The PhotoBook Journal

September 16, 2017

Open call – The Anamorphosis Prize

Filed under: Artist Books, Photo Book NEWS, Photo Books — Tags: , , — Doug Stockdale @ 11:31 am

Bluewater Shore limited edition artist book

Bluewater Shore, copyright 2017 Douglas Stockdale

Open call: The Anamorphosis Prize for self-published photo-based books.

The Anamorphosis Prize was established to promote excellence, dialogue and excitement in the field of self-published photobooks and photo-based artist books.

The word anamorphosis is derived from the Greek, ana meaning again and morphe meaning form. Anamorphosis is a distortion that demands a change in perspective from the viewer in order to be properly and completely viewed. This can be interpreted today as a whole new way of looking at things.

Self-publishing is creatively liberating. The most interesting and daring developments often occur on the margins. Allowing greater control over a creative vision and expression, self-publishing drives revolutionary change within the orbit of the photobook culture and enables the artist to autonomously sculpt a vocation.

The Anamorphosis Prize will be held 3 years in a row starting in 2015 and the winner will be chosen from a shortlist of 20 books, 3 of which will receive special jury mention. All submitted books will be donated to Franklin Furnace and the shortlist of 20 books will also be included in the MoMA library.

The winner will receive $10,000. Best part: No strings attached!

Requirements for a self-published book to be submitted:

Book must be self-published in an edition of 50 or greater

Self-published means just that: self-published!

No collaboration with any publisher, no matter the size, is allowed

There is NO entry fee (but a copy of the book will be required as part of the submission)

In order to be considered, the (book) entries must be received by November 1st, 2017.

The shortlist of 20 books will be announced by end of November (then you will need to submit two more books; one for display at a pending exhibition and one for the MoMA library).

Winner will be announced January 1st, 2018 (great way to start the year for some lucky person!)

Expect some stiff competition (yes, my submission of Bluewater Shore is #45), but if you have self-published a photo-based book, there is no reason not to enter. So check it out.

Cheers & Best of Luck!

Douglas Stockdale

Advertisements

September 14, 2017

Brenda Moreno – B to B

Brenda_Moreno_B-to-B_cover

Photographer: Brenda Moreno (born, Mexico City & resides Mexico & Spain)

Publisher: Witty Kiwi, Italy, copyright 2017

Text: Spanish & English

Essay: Carmen Dalmau

Stiff cover, die-cut with French folds, sewn and glued binding, four-color off-set, printed by Artes Graficias Palermo (Spain)

Photobook designer: Brenda Moreno & Paolo Berra

Notes: Brenda Moreno’s photobook B to B is an interesting curiosity as it is a beguiling narrative. We can surmise that it’s an investigation of a family, maybe even hers, located at a place that includes horses and other small animals, both alive as well as inanimate. These are the basic elements that appear to interact and become intertwined with a few individuals and animals having an occasional cameo role.

The photographs are repeated, cut apart, collage and montaged, sewn back together and appear to be clumsily taped in place, perhaps similar to an unsophisticated family album that indirectly attempts to tell us a story. In the process the story line fades and becomes incomplete, if not incoherent, which I find to be a wonderful metaphor for the inaccuracies and false stories created by memory.

Moreno provides factual visual evidence and although a photograph may be worth a thousand words, her photographs provide only a few vague clues that requires us, the viewer, to fill in the blanks. In Moreno’s book there are a lot of blanks in conjunction with many intriguing hints, which like most curiosities will continue to draw you back.

Cheers

Douglas Stockdale

Brenda_Moreno_B-to-B_1

Brenda_Moreno_B-to-B_2

Brenda_Moreno_B-to-B_3

Brenda_Moreno_B-to-B_4

Brenda_Moreno_B-to-B_5

Brenda_Moreno_B-to-B_6

Brenda_Moreno_B-to-B_7

Brenda_Moreno_B-to-B_8

Brenda_Moreno_B-to-B_9

September 13, 2017

Giles Duley – One Second of Light

Filed under: Book Publications, Book Reviews, Photo Book Discussions, Photo Books — Tags: , , — Gerhard Clausing @ 11:04 am

