The PhotoBook Journal

April 28, 2017

Douglas Stockdale – Bluewater Shore

Bluewater Shore limited edition artist book

Artist:  Douglas Stockdale (born Butler, PA; resides Rancho Santa Margarita, CA)

Publisher: Self-published, hand-inscribed, limited signed edition of 99; Copyright © 2017

Text: English

Stiff-cover book of 32 pages with 16 prong-bound images, unnumbered; in poly slip-cover; Fultone® digital lithography, printed by Dual Graphics, Brea, California

Notes: Photobooks that present their images in a loose format, i.e., not permanently bound and sequenced but changeable, are still the exception. One such successful work was David Alan Harvey’s 2012 project entitled (based on a true story), dealing with life in Rio, with real and imagined storylines. That innovative volume (which received a number of important awards) was designed with double pages whose sequence could be rearranged to tell a different story from the viewer’s perspective, using the same images, but with new juxtapositions. A more recent predecessor to Bluewater Shore is Douglas Stockdale’s Pine Lake, reviewed previously; it shares a similar image presentation format with Bluewater Shore, which is its sequel.

In the case of Douglas Stockdale’s Bluewater Shore, we have a hand-inscribed and hand-assembled limited edition artist book presenting a simulated drugstore-issued set of 16 prints that take the viewer on an imaginary trip taking place in the 1940s: a young woman traveling to “bluewater shore” with her women friends. Since that was a time in which women were able to feel some greater sense of self and independence, they were not accompanied by males as might have been the expected practice in previous times. We see them on their journey, we see them at the beach in various activities, and – lo and behold! – suddenly males also appear in the pictures. That’s where the story gets interesting – we don’t know who they are, or what relationships there are between them and the women, but we can project our ideas into the pictures. There are also some children in the photographs, and we don’t know whether they are relatives, or bystanders, or symbols of things to come. Since the roll of film fictitiously presented in this publication is made up of only 16 pictures and the people depicted are not available, we are only able to guess what might be taking place. Consider it a story puzzle that allows us to participate vicariously. Creative photographic storytelling at its finest!

Douglas Stockdale has taken vernacular images from his family’s archives and has repurposed them for this semi-fictitious narrative as a new single set of 16. They have been appropriately aged and once printed slightly enlarged, prong-bound into a folder that simulates how prints were once delivered with processed rolls for a small additional fee (Kodak/Ansco flip-books). There is even a seemingly unintentional double exposure. Since they are bound with a prong that can be removed from the folder, the images can be rearranged and spread out on the table as might have once been the case if they were to be evaluated or placed in an album. Thus we can experience parts of a family history and relate what we see to our own history and our shared cultural past as well. A most enjoyable photographic puzzle of memories and times gone by.

This site has also featured Douglas Stockdale’s hardbound volume, Ciociaria.

Gerhard Clausing

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April 24, 2017

Two book workshops for the Left Coast

Filed under: Photo Books, Book Publications, Photo Book NEWS — Tags: — Doug Stockdale @ 9:03 pm

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Copyright 2016/7 Douglas Stockdale

I am very excited to announce that I will be providing two more photobook workshops in partnership with LACP (Los Angeles Center for Photography) at their Los Angeles facilities later this year. Both have a 20% early-bird sign up until May 26th.

Marketing Your Photo Book – This is a one-day workshop being held on Saturday, July 22nd. This workshop is is intended for photographers who are preparing to publish their work in book form, whether self-publishing or working with an established book publisher, and will provide creative and practical approaches to marketing their photo book.

The morning will be spent understanding your publishing objectives and how that translates to a marketing plan. This will include discussing the basic elements of a marketing plan; what is being published and sold, who might purchase it, where to sell it, how to price it and how and when to promote it. Issues to be discussed include; how soon to start working on a plan, book economics and buyers price points, buy or create a mailing list, selling self-published books, and do’s and don’ts of using social media and web sites. During the workshop, I am planning a series of breakout sessions to enable development of each person’s specific marketing plan for their book.

Introduction to Photo Book Design – This Fall (October 1 and 8th), I will be repeating my popular two-day workshop that focuses on the development of each person’s book dummy for their personal photographic project and provides both creative and practical book design options.

