and more (TBA).

2:30-4:30 pm – Free Portfolio and Photo Book Walk featuring the work of LACP Members  (contact info@lacphoto.org to sign up for a table space)

Throughout the day:
• There will be various organizations and vendors present including ASMP Los Angeles, Hahnemühle, Freestyle, Blurb, The Artist Corner, and more!
• Raffle tickets available and prize drawings!
• Complimentary lunch (served from 1:30 – 2:30 pm)
• Complimentary wine and beer (served from 1:30-4:30 pm)

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Sunday, March 18, 10 am – 5 pm

  • Come take part in one of several of our 17 “mini” classes and seminars.  A full day pass is only $100!!

10:00 am:
1) “Portraiture: An Artistic Journey” with Ken Merfeld
2) “Understanding Your Camera’s Features” with Peter Bennett

11:00 am:
1) “Introduction to the Documentary World” with Kevin Weinstein
2) “Let’s Talk Lenses” with Peter Bennett
3) “Creating Worlds and Stories with Photomontage” with Ry Sangalang

12:00 pm:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “The Singular Vision” with Andrew Southam
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

2:00 pm:
1) “Street Photography Essentials” with Ibarionex Perello
2) “Moving Your Career Forward: Steps to Success for Photographers” with Sherrie Berger
3) “Black & White Conversion using Lightroom” with Rollence Patugan

3:00 pm:
1) “Crash Flash” with Julia Dean
2) “Best Practices Using Social Media for Photographers” with Paul-Michael Carr, TBA
3) “Monitor Calibration” with Eric Joseph

4:00 pm:
1) “How to Teach Photography” with Julia Dean
2) TBA
3) “Digital Printmaking Primer” with Eric Joseph

  • Click HERE to sign up for the classes.  (Please note not all classes are posted yet.)
    • Individual classes are $20 for Members; $40 for Non-Members. Sign up now! Seating is limited.
    A one-day Sunday pass is $100 for Members; $200 for Non-Members.

The Open House is all about community. It’s a time and place for all those interested in photography and the arts to come together and meet, socialize, learn, laugh and grow. Network with other artists, try your luck at some terrific raffle prizes, sell your used camera equipment, meet organizational vendors, take some classes and more! Whatever your pleasure may be, we encourage you to spend a weekend with us, invite your family and friends, and enjoy some good camaraderie, fellowship and fun!

A Time and Place for the
Photo Community to Come Together

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February 23, 2018

Photo Books as Art – Artist talk

Filed under: Artist Books, Photo Book NEWS, Photo Books — Tags: , — Doug Stockdale @ 9:17 am

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Book dummy #2, Middle Ground, copyright 2018 Douglas Stockdale

For those on the left coast next week, I am very happy to be speaking on “PhotoBooks as Art” for the Photographic and Digital Artist Group (PADA) at the Palos Verdes Art Center (PVAC) on Wednesday, February 28, 2018 at 7 pm. For non-members there is a $10.00 fee, with the good news is that you will also be in the drawing for one of my photobooks.

Additionally I will be introducing my current photobook project that is in development, Middle Ground, a political satire (some now calling it a political protest book). FYI, starting to take names for an interest list to be released later this year.

The PADA announcement:

DOUGLAS STOCKDALE TO SPEAK ON “PHOTOBOOKS AS ART” at PVAC WEDNESDAY, FEB 28
Douglas Stockdale, artist, educator, mentor and founding publisher of The PhotoBook Journal will give photographers tips on using photobooks as a way of presenting their portfolios and as works of art in themselves at the Palos Verdes Art Center (PVAC) on Wednesday, February 28, 2018 at 7 pm. At this meeting, sponsored by the Photographic and Digital Artists Group (PADA), Stockdale will review selections by the editors of The PhotoBook Journal for their “Interesting Photo Books for 2017”. 

The books to be discussed will be available at the presentation and can be previewed on The PhotoBook Journal website

Admission to this event for non-PADA members is $10 and automatically enters the ticket holder in a drawing for one of the speaker’s books.

Two of Stockdale’s limited edition artist books were recognized, respectively, as one of the Best Photography Books for 2017 and 2014. He has curated/juried photobook exhibitions for Photo Independent and Fotografia Internazionale di Roma, Rome, and co-curated with 10×10 Photobooks and FotoBookFestival Kassel (Germany) and was a guest curator for LA Photo Curator.