00-Duley.jpg

Photographer:  Giles Duley (born and resides in London, UK)

Publisher:  Benway Publishing / EMERGENCY UK, London, © 2015

Essays:  Gino Strada, A.L. Kennedy, Melissa Fleming, Giles Duley; conversation with Giles Duley and Roger Tatley

Text:  English

Cloth-bound sewn hardcover; 172 pages, not numbered; four-color lithography, 117 images, numbered, captioned and with expanded background stories; list of organizations and charities; 28×21.5 cm, printed in the UK by Push, London

Photobook Designer:  Shaz Madani

 

Notes:

Here we are, sixteen years after 9/11, and the conflicts and “collateral” suffering are continuing. The longest war in the Middle East is being ramped up again, and an end to the violence is nowhere on the horizon. Only a few months ago I reviewed the strong contribution by Paula Bronstein, Afghanistan: Between Hope and Fear, a work that has been well received and admired, especially in regard to the courage and insights shown by her, depicting a society in which the role of women is still more limited.

Giles Duley is a superb storyteller of places and people in times of armed conflict and violence as well. He too has shown courage beyond all expectation, at tremendous personal cost. You may wish to see and hear his TED talk for inspiration. As a triple amputee he has become “a living example of what war does to people.” This pivotal event has intensified and focused his work even more, and he serves as a strong role model to others who have suffered a similar fate. A tremendous journey for a photographer that started out in the fashion and music industry! His goal has always been for his storytelling to have an impact on those who can change things, and I suspect also on the vast audience that elects those who make decisions affecting the lives of others.

As his work covers not only people in Afghanistan, but also in many other conflict-laden locales as well, this book is an effective collection of stories (from 2005 to 2015) of many individuals affected by a variety of strife in a variety of places: Angola, Bangladesh, Syria, South Sudan, Jordan, and the Ukraine, besides Afghanistan. Orphans, child soldiers, victims of acid attacks, war injuries, and the refugee crisis are just some of the problems to which his first-hand account introduces us. The captions that accompany the images are mini-capsule introductions to people’s lives, further expanded through additional information for each image in the back of the volume. As Melissa Fleming states in her introductory comments, “One Second of Light introduces us to the people hidden by numbers […] Through these images we form relationships. We find empathy and connect; we discover the displaced as fellow travellers […] ­­­­We share moments of the most mundane intimacy.” And as the excerpted pages below show, a split second to take the photograph that allows us to view each person’s life, adding up to perhaps one second of time for all the photographs in the volume, represent a lifetime to those affected. As Duley states, “For those caught in these stories, the time and their suffering is a constant.” And Duley delivers sensitive and respectful glimpses into their worlds. The spirit of these individuals and groups against all possible odds is the focus of the stories told here, certainly also in the small moments of humor and happiness shown under very difficult circumstances.

An powerful and touching volume, highly recommended for all who care about the future of our world, and are seeking solutions other than violence! As Giles Duley says, “We can all make a difference!” His latest work, I Can Only Tell You What My Eyes See: Photographs from the Refugee Crisis has been published this year.

Gerhard Clausing

01-Duley.jpg

02-Duley.jpg

03-Duley.jpg

04-Duley.jpg

05-Duley.jpg

06-Duley.JPG

07-Duley.jpg

08-Duley.jpg

 

 

 

 

 

 

 

 

 

September 7, 2017

Andrej Lamut – Nokturno

Filed under: Book Reviews, Photo Book Discussions, Photo Books — Tags: , — Doug Stockdale @ 8:57 am

Andrej_Lamut_Nokturno_cover

Photographer: Andrej Lamut (born Ptuj, & resides Ljubljana, (Slovenia))

Published by The Angry Bat, Ljubljana, Slovenia, copyright 2017

Text: English

Without essays, captions, pagination or index

Andrej_Lamut_Nokturno_inside_front_cover_naked_binding

Hard cover, sewn binding with open (naked) spine, numbered (300), duo-tone lithography, printed by Eurograf, Velenje & binding by Maruji, Ljubljana

Photobook designer: Andrej Lamut & The Angry Bat (Matej Sitar)

Notes:

The night (Nokturno/nocturnal) provides an interesting environment to explore a diverse range of metaphoric potential, from the ominous mysteries that might lurk within to a joyful time when the party really starts to begin. Much can be obscured by darkness with its limited visibility, with things that can go bump in the night and the objects that can be seen, whether by man-made illumination or by the phase of the moon, take on very different appearances.