After a morning of studying limited edition artists’ books, trade books and zines, the remainder of the first session will be spent understanding students’ publishing objectives and how that translates to a book object. This will include time discussing the elements of book design and the purpose of a book-dummy, concluding with a hands-on fabrication of a saddle-stitch dummy book/zine. The second session delves into the business elements of (self) publishing a book and photo book production. The remainder of the day students will continue working on the development of their dummy book as a collaborative project.

I hope you can join me as these are intense, yet fun, workshops.

The workshops are being held at the LACP facilities: 1515 Wilcox Ave, Los Angeles, CA

Let me know if you have any questions,

Cheers!

Douglas Stockdale

April 11, 2017

International Photobook Competition 2017 – The Results!

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Douglas Stockdale, Sarah Hadley & Chris Davies photo 2017 copyright by Marissa Caichiolo

I was very honored to be a jurist for a second time of the International Photobook Competition. which is sponsored by Photo Independent. The selected photographic books will be featured as part of Photobook Independent during the same event in Los Angeles later this month.

From the press release: Los Angeles, Calif. (April 3, 2017) – Photo Independent announces the winners of the 2017 International Photobook Awards. The competition received photobooks from 16 countries. The judges selected six books as Best in Show, three self-published/handmade photobooks and three published photobooks.

Self-Published/Handmade photo books include:

Ellen Korth, Netherlands: Charkow 

Claire Felicie, Netherlands: Only The Sky Remains Untouched

Frank Hamrick, USA: Harder Than Writing a Good Haiku

Published photo books include:

Manca Juvan, Slovenia: Guardians of the SpoonZalobzba ZRC / ZRC Publishing

Stanislav Briza, Czech Republic: Hitchhike — BFLMPSVZ

Susan Burnstine, USA: Absence of BeingDamiani

Honorable Mentions were also awarded to:

Jason Paul Reimer, USA: 197 — Dummy Book

Shane Lavalette, USA: One Sun, One Shadow Self-Published

Xiomara Bender, Switzerland: North Korea, The Power of Dreams — Kehrer Verlag

Steve Diet Goedde, USA: Arrangements -Volume III | 2007-2015 — Century Guild

The Best in Show photobooks, as well as the Four Honorable Mentions will be exhibited and available for purchase during Photo Independent, April 21-23, 2017 in Los Angeles, California.

Photo Independent location: The REEF, DTLA (Down Town Los Angeles), 1933 South Broadway, Los Angeles, CA 90007

General Fair Hours: Saturday, April 22, 11am–7pm & Sunday, April 23, 11am–6pm

A number of the winners of this competition have been previously featured on The PhotoBook (links are provided, above) while I have noted the photographers and their photobook which have reviews that are still in process. So more to come, stay tuned!

The competition judging panel had a slight change and included (in addition to me):

  • Marisa Caichiolo, Curator and Executive Director, Building Bridges Art Exchange
  • Chris Davies, Publisher, Fabrik Magazine
  • Sarah Hadlee, Independent Curator and Founder of the Filter Photo Festival
  • Sarah Lee, Curator
  • Douglas Stockdale, Photographer, Book Artist, Educator, Editor/Founder The PhotoBook Journal

This was a really interesting and wonderful opportunity to review a broad and diverse group of photobooks. I feel fortunate to be able to get a strong pulse of what is happening in the greater photo book community.

Congratulations to those photographers whose books were juried in!

Cheers!

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March 15, 2017

Printing donations for Book design workshop

Filed under: Book Publications, Photo Book NEWS, Photo Book Discussions — Tags: , — Doug Stockdale @ 10:33 pm

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Courtesy of Dual Graphics & Peanut Press, 2017 photo by Douglas Stockdale

I have been asking around to various publishers and book printing companies for some commercial signatures to help illustrate some aspects of my pending Introduction to Photo Book Design workshop. A signature is somewhat foreign to photographers who have not been involved in commercial printing of a book; a printed sheet printed on a litho press which has multiple pages (images) that once folded and trimmed will become the interior pages of a photobook.