The PhotoBook Journal
Feature & promote photographers & artists & their published work

Hope to see you there!

Douglas

February 19, 2018

Photo-eye bookstore on the move & moving sale

Filed under: Photo Book NEWS, Photo Book Stores — Tags: — Doug Stockdale @ 4:37 pm

photo-eye Bookstore: 1300 Rufina Circle

Photo-eye new book store location

Here’s the update on the move for the Photo-eye bookstore in Santa Fe, New Mexico:

After 27 years at our Garcia Street location, photo-eye Bookstore will be moving to a much larger space at 1300 Rufina Circle, Suite A3 (across from the old Santa Fe Greenhouses on the corner of Rufina Street). We will be next to the Rufina Taproom, with Meow Wolf just a short walk away on the other side of Rufina Circle. Next to us will be the new Kakawa Chocolate House (their second Santa Fe location).

photo-eye Gallery remains at 541 South Guadalupe Street.
Stay tuned for our schedule at our new location or call 505-988-5152 ext. 201

Also they are having a book sale to reduce moving costs, a win-win for us and them.

In-store sale: 50% (or more) off select titles*

376 Garcia Street, Santa Fe NM 87501
*EXCLUSIONS APPLY:
  • Offer valid only for in-store purchases on marked titles (see below for online sale).
  • 50% off all sale books unless otherwise noted.
  • Multi-Book discounts apply as follows:
    • 3-4 marked sale books: additional 10% discount off total order.
    • 5-9 marked sale books: additional 15% discount off total order.
    • 10 or more marked sale books: additional 20% discount off total order.
  • Regularly priced titles are eligible for the terms of the ONLINE SALE (see below)

On-line sale: 15% off all IN-STOCK In-Print Books*
10% off all IN-STOCK Limited Edition Books*

*EXCLUSIONS APPLY:
  • Offer valid for IN-STOCK books only.
  • Offer not valid on backorders, pre-orders, out-of-print books, Amazon orders, or gift certificates.
  • All orders MUST be placed and finalized by Tuesday, February 20, 2017 at 11:59 pm MST (UTC -7).
  • Offer not valid on previous orders. Previous orders may not be cancelled and reordered at a discount.
  • Orders WILL NOT be combined (consolidated) with previous orders.
  • Orders placed during the sale may not ship untill the conclusion of the sale.
Enter code MOVINGSALE in the Special Instructions field
when finalizing your order
.

 

Cheers!

February 8, 2018

Classic Photographs at Bergamot Station

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Judy Dater, Only Human, Santa Monica, February 2018 copyright Douglas Stockdale

This past weekend Gerry Clausing and I took a small road trip from Orange County to Santa Monica for the Classic Photographs exhibition event. It is appearing that this will one of the few photographic exhibition events in Southern California with Photo l.a. and LA Art Book Fair not occurring this year. Gerry writes in more detail about Classic Photographs from a photographic viewpoint on SoCal PhotoExchange, while I am going to briefly discuss the photobook opportunities that we found.

In years past, there were a number of small exhibition booths for “classic” prints (predominately black & white, silver halide prints) and essentially no photobooks were present at Classic Photographs. But this time we were noting that Nazraeli Press was going to be present this year in conjunction with a couple of books signings gave me some hope. Thus it was nice to have some time to chat up photobooks and photobook designs with Chris Pichler of Nazraeli Press early in the morning before the area became more crowded. Yes, my take-away was the recently published photobook by the husband and wife team of Deanna and Ed Templeton Contemporary Suburbium, an interesting leporello design book (second image below of Chris holding this book open).

One of the high points was an opportunity to talk with Judy Dater while her signing booth was being set up. Dater’s new book, Only Human, was just published this year (hot off the press!) by Loyola Marymount Press, which is associated with the University of the same name that is located in Los Angeles. My request was for Dater to display one of her favorite photographs in the book, seen above. I think that is also my signed copy that she is holding and now sitting near by me.

The third photobook to feature is the recently released photobook by Cat Gwynn, 10-Mile Radius, (directly below) an autobiographic photographic project that she developed while going through extensive breast cancer treatments. Her book is a combination of her writing, photographs and found inspirational text. Gwynn is local to Los Angeles and there is a very good chance that we will be on a photobook discussion panel together hosted by LACP next month. Yes, I acquired her book as well.