Technically, making photographs at night, especially outside of a well lite room, due to the low, flat light conditions is very challenging, whether using digital or analog methods. If a longer exposure is used it can allow blurred movement or if using pushed film processing or high ISO, a graininess to the image or areas within the frame that might become over exposed as a high contrast image. Aesthetically night photography can introduce elements of abstraction, ambiguity, obscurity, incompleteness and other vague aspects of a limited vision. All of these elements can be skillfully used to explore a broad and diverse range of investigations and many of these elements can be found in this book project by Andrej Lamut.

Lamut defers to the school of thought of providing only images without any context, either an introduction, captions, index or even pagination. Any meaning is left open to interpretation by the viewer and Nokturno offers many mysterious photographs to explore. It is not clear as to Lamut’s narrative, but I am also guessing that this puzzling project is very intentional. It is ripe for multiple readings.

The dark images are printed full bleed without any bordering margins to provide any visual relief. Where the images are not full page spreads, the paired images are slammed together to create a multilayered context. With a few exceptions, the binding of the book allows a lay-flat reading experience that is delightful.

As a performance photographer (EnKnapGroup, professional ensemble for contemporary dance in Slovenia) and uses this book object to further investigate another aspect of performance, stating “Nokturno is a result of my research on performative acts which construct the final artwork as a physical object. I believe that they are the complete opposite of straight photography. What generates meaning in these images are the performative actions made by the artist. This kind of actions have an impact or an effect on visual and physical appearance of the artwork. The essence of performative photography is not what is depicted on an image, but which acts were executed in the process of creating it. Furthermore, the final artwork itself becomes performative by having some sort of impact on the viewer.”

Nokturno is a dark poetic body of work that hints at mysterious objects and landscapes which delightfully challenges the reader.

Cheers

Douglas Stockdale

Andrej_Lamut_Nokturno_1

Andrej_Lamut_Nokturno_2

Andrej_Lamut_Nokturno_3

Andrej_Lamut_Nokturno_4

Andrej_Lamut_Nokturno_5

Andrej_Lamut_Nokturno_6

Andrej_Lamut_Nokturno_7

Andrej_Lamut_Nokturno_8

Andrej_Lamut_Nokturno_9

August 31, 2017

Algis Griskevicius – TADA

Algis_Griskevicius-TADA_cover

Copyright 2016 Algis Griskevicius

Photographer: Algis Griskevicius (born & resides Vilnius (Lithuania))

Publisher: NoRoutine Books (Lithuania)

Essay: Leonidas Donskis

Text: Lithuanian and English

Algis_Griskevicius-TADA_inside_front_cover

Hardcover book, sewn and exposed tape binding, black & white lithography, glued insert booklet (saddle stitch), contact proof print, printed by UAB Druka, Klaipeda, Lithuania

Photobook designer: Gysis Skudzinskas

Notes: Algis Griskevicius includes in his artistic practice both paintings and photography, and his photobook TADA (THEN) is a series of photographs created between 1985 and 1995 as potential source material for his paintings. Some of the photographic prints have been altered to further refine Griskevicius’s visual concept for a painting, although from the essay by Donskis, the paintings may not have ever been completed. Thus the question Donskis raises; are these photographs works of art or unfinished works in progress, such as incomplete works by the paintings and sculptures of the early masters?

There is a rawness to the printed images, appearing unfinished and the additional marks adds to the mystery. When viewing Griskevicius’s paintings (not included in the book), there is evidence that some aspects, whether the composition, shapes or lines have made its way as a latent image. The worn photographs have a vernacular appearance, as though these were not intended to be “artistic” and indeed the raw recording of something of interest. The glued in booklet of 35mm black and white negative contract prints confirms Griskevicius’s interest in graphic shapes and lines as one of the constant themes that threads its way through the small images. This is an intriguing collection of thoughts that could be referenced as a potential source of imagination for the artist to draw on at a later date.