I am happy to announce that I have some really great signature donations from my friends at Dual Graphics (Brea, CA) and Peanut Press (David Carol and Ashly Stohl). These samples will really help illustrate my discussion regarding aspects of a commercially printed photobook; one-sided, two-sided signatures and what the resulting photobook (David Carol’s No Plan B, 2016 published by Peanut Press). Again, my sincere thanks to both Dual Graphics and Peanut Press!

Also some good news: there is still room for a couple more photographers and book makers to join me in what should be an interesting workshop: This will be held in conjunction with the Los Angeles Center for Photography (LACP), Introduction to Photo Book Design: two consecutive Saturdays (April 1st and 8th, 2017) at the LACP facilities in Los Angeles.

Cheers

 

February 28, 2017

LA Art Book Fair 2017

Filed under: Photo Books, Photo Book NEWS — Tags: , — Doug Stockdale @ 9:04 pm

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Copyright 2017 Douglas Stockdale & Gerhard Clausing

Our report (Gerhard Clausing, Contributing Editor, and myself) from last Saturday’s LA Art Book Fair 2017. As in the past this Fair can be overwhelming and it is truly difficult to see the entire Fair in one day, least to have emphasis on just the photographic books. It was also a great opportunity to catch up with photographers, publishers and designers and discuss their recent publications. It does not help that the Fair guide book I purchased subsequently went missing. Sigh.

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Noted this year that the upper mezzanine where the photographic book focus is usually located was enlarged this year, but still not enough room for everyone, such that Nazraeli Press and a few others were still on the ground floor catacombs. I think that there are some larger traditional photobook publishers, such as MACK, that were present this year in part due to the demise of the Paris Photo LA fair, thus making the LA Art Book Fair more of the go-to for photographic book Fairs on the West coast. As a result, there was a larger and diverse group of photobook publishers and photographic groups present, such as the Russian Independent Selfpublished, AROK (Lithuania) and a larger contingent of publishers from Switzerland to name only a few.

One of the benefits of attending this Fair is looking at the broad and diverse publications and other types of art, no matter how extreme, as it provides ideas of where the pulse of published art is evolving.

Needless to say, the exhibit space was jam packed and by noon so were all of the aisles. Fortunately Gerhard & I arrived early. Slow Culture and the Deadbeat Club hosted the Fotomat for the film lovers and the food trucks met the immediate needs of the foodies.

Below is our photojournalist report of the photobook exhibit spaces where we spent some quality time at (which usually meant we acquired some photobooks!).

Cheers!

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Esther Levine with Winfried Heininger of Kodoji Press

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Tricia Gabriel & Mike Slack of the Ice Plant

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Danielle Mericle of A –Jump Books

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Russian Independent Selfpublished: Natalia Baluta, Elena Kholkina, Alla Mirovskaya

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Andrew Miksys of Arok Books

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Clint Woodside (Photobook: Undercover Cars) of Deadbeat Club

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Editions Patrick Frey featuring Klaus Pichler’s photobook

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CPress

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February 4, 2017

Left coast news: The International Photobook Competition 2017

Filed under: Photo Books, Photo Book NEWS — Tags: , — Doug Stockdale @ 9:55 pm

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Photo Book Independent 2016 judging, 2016 copyright Douglas Stockdale

Just announced; the 2017 International Photographic Book Competition in conjunction with Photo Independent.

Submissions are now being accepted. Important; the deadline for the 2017 Photobook Competition is March 15, 2017. Entries must be received (in hand) no later than April 1, 2017 for judging. The clock is ticking!

To enter:

  • Full out form here including uploading a JPEG file of your book cover(s)
  • Pay Submission Fee
  • Mail one copy of each book submitted to the following address:

Fabrik Media/Photobook 2017
269 S. Beverly Drive, #1234
Beverly Hills, CA 90212

The submission fees are as follows:

  • $25 for 1 book
  • $35 for 2 books
  • $45 for 3 books

As was last year, those juried-in will be featured at PHOTOBOOK INDEPENDENT FAIR, April 21-23, 2017 as a part of Photo Independent: Six (6) photobooks (3 self-published + 3 from publishers) will be chosen as Best in Show and will be honored at the Fair and Festival. Winners will also each receive a Think Tank bag. Additionally, the winning Photobook photographers and publishers will have the option of sending additional books to have for sale at the fair. Winners do not need to be present at the Fair for the selling of their publication(s).