There were also two dealers, Michael Dawson Gallery (LA) and Stephen Daiter Gallery (Chicago) that brought some collectible and rare photobooks that regretfully remained hidden behind glass cases, unless you were actively engaged in purchasing one of these beautiful (and for some, rather expensive) gems.

Thus I am not sure how the Classic Photographs event will evolve over the next few years, but there is now some hope that it might be more inclusive of photobooks as art objects. Stay tuned!

Cheers

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January 29, 2018

The PhotoBook Journal Ranked #1

Filed under: Photo Book NEWS, Photo Books — Tags: — Doug Stockdale @ 10:21 am

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Interesting Photobooks for 2017 selection by TPBJ staff

This weekend we were treated with a little surprise as we received notice that this photobook website was selected as one of the top twenty photobook sites on the web. Okay, not bad! Then I read a little further and found out that not only are we in the top twenty, we were ranked #1! Wowzerrrr!!

The group (blog.feedspot) performing the data analytics apparently perform their analysis for different kinds of interest groups on the web and apparently when they decided to analyze photobooks, there we were. And apparently they really liked what they found. Nice!

Others photobook sites also included in the top twenty were #2 photobookstore magazine (bookstore), #3 photo-eye magazine (bookstore), #6 Collector Daily (bookstore), #7 Zookbinder (binder company),  #8 Bildersturm (Thomas Schulz, book blogger, Germany, who also has a photozine blog Bildstorung, not on the list), #9 Snapfish (Print on Demand supplier), #10 My Canvas (Print on Demand supplier), #12 Elizabeth Avedon (blogger), #13 The Independent Photobook (blogger), #14 10×10 Photobooks (blogger, book publisher), #15 The Angry Bat’s Nice Photobooks (Matej Sitar, blogger). An interesting mix, but really only a few independent photobook bloggers like us.

Of course, this is interesting and a nice pat on the back, but really this site is supported by the readers, and of course the photographers whose books and publication we feature in conjunction with their publishers. Nevertheless, a very nice honor.

Also news, we have increased our social media coverage as we work towards a revised format. So in addition to our primary social media on Facebook (@thephotobookjournal) and LinkedIn, we now have as of the first of this year:

Instagram @tpbjournal

Tumblr @thephotobookjournal

Twitter @pbookjournal

So join our expanding party as we continue to look at, examine and discuss contemporary photobooks.

Cheers!

December 21, 2017

LA Art Book Fair – Update

Filed under: Photo Book NEWS — Tags: , — Doug Stockdale @ 2:27 pm

For 2018 it was just announced that there will not be a LA Art Book Fair, which is some sad at the end of the year news for the left coast. This has a been a popular event in LA, extremely well attended and a fair that is notable for its diverse publications for sale. I had been looking forward to this event and thus I am very disappointed, but I understand why. Thus now looking forward to the 2019 event!

Here is the press release from Printed Matter, the fairs sponsor;

Dear Friends and Colleagues,

I regret to announce that Printed Matter’s 2018 LA Art Book Fair has been cancelled due to the unavailability of The Geffen Contemporary at MOCA, the Fair’s venue of the last five years, and the tragic and unexpected passing of our friend and Fair Curator Shannon Michael Cane.

Over the years, the LA Art Book Fair has grown to become one of the art publishing world’s largest gatherings—a community-driven celebration of innovation and creativity, as well as a rich educational forum for engaging with all facets of art book publishing. We are greatly disappointed that we are unable to mount the Fair in 2018.

The LA Art Book Fair will definitely return in 2019 with renewed energy. Thank you for your understanding and support, and we hope to see you at our NY Art Book Fair at MoMA PS1 in the fall.

November 29, 2017

Interesting Photobooks of 2017 (plus a few from 2016)

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Interesting Photobooks of 2017, copyright Douglas Stockdale

As in years past, we have been providing a short list of photobooks we have found interesting, whether it was the photographic content, concept of the project, the book’s design or production qualities; and most interesting when it was a delightful combination of all of these book elements.

For our editorial team selection we limited ourselves to the photobooks we received with time to really evaluate the book object in its entirety. I have readily admitted in the past we do not have access to read and study every photobook that was published during the year, thus our list is not meant to be inclusive as there are a great many other interesting photobooks that were published this year. Our list may not be the “Best” photobooks of 2017, but rather we have selected some of the more interesting photobooks for your consideration. In a couple of cases, we have included books that were published in late 2016 that have come to our attention this year.