Cheers

Note: Recognized in a Lithuanian Book Completion as one of the Most Beautiful Lithuanian Books 2016 in the photo book category.

Algis_Griskevicius-TADA_1

Algis_Griskevicius-TADA_2

Algis_Griskevicius-TADA_3

Algis_Griskevicius-TADA_4

Algis_Griskevicius-TADA_5

Algis_Griskevicius-TADA_6

Algis_Griskevicius-TADA_7

August 29, 2017

FineBooks & Collections – Autumn 2017

Filed under: Photo Book Discussions, Photo Book NEWS, Photo Books — Tags: , — Doug Stockdale @ 2:13 pm

FineBooks_and_Collections_Autumn_2017_cover

Copyright 2017 by Journalistic, Inc., Chapel Hill, NC

Editor: Rebecca Rego Barry

Photography columnist: Andrea Volpe

Stiffcover, perfect bound magazine

Through serendipity I recently came to know of FineBooks & Collections, a quarterly published by Journalistic, Inc. out of their Chapel Hill, NC offices. As you might imagine the magazine reports on all things related to “Fine” Books, Manuscripts, and other published empheria that might end up in a collection.

The events that led to my obtaining a review copy of FineBooks was a survey article being prepared about photobooks, titled Photography in Motion, Collecting Photobooks is a way of Collecting Change by Andrea Volpe. One of the subjects that Volpe discussed was Yale’s Beinecke Rare Book & Manuscript Library acquisition/donation of the Indie Photobook Library develop by Larissa Leclair (we reported on this earlier). To illustrate the indie type of phtotobooks in Leclair’s collection, FineBooks wanted to use the cover of my photobook Ciociaria, published by Edizioni Punctum that was included in the Yale acquisition. That placed my photobook alongside some very nice photographic company; Alvin Langdon Coburn, Lewis Hine, Danny Lyons, Richard Avedon and Gary Winogrand.

Other articles of note for photographers and book makers: Not the End for Endpapers, a short interview of Daile Kaplan who is the head of photography at the Swann Auction Galleries and her Pop Photographica collection, a review of a Henry Thoreau exhibition that includes an interesting daguerreotype of him and her In View column (The Sum of its Parts) by Volpe.

Bottom line for those make and collect photobooks, this magazine is an enjoyable and diverse read that provides a bit more expansive book landscape.

You may also want to check out their blog, provides some interesting reading as well. This was also added to our resource page for recommended photobook blogs.

Cheers,

Douglas Stockdale

FineBooks_and_Collections_Autumn_2017_Photobook article

FineBooks_and_Collections_Autumn_2017_Stockdale-Ciociaria

FineBooks_and_Collections_Autumn_2017_Henry_Thoreau

 

August 24, 2017

Michael Lundgren – Matter

Michael_Lundgren-Matter_cover

Photographer: Michael Lundgren (born Denver, CO & resides in Phoenix, AZ, (USA)

Radius Books, Santa Fe, NM (USA) copyright 2016

Text: English

Hard cover, sewn binding, four-color lithography, Confluence poster, printed by Editoriale Bortolazzi-Stei, Verona (IT)

Michael_Lundgren-Matter_inside_back_cover_pocket_insert_book_spine

above: inside back cover, taped spine (binding) of text block, back pocket, folded poster

Photobook designer: David Chickey, Michael Lundgren

Notes:

Matter, as defined in the dictionary: physical substance in general, as distinct from mind and spirit; (in physics) that which occupies space and possesses rest mass, especially as distinct from energy.

Michael Lundgren’s subjects are photographed in a variety of lighting conditions that define the subjects form (and mass) while also attempting to create enough ambiguity to create dissociation to un-moor you from your memory and associations as to what the subject might be. These various objects are encountered in the American Southwest and Mexican desert as well as in Spain.

I had the good fortune to meet up with Michael briefly at last year’s Medium Festival in San Diego. I had the misfortune of not being able to locate and bring with my copy of his earlier Transfigurations that was published in 2008, which was until recently hiding from me in my library stacks. There can be a downside in possessing toooo many photobooks.

