The PhotoBook Journal

June 16, 2018

Simon Roberts – Merrie Albion

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Photographer: Simon Roberts (born & resides Great Britain)

Published by Dewi Lewis Publishing, UK, 2017

Text: English

Introduction by David Chandler and essays by A L Kennedy, Alex Vasudevan, Carol Ann Duffy, David Matless, Frank Cottrell-Boyce, Ian Jeffrey, Irenosen Okojie, Nikesh Shukla and Tristram Hunt.

Hard cover, sewn binding, four-color lithography, detailed captions, pagination, printed by Petit S.K. Lublin, Poland

Photobook designer: Ben Weaver

Notes: Urban and cultural landscape photographer Simon Roberts photobook Merrie Albion – Landscape Studies of a Small Island is another visual investigation of his homeland, the encompassing urban landscape of the United Kingdom. That he chose a title which in old English would mean Merry Britain might imply that he is investigating the heritage of this country, perhaps with a nod towards the evil spirits of Nationalism. Happily it is anything but.

This book also draws on the time of his earlier investigating English rituals in 2007 that resulted in We English, subsequently the outer edges of the British urban landscape in Pierdom, as well as his time when he was commissioned to photograph the U.K elections of 2010. The book contains only photographs that until now have been unpublished. This is a compilation body of work that attempts to take a straight forward pulse on the many social changes that create the current fabric of this island nation. The on-going flux of those coming to this country from other places, a process which can trace its roots to the early colonial age of this nation, thus creating a melting pot of cultures. The pending political and economic changes of its disassociation from the European Union (E.U.).

Suffice to say, what might constitute current Britain is mash-up of the old with the new. As has been noted in the accompanying essays, Roberts landscape photography has attained a subtle trademark look; using a large format camera, non-romantic (aka factual, dead-pan) framing and frequently a viewpoint from a higher elevation that creates an interesting depth to his landscapes. The later due mostly in part to his use of the top of his motor-home as a camera platform. This camera position provides a pictorial framing that is broader in scope, but conversely, such as the Download Festival at Castle Donington, can also make him the center of attention.

The resulting photobook is complex and visually layered, much as his subject Merry Britain, and a delight to read. Recommended.

Other photobooks by Simon Roberts featured on The PhotoBook Journal: Pierdom, and We English.

Cheers!

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June 9, 2018

Ellen Korth – Fabric of Time

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Artist: Ellen Korth (b. The Hague, Netherlands – resides Deventer (Netherlands) & Nordhorn (Germany)

Self-Published 2018 and developed in collaboration with Castle (Kasteel) Twickel (Netherlands) (see exhibition photo below), signed and numbered Edition of 50

Text: English

Poetry: Pablo Nerudo

Stiff cover, rolled, artist printed on 14-gram Japanese Awagami double-layered paper, and then bottom layer removed, Japanese binding by Fopma Wier/Wytze Fopma

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Photobook designer: -SYB- (Sybren Kuiper)

Notes: Family mysteries and family secrets, how does one investigate these and then subsequently report their findings? What if there is no collaboration; those who could speak to what occurred are no longer among us, then how does one know really with certainty what the “truth”, a slippery slope at best, might be?

Ellen Korth is continuing to investigate into what might be her family history. With this latest work, a layered translucent artist book, she provides a wonderful metaphor for memory while attempting to deal with her mother’s desire to keep her own past a secret.

Her subject are garments that are from a wardrobe collection at the Castle (Kasteel) Twickel, which are reminiscent of her mother’s under clothes that constitute very personal feminine items. It is by looking closely at these personal items similar to those her mother choose to spend much time in cleaning and preparing, Korth might find some understanding or make a connection with the secrets of her late mother’s past that she was reluctant to share.

Perhaps fitting that Korth is investigating undergarments in a quest to further understand here own mother, as these items are things that a woman would keep secret, as these are concealed under her clothing. Metaphorically clothing is a facade, meant to hide what resides underneath, while the undergarments create both exterior form as well as concealing the person’s full identity. A facade is a false front, projecting something that one might want others to think they know and with Korth’s own mother, not allowing others to know the true person who lurks within.

Likewise utilizing the thin translucent Japanese Awagami paper to print her book, Korth layers her subjects, allowing one to see thru the ghostly layers.  Nevertheless these layered pages, without providing a clear and sharp definition, are visually representing various attributes of a murky and unknown memory.

Other photobook by Ellen Korth featured on The PhotoBook Journal: CHARKOW 

Cheers

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May 25, 2018

Anthony Hernandez – Beach Pictures, 1969 – 1970

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Photographer: Anthony Hernandez (born Los Angeles & resides Los Angeles & Idaho)

Published by Silas Finch, NY, USA, 2016

Text: English

Printed chipboard over cloth end sheets, sewn binding, tri-tone black & white lithography, printed by Studley Press, Dalton, MA (USA)

Photobook designer: Kevin Messina

Notes:  A monograph of Anthony Hernandez’s earliest body of work created shortly after his two years of service in the U.S. Army, when he spent a tour of duty in Vietnam. His photographs appear humorous, poignant, yet there lurks a dark undercurrent. This body of work is not overtly political, but there are dark undertones as will it appears that his subjects are sleeping or resting, while incorporating enough ambiguity and lacking evidence that his subjects are actually still alive.

The prone individuals that Hernandez photographed on the beach may have been a cathartic response to his battle experiences in the Vietnam War. The wounded or dead soldiers & civilians would have had been laid out in similar prone positions. Even to the point that casualties in war have their faces covered similar in a very eerie way to those sunning themselves on the beach.

Hernandez is a west coast photographer who adapted a NYC street photographic style that is mashed with the west coast minimalist stylistic practice of Lewis Baltz. While working in Los Angeles on the left coast, he is thus perhaps lesser known than his East coast contemporaries of Arbus and Winogrand, yet still was anointed by Szarkowski at MoMA. As evident at this stage of Hernandez’s street photography career, he is using the full frame format of his 35mm film to great effect. Every square inch appears to be well thought out and visually working for the photographs selected for this publication.

Cheers,

Douglas

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May 14, 2018

LA Pages – Book Fair for Independent West Coast Publishers

LA Pages – Book Fair for Independent West Coast Publishers

Dates: May 18-19-20th

Times: 11am – 8pm

Location: Mayra’s Banquet Hall, 6075 Normandie Ave, Los Angeles (yes, believe it or not, just below South Park)

This event is produced by 8-Ball Community, Bunny Jr and Ooga Booga, and it’s a one time only, not for profit and in memory of Shannon Michael Cane. Everyone is welcome, & FREE entry!

With 80+ exhibitors.

THU 5/17 – FUNDRAISER EVENT
Food by Familia Romero
Music performance by Yanga (8pm)

FRI 5/18
Music curated by 8-Ball Radio
Food by Natural Soul Food
Music performance by Black Congress (7pm)
Future Preservation / Short film festival curated by 8-Ball TV & Symposium (8pm)

SAT 5/19
Music curated by Bunny Jr.
Food by Mai Downs
Music performance by É Arenas (7pm)

SUN 5/20
Music curated by Kchung Radio
Food by Natural Soul Food
Music performance by Jazzy Romero (7pm)

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