We have published commentaries for most of these, which are linked-up. It is our intent to publish commentaries for the remaining photobooks shortly. So in alphabetic order:

Roger Ballen, Ballenesque, Thames & Hudson, 2017, a really interesting retrospective of Ballen’s creative body of work, also The Theatre of Apparitions, Thames & Hudson, 2016 (we did not see this until early this year); An astute personal investigation of the mind against intercultural backgrounds.

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Roger Ballen

Paula Bronstein, Afghanistan: Between Hope and Fear, University of Texas Press, 2016; a long term photo-documentary project about the on-going social impact of war in Afghanistan.

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Paula Bronstein

Claire Felicie, Only the Sky Remains Untouched, Self-published, 2016; provides an intriguing layered visual design that creatively investigates the concepts of lingering trauma after warfare.

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Claire Felicie

Lea Habourdin, Survivalists, Fuego Books, 2017; an intriguing book design that investigates a concept about personal/cultural survival. (Review pending)

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Lea Habourdin

Ellen Korth, CHARKOW, Self-published, 2016; presenting difficult parts of a personal history using a very innovative set of books.

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Ellen Korth

Andrej Lamut, Nokturno, The Angry Bat, 2017; a dark and moody investigation which provides an interesting environment to explore a diverse range of metaphoric potentials.

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Andrej Lamut

Robert Lyons, Pictures From the Next Day, Zatara Press; An introspective project that explores aging, personal relationships and American culture. (Review pending)

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Robert Lyons

Tymon Markowski, Flow, Self-published, 2017; a great utilization of a book design that captures the essence of photo-documentary project’s investigation of a region.

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Tymon Markowski

Duane Michals, Portraits, Thames & Hudson, 2017; a retrospective of his portrait work in the context of his trademark, if not iconic, creative storytelling.

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Duane Michals

Nancy Rexroth, IOWA, University of Texas Press, 2017 (first edition, self-published, 1977); an updated and re-edited edition of this fine art photobook “classic”, which still maintains its artistic vitality. (Review pending)

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Nancy Rexroth

Douglas Stockdale, Bluewater Shore, self-published, 2017; (A little bit of personal bias) Exploring American culture and family as well in part for its production merit as it is the first photo book that was printed with a duotone (black & white) digital lithography printing process.

Bluewater Shore limited edition artist book

Cheers!

Douglas & Gerhard

November 28, 2017

Duane Michals – Portraits

Filed under: Book Publications, Book Reviews, Photo Book NEWS, Photo Books — Tags: , — Gerhard Clausing @ 2:44 pm

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Photographer:  Duane Michals (born in McKeesport, Pennsylvania; resides in New York City)

Publisher:  Thames & Hudson, New York, NY, © 2017

Essays and commentary:  Duane Michals

Text:  English

Hard cover with dust jacket, sewn binding, four-color printing; 176 numbered pages; 178 captioned photographs with additional notes and commentary; 12×10 inches; printed and bound in China

Photobook designer:  Mark Melnick

Notes:

It seems Duane Michals has been a creative storyteller forever (more than half a century). He has a great mind that is always bubbling with new ideas, and the application of these ideas has found its way into our consciousness as the decades have gone by. He has not been afraid to forge ahead to tackle the problems that life generates by transforming them into some therapeutic sequences and mixed-media images. He even hand-writes text to go with his images or sequences so that we may share his trains of thought and insights. Best of all, he is one of the most honest and straight-forward people I have ever met, and he is an entertainer full of earthy humor on top of all that! Below there is a sequence of two photographs I took of him at the 2014 Palm Springs Photo Festival, showing the master photographer as performer in a moment of self-awareness during a lecture:

 

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The Magic Theater: Duane Michals as Duane Michals – © 2014 Gerhard Clausing

 

This is the latest of his many books, and it is a fascinating collection of portraits with an emphasis on well-known personalities, including actors, musicians, artists, and writers, as well as some of his self-portraits and personal portraits, occasionally combining the two categories through an incorporation of his reflection. Included are many well-known people, such as Meryl Streep, Tilda Swinton, Richard Gere, Barbara Streisand, Liza Minelli, Johnny Cash, Andy Warhol, Annie Leibovitz, Susan Sontag, Norman Mailer, to name just a few. There are also a number of personal photographs, such as the one of his grandmother (double page four below, right side), elevated to celebrity status through these juxtapositions.