Nevertheless I am going to defer to an intriguing interview in the British Journal of Photography earlier this year, which Lundgren states philosophically “The best description of magical realism is finding magic in the rational world. I’m not concerned with being an environmental photographer; I’m concerned with making images that make you feel something you can’t quite understand,” he continues. “There’s something that happens when you’re presented with what you can’t quite fathom. The agreements that I have in my mind in my world view are halted and they are interpreted. Within that interruption, there’s the possibility to see something that we didn’t know. I want to put you in a different world,” he says. “You can’t walk into this place and neither can you leave. You can only turn the page. These aren’t landscapes from real tradition: this is an isolating method. I’m interested in how flat photographs can exist almost as a three dimensional experience”

This exploration is a continuation of his earlier published book project, Transfigurations, an investigation that was completed in the black and white medium. In Matter he introduces the use of color to further examine and perhaps expand on the the potential symbolism of his subjects. This is indeed color except with a twist of magical realism; a dead green animal, a small pool of red liquid, a white inverted snake, a red mass with blacken tentacles or swirls of milky-brown dense clouds. These are various elements of matter that create questions and cause one to reconsider the natural world and one’s own expectations and understanding of reality. An intriguing and thought provoking, while yet visually poetic, investigation.

Lundgren was featured previously on The PhotoBook Journal; Transfigurations

Cheers

Douglas Stockdale

Michael_Lundgren-Matter_1

Michael_Lundgren-Matter_2

Michael_Lundgren-Matter_3

Michael_Lundgren-Matter_4

Michael_Lundgren-Matter_insert

Michael_Lundgren-Matter_5

Michael_Lundgren-Matter_6

August 23, 2017

Media partners – Lucie Foundation

Filed under: Photo Book NEWS, Photo Books — Tags: , — Doug Stockdale @ 2:51 pm

Lucie-Photobook-Prize_blog

Lucie Foundation, Photo Book Prize

We are very happy to announce that The PhotoBook Journal is a media partner with the Lucie Foundation for their first Photo Book Prize. We will continue to provide additional updates on the Book Prize as information becomes available.

The deadline for making the virtual book submission is looming. Books will not be required unless these are juried-in for the New York exhibition.

At the moment, we regretfully do not plan to be in NYC for this photobook event; I will be teaching a one-day Photo Book Marketing workshop that weekend with LACP and Gerhard will be participating in the Medium Photo Festival in San Diego. A very busy Fall schedule!

Cheers,

Douglas

August 15, 2017

CLAP! – Contemporary Latin American Photobooks

Filed under: Book Publications, Book Reviews, Photo Book Discussions, Photo Books — Tags: , — Doug Stockdale @ 1:45 pm

CLAP!– Contemporary_Latin_American_Photobooks_cover

Edited by Olga Yatskevich, Russet Lederman, Matthew Carson & Michael Lang

Published by 10 x 10 Photobooks (NY) copyright 2017

Text: English & Spanish (Español) & Portuguese

Stiff cover with folded dust jacket, sewn binding, four-color lithography, Index, List of Photographers and Editors, printed by SYL, Barcelona, Spain

Photobook designer: Richardo Baez

Notes:

This is another collective survey of photobooks by the 10 x 10 photobooks team, Editors Olga Yatskevich, Russet Lederman, Matthew Carson & Associate Editor Michael Lang, this time with a focus on what has been published in and by Latin America(s) between 2000 and 2016. These Latin photobooks were selected by 18 photobook specialist who study or follow the publications by photographers in this region. This survey is an interesting, broad and diverse teaser of publications by Latin photographers and photographic oriented artist. Likewise, the subject matter is equally broad, with many photobooks that might be termed having a strong Latin orientation.

CLAP! has a very creative design layout which unlike the earlier 10×10 American Photobooks I found be a challenge to determine what the true orientation of the referenced interior book spread, thus a bit confusing as to what the photobook may actually look like. The accompanying CLAP! Photobook Index of the book’s covers is a more traditional design and layout as well as a delight to cruise and speculate what might be lurking within the covers.