I am again to honored to be among the 2017 PhotoBook Competition Jurors, who are:

  • Rudi Bianchi, Photo Collector
  • Marissa Caichiolo, Curator and Executive Director, Building Bridges Art Exchange
  • Chris Davies, Publisher, Fabrik Magazine
  • Kio Griffith, Artist; Designer; Writer; Curator
  • Sarah Lee, Curator
  • Kirk Pederson, Publisher, Zero+ Publishing
  • Douglas Stockdale, Photographer, Author/Book Artist, Photobook Reviewer, Curator

Below is a photograph of this team in action during the 2016 judging. So check it out!

& best of luck!

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February 2, 2017

Left Coast News: 2 photobook workshops in February

Filed under: Photo Books, Photo Book NEWS, Photo Book Discussions — Tags: , — Doug Stockdale @ 11:01 pm

The Epilogue, Laia Abril & book design by Ramon Pez

In conjunction with Art Book LA 2017, there will be two photobook workshops occurring on back to back weekends. One workshop lead is by the team of Ramon Pez and Michael Brown, sponsored by Magnum, which is being held at LACP and the other workshop is being led by Bruno Ceschel.

I am really familiar with the amazing art designer Ramon Pez’s creative photobook designs and I have been in discussions with him regarding his design work for the photographer Laia Abril’s various book projects, including 2014’s top contemporary photobook The Epilogue. Pez also worked on the design of Cristina de Middel’s brilliant 2012 self-published photobook The AfronautsMichael Brown is a member of Magnum.

The Pez & Brown workshop will take place Friday, Feb 24th and Saturday, Feb 25th at the LACP (Los Angeles Center for Photography) facility in LA; 1515 Wilcox Ave, Los Angeles, CA 90028. The two workshop leaders plan to spend the bulk of the two day workshop providing the participants with constructive advice in conjunction with group critiques of the participants projects.

The book design workshop by Bruno Ceschel, founder of Self Publish, Be Happy blog, is scheduled the weekend before Art Book LA 2017. His two day workshop is on Saturday, Feb 18th and Sunday, Feb 19th in LA. After a discussion of editing, sequencing & book design, the class will then develop their projects using Adobe In-Design or other publishing software.

As a reminder, my two day workshop, Introduction to Photo Book Design, is scheduled with LACP over two consecutive Saturdays later this spring; April  1st & 8th, at the LACP facilities in LA.

Cheers!

 

 

 

January 30, 2017

Left Coast PhotoBook News: LA ART BOOK FAIR 2017

Filed under: Photo Books, Photo Book NEWS — Tags: , , — Doug Stockdale @ 5:12 am

LA Art Book Fair coming soon to the Left Coast!

February 24 – February 26, 2017
Preview: Thursday, February 23, 2017, 6–9 pm
Location: The Geffen Contemporary at MOCA:

The Geffen Contemporary is located at 152 North Central Avenue, Los Angeles, CA 90012

This is the fifth annual LA Art Book Fair (which I missed last year, darn), and best of all, its Free!

Printed Matter’s LA Art Book Fair is a unique event for artists’ books, catalogs, monographs, periodicals, and zines presented by more than 300 presses, antiquarians, artists, and independent publishers from over 20 countries. A very diverse collection of photographic and art books. If you have not been to this event before, it will blow your mind.

Focus: Photography
A curated cross-section of photo-based books and magazines, this year’s Focus: Photography has expanded, and includes: ARÖK (Lithuania), Goodbye Ranch (Arizona), SUPER LABO (Japan), Bemojake (UK), Remote Photobooks (New Zealand), The Heavy Collective (Australia). This should be interesting!

