The PhotoBook

December 24, 2016

Merry Christmas & Happy Holidays

Filed under: Photo Book NEWS — Tags: — Doug Stockdale @ 6:16 pm

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Christmas wreath 2016 copyright Douglas Stockdale

We wish you and your families a wonderful and Joy filled Christmas and Holiday season.

Warmest regards,

The editorial team and families of Douglas & Gerhard

December 16, 2016

David Taylor – Monuments

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Copyright 2015 David Taylor

Photographer: David Taylor (resides Tucson, Arizona)

Publisher: Radius Books (Santa Fe)

Essays: Claire C. Carter, Daniel D. Arreola, William L. Fox, Rebecca Senf (interview)

Text: English, Spanish

Hardcover book, sewn binding, four-color lithography, Document section (essay, maps, articles, Plate details), printed in Verona, Italy

Photobook designer: David Chickey, David Taylor

Notes: This photobook is an investigation of the borderland straddled by the United States on one side, Mexico the other that extends the 690 miles between the two El Paso/Juarez and Tijuana/San Diego. Marking that transition point are 276 boundary obelisks, with 52 constructed initially of stone (1883) standing 11 feet high then later 224 additiaonl were fabricated of iron (1891-1895) and slightly smaller at 6 and a half feet tall.  Taylor has photographed these boundary Monuments in a documentary and visually objective style, similar in idea to that of Bernd and Hilla Becher’s typologies. His photographic project was initiated in 2007, well before this borderland became a contested subject in the recent American presidential election and a book that probably has not been viewed in its entirety by the president-elect. This photobook project is essentially an expansion on Taylor’s 2008 Guggenheim fellowship that resulted in his earlier photobook, Working The Line, also published by Radius Books.

This is a obsessive investigation, as he has stated “the obelisks have ended up familiar figures invested with enormous meaning for me“. Each of the 276 boundary markers rests within an urban or rural landscape relative to the two respective countries. His photographs of the urban marker landscape provides a sharp visual contrast to the lives on either side of the borderland. The urban markers these are usually adjacent to a high fence or barrier to impede (or control) clandestine foot traffic. The urban photographs are in sharp contrast to the rural markers found in the mountains and large expanses of the desert, as these lonely markers provide the only evidence that a man-designated boundary occurs.

In terms of current social-political discussions about borders, especially as one contemplates the lonely markers high in the mountains or in the open desert, these photographs beg the question about what does a border really means?  Is a location/site more “American” or more “Mexican” ten feet, or even one thousand feet, on either side of the marker?

This is a large and thick volume, beautifully designed and printed, which results in a book object that is a pleasure to read.

Note: As one of the photobook judges earlier this year for Photo Book Independent, I had juried Taylor’s Monuments submission into the subsequent exhibition.

Cheers!

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Early bird discount for photobook workshop ends this Saturday

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LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could also be a wonderful Christmas present for someone special ;- )

Just saying…

your wonderful Editor.

December 8, 2016

Kenneth O’Halloran – Bing, Bing, Bong, Bong, Bing, Bing, Bing

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Copyright 2016 Kenneth O’Halloran 

Photographer: Kenneth O’Halloran (born Corofin, Country Clare, resides Dublin, Ireland)

Self-published (Ireland)

Essay: Presidential Announcement speech, 2015

Text: English

Hardcover book with printed belly-band, sewn binding, four-color lithography, edition of 500, printed by Mirex, Gdansk (Poland)

Photobook designer: Mac & Ken

Notes: This documentary style project occurred in Los Angles on Hollywood Boulevard in the summer of 2016 during the United States presidential election. O’Halloran’s perspective was that of an outsider looking into an on-going political process, visiting this Southern California region from his native Ireland.

O’Halloran documented the raw emotional reaction of his subjects when confronting the name of one of the candidate’s bronzed in the sidewalk. His portraits of his subjects are tightly composed which appears to add an additional layer of tension to the emotional charged environment surrounding this location.

It might be an understatement that most of his subjects did not appear to react favorably to this landmark, as this candidate went on to lose the popular vote in the election by over two and half million votes as of this writing, while still becoming president-elect.