In our efforts for this journal to provide a broad discussion of international photobooks we have previously reviewed some of the photobooks found in CLAP!, thus we can help provide a little more in-depth examination of what is occurring in Latin America. Our book reviews include those by Alejandro Cartagena, Before the War and Carpoolers, Mariela Sancari, Moises and Guilherme Gerais, Intergalatico.

CLAP! provides wonderful evidence of the diversity and high energy going into the development of photobook by Latin photographers and this catalog provides ample opportunity to explore the many Latin photobook possibilities.

Previous 10×10 Photobook publications featured on TPBJ: 10 x 10 American Photobooks

If you found this review of interest, you may also want to check out America Latina Photographs: 1960 – 2013.

Cheers, Douglas Stockdale

CLAP!– Contemporary_Latin_American_Photobooks_1

CLAP!– Contemporary_Latin_American_Photobooks_2

CLAP!– Contemporary_Latin_American_Photobooks_3

CLAP!– Contemporary_Latin_American_Photobooks_4

CLAP!– Contemporary_Latin_American_Photobooks_5

CLAP!– Contemporary_Latin_American_Photobooks_6

CLAP!– Contemporary_Latin_American_Photobooks_7

CLAP!– Contemporary_Latin_American_Photobooks_8

CLAP!– Contemporary_Latin_American_Photobooks_9

CLAP!– Contemporary_Latin_American_Photobooks_10

CLAP!– Contemporary_Latin_American_Photobooks_11

August 12, 2017

Harvey Benge – The Month Before Trump

Harvey_Benge-The_Month_Before_Trump_cover

Photographer: Harvey Benge (resides Auckland (NZ) and Paris (FR))

Self-Published & Limited Edition with signed print (Edition – 50): New Zealand copyright 2017

Text: English

Stiff cover, saddle stitch binding, four-color lithography, printed NZ

Photobook designer: Harvey Benge

Notes: x

Harvey Benge’s The Month Before Trump is a collection of photographs made in the United States, specifically San Francisco and New York in October 2016, the month before the presidential elections. As a New Zealander who spends equal time between Auckland and Paris, he provides a sophisticated outsider’s eye which reminds me of a contemporary Robert Frank and his 1950’s seminal photobook The Americans.

While I believe Frank is a bit more searing in his vision, I find Benge to be a bit more subtle, while both photographers provide a unique while sarcastic view of the American urban landscape. As in earlier Benge photobooks, the paring of the mostly horizontal images create wonderful dialogs while usually sharing a spot of color or tonality to complement the resulting juxtaposition narrative.

Benge explains;

My pictures explore the strange anthropology of cities. The unusual and overlooked in the human landscape. I am asking the viewer to question the idea that photographs as documents are complete representations of subject. I’m interested in the universality of life and the idea of parallel lives – when one thing is happening here, something else is happening over there. The democracy of non-places fascinates me, in the knowledge that inevitably nothing is as it seems.

While the making his observations of the morphing American landscape was at a time prior to knowing the political outcome, the subsequent editing for his book was with the full realization of who had inadvertently landed a White House job. Thus perhaps the reason for what I perceive as an underlying dark edginess to his urban investigation.

Other photobooks by Harvey Benge that have been reviewed on The PhotoBook Journal; Sri Landa Diary, Birds, Against Forgetting, Eat me, Still Looking for It, All the Places I’ve Even Known, One day – Ten Photographers.

 

 

Cheers, Douglas Stockdale

Harvey_Benge-The_Month_Before_Trump_1

Harvey_Benge-The_Month_Before_Trump_2

Harvey_Benge-The_Month_Before_Trump_3

Harvey_Benge-The_Month_Before_Trump_4

Harvey_Benge-The_Month_Before_Trump_5

Harvey_Benge-The_Month_Before_Trump_6

Harvey_Benge-The_Month_Before_Trump_7

Harvey_Benge-The_Month_Before_Trump_8

Harvey_Benge-The_Month_Before_Trump_9

Harvey_Benge-The_Month_Before_Trump_10

Older Posts »

Blog at WordPress.com.