Slow Culture & Deadbeat Club (a SoCal group of film users) are proud to present “THE FOTOMAT”.  A pop-up installation in the Geffen courtyard paying homage to vintage drive-thru photo kiosks with actual 24 hour film developing services. Photographer friends will be guest clerks and sell exclusive prints to the fair.  Also available will be film & photography accessories, zines, photo books and other photo related ephemera.

As always, a fun and entertaining event and I hope to see you there and if you see us, don’t forget to give a big shout-out ;- )

Cheers!

January 29, 2017

Left coast photobook news: Ruscha at OCMA

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Every Building on the Sunset Strip copyright 1966 Ed Ruscha

Currently OCMA (Orange County Museum of Art) is exhibiting Pop Art Design and included are a few works by Ed Ruscha, but probably the most interesting to those who enjoy photobooks is a very long display of Ed Ruscha’s 1966 Every Building on the Sunset Strip.

This is a deadpan photographic project in which a 35mm motor-drive camera with a bulk feed was used to photograph all the adjacent buildings while driving up and then back again on Sunset Blvd. This street was commonly called the Sunset Strip, thus Ruscha’s resulting photobook plays a visual  pun of the street nickname by creating a long continuous strip of images. On the top of the pages is one side of the street and positioned below this in reverse is the other side of this street.

This photobook design was very innovative for its time with stiff covers and the interior was bound to display as an accordion (also known as Leporello or Concertinas) layout, which is to say each page was connected and continuous. A very long strip of photographic images. As a part of the Pop moment, his book was also meant to be a very inexpensive, which is apparent in the rough and uneven gluing of the accordion page binding.

My photographs of this exhibit were a grab shot and dose not do the Ruchas’s photobook enough justice, thus I recommend for you to go check it out and see the real thing!

The OCMA exhibition runs thru April 2nd, 2017.

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January 17, 2017

Nancy Baron – Palm Springs > The Good Life Goes On

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Photographer:  Nancy Baron (born in Illinois, residing in California, USA)

Publisher:  Kehrer Verlag, Heidelberg, Germany, © 2016

Essays:  Foreword by Alexa Dilworth; statements by Matthew Weiner and Nancy Baron; quotations by Martha Stewart and Hugh Kaptur

Text:  English

Hardcover book with 120 pages; 63 numbered and titled color photographs; sewn binding, printed and bound in Germany. 22.5 x 22.5 cm

Photobook Designer:  Katharina Stumpf, Kehrer Design Heidelberg

 

Notes:

Palm Springs has been a geographical and cultural mecca (not only for Southern Californians) since the early twentieth century, a place where a variety of endeavors have had the freedom to unfold. Especially in our time, both celebrities and others consider this desert city a notable attraction, an informed center of cultural activities of all kinds, most notably several film and art festivals, a summer photo festival, an excellent Museum of Art, and many more, also in association with its eight sister communities in the Coachella Valley. The dry air supplies a healthy environment for outdoor activities much of the year as well.

Mid-century modern is the architectural style that makes many of the private residences in Palm Springs especially appealing. Some fifty years later, one marvels at the manner and style that seem to seamlessly integrate residential buildings into the desert environment with its seasonal challenges in temperatures, and at the “good life” it supports. Nancy Baron excels as an observer who lets us look over her shoulder to see the marvels which this impactful town presents. It is almost as if time has stood still: In an era of world turmoil the serenity of the desert and its structures forming an enclave for residents serve as the basis for this second volume of Palm Springs photographs by Nancy Baron. (The first volume was previously featured on The PhotoBook by Douglas Stockdale.)

The volume is designed with a square format, as are almost all of the photographs; square compositions have a satisfying feeling of completion when well done, as is the case here. This is in line with the feeling of serenity of the “good life” depicted here. The colors are bright, a series of portraits of the environment and its inhabitants to match the bright desert sun. The emphasis is on the structures in their surroundings; the occupants and owners and their possessions seem part of an ever-changing context that is subject to some cultural influences and interpretations, as well as to a great deal of nostalgia. The volume is well thought out and is pleasant to view and read. The writers of the essays share some personal impressions and experiences regarding this unique town. Nancy Baron shows a special knack for portraying the special characteristics of places along with their cultural phenomena. We are looking forward to her future projects!

Gerhard Clausing

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