Michals comments: “The photo is a document of when and where, not who and why. Is the emotion that I see in your glance authentic or is it just a simulacrum?” He posits four types of portraits:  1. Stand and stare  2. Prose portrait (tells the story of a person)  3. Annotated portrait  4. Imaginary portrait (his idea of what somebody might be). Naturally, almost all his portraits are in categories 2-4. He frequently uses reflections (mirrors, glass) to emphasize interconnectedness and multiplicity. Long exposures and multiple exposures are other methods by which Michals shows movement and action and interprets reality freely through his imagination. Occasionally painting on the image will add his extra interpretive touch (Marlene Dietrich, double page one, right side).

This volume is a compendium of surprise views of those who may otherwise seem familiar; this coffee-table size volume is highly recommended!

TPBJ previously featured a review of Duane Michals – 50

Gerhard Clausing

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November 3, 2017

Douglas Stockdale – Guide to Self-Publishing an Indie Artist Book

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Author and Principal Photographer:  Douglas Stockdale (born Butler, PA; resides Rancho Santa Margarita, CA)

Publisher: Self-published; first edition, first printing of 400; copyright © 2017

Text: English

Stiff-cover saddle-stitched book of 40 numbered pages with 14 images on several types of paper; 7.5×9 inches; full-color digital lithography, printed by Dual Graphics, Brea, California; $19.95 plus shipping ($4.50 in US & $15.00 USD other countries)

Book Design: Douglas Stockdale and Craig Evans – Text Editor: Gerhard Clausing – Cover Photograph: Scott Mathews

 

Notes: 

This book had its debut at the Medium Festival of Photography in San Diego, California, on October 26, 2017, and was received with great enthusiasm. It is a detailed guide to help the artist through all the steps and considerations to keep in mind when thinking about and executing an independently published artist book.

Douglas Stockdale, editorial founder of and prolific contributor to The PhotoBook Journal and SoCal PhotoExchange, who has been our guide through many artistic and publishing intricacies which he has discussed in hundreds of book reviews and articles, really gets to the point in this publication. Fortunately, his collaborator and sponsor in this venture is the renowned printing and communications company Dual Graphics in Brea, California, which already assisted Ansel Adams in artfully transferring his photography to print many years ago.

Doug certainly practices what he preaches. As a successful mentor and leader of workshops dealing with planning, producing, and marketing photo books, and as an author of a number of them himself (In Passing, Ciociaria, Pine Lake, Bluewater Shore), he is able to lay out logical and creative patterns for planning and doing artist books that are designed to help artists avoid many possible pitfalls that he has observed over time. The discussion is divided into five stages, which also constitute the chapters of this book:

  1. Book Pre-Visualization
  2. Marketing (including funding and fundraising)
  3. Book Development (including editing, sequencing the images, and making a book “dummy”)
  4. Book Design (and options)
  5. Book Production

Just to name one very important consideration, this Guide introduces marketing issues early in the process, rather than at the end, as others have done, since marketing information and decisions are integral to all other considerations that follow. Doug also devotes important space to the topics of selecting and sequencing the images to be included in an artist book, a topic that is sketchy in other guides on publishing your own artist book. There are many other planning considerations that he discusses to help the reader untangle potential difficulties.

Another fascinating feature of this book, extremely useful and exclusive, is the addition of sample pages of several different types of paper on which the same color and monochrome images are printed, so that the effect of printing on papers with different surfaces and characteristics can be seen. While the images below are no substitute for getting the actual book and studying the printing on the actual paper, they allow you to begin to see some differences. This feature alone is worth more than the cost of the book, as it is the best demonstration for working closely with a top-notch printing company, and to alert the potential maker of an artist book to all the details that can make a huge difference. There are also detailed descriptions of the papers included, as well as definitions of many terms that make the artist more knowledgeable when dealing with the printing and binding options. Needless to say, the author’s style is to the point, easy to read, and not filled with unnecessary technical jargon.

This book is highly recommended, especially if you are not quite sure about doing an artist book. The overview and the details provided here will help you understand and appreciate the process and will serve as a checklist to guide you through the entire process when you have made the decision to take the plunge, which will be greatly facilitated when consulting this publication during the sojourn.

Gerhard Clausing

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