Best regards, Doug

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December 6, 2016

Photo-eye Santa Fe

Filed under: Book Publications, Photo Book Stores, Photo Books — Tags: , , — Doug Stockdale @ 6:02 pm

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photo-eye Santa Fe NM 2016 copyright Douglas Stockdale

One of the pleasures of our recent Thanksgiving road trip to Santa Fe was visiting the photo-eye book store. After the first visit, I had to return for a second visit as there were holiday deals to take advantage of.

The photo-eye bookstore is pretty unique in the United States as other than photographic galleries it is one of the few, if perhaps only, book stores dedicated entirely to contemporary photobooks. Note: this is NOT a book store where you will find any photographic books that attempt to explain photographic techniques, e.g. Lightroom, Photoshop or how to use a Canon 5DMarkIII.

I met up with Christopher Johnson, in the photo above, the Bookstore Manager who provided a quick orientation to the store’s layout as well as some photobook titles to check out. This is not a huge store by any means, but very, very well stocked!

It’s my guess that the majority of their book sales are derived from their website, and similar to other photobook websites, they have leveraged their photobook inventory into a nice retail operation.A little frustration for me that some of the photobooks that photo-eye had recently featured in their newsletter were not available in the store that day; Greogroy Halpern’s  ZZYZX (MACK) is in second printing as first edition is sold out, Mark Steinmetz’s Fifteen Miles to K-Ville (Stanley/Baker, London) which were still with Steinmetz being signed, and Mark Ruwedel’s Message from the Exterior (MACK), which was not in stock yet.

Nevertheless, what I did purchase was Jason Fulford and Gregory Halpern’s The Photographer’s Playbook (Aperture) and then on my return to the store to take advantage of their holiday sale discount, Mark Steinmetz’s The Players (Nazraeli Press) which was signed. I wanted to have an actual copy of The Photographer’s Playbook for a couple of reasons, first as one of my reference books for my photobook workshop and when I am reviewing submissions for LensCulture I reference this book to those photographers who seem to be in the midst of searching for a photographic project to focus on. For Steinmetz, he’s a photographer whom we have not reviewed yet and I felt it was about time. Expect to see Steinmetz’s book review after the first of the year.

I will had to admit that I am a bit biased; photo-eye has in stock and selling my photobook Ciociaria (signed!) and the last copies of my limited edition artist-book Pine Lake.

Cheers

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December 2, 2016

LACP workshop: Introduction to PhotoBook design

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Copyright 2013 Douglas Stockdale

I am very excited to announce that I will be leading an Introduction to Photo Book Design workshop in conjunction with the Los Angeles Center of Photography (LACP) next Spring 2017. The workshop will be held over two consecutive Saturdays, April 1st and April 8th in Los Angeles at the LACP facilities.

This workshop is intended for photographers preparing to transition their photographic images and projects to book form. I am planning that this two-day workshop will teach participants creative and practical approaches to photo book design, in anticipation of working with a book publisher, self-publishing or creating an artist-book.

My goal for this practical workshop is that everyone will understand the basics of photobook design, book publishing and reasons for a book dummy and should be well on their way to develop a book that reflects their personal creative vision.

Currently there is a 20% early bird registration available, so if you plan to be in the LA area next spring and would like to join me for this fun & challenging workshop, check it out!

If you have any questions, post a comment for me.

Cheers!

btw, if the photograph of the stack of photobooks above look familiar, this was my selection of interesting photobooks for 2013.

November 28, 2016

Jacek Fota – PKiN

Filed under: Book Publications, Book Reviews, Photo Book Discussions, Photo Books — Gerhard Clausing @ 5:59 am

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Concept and Ph­otography:  Jacek Fota (Warsaw, Poland)      http://www.jacekfota.com/

Publisher:  Fundacja Centrum Architektury, Warsaw, Poland 2015. Co-financed by the Capital City of Warsaw.      http://centrumarchitektury.org

Essays:  Introduction by Agnieszka Rasmus-Zgorzelska / Interviews by Milena Rachid Chebab / Translation by Zosia Sochańska.

Text:  English (English edition, 430 copies); there is also a Polish edition.

Hardcover book with 112 pages, not numbered; 70 color photographs numbered and captioned in the appendix; sewn binding; cloth cover, printed and bound in Poland.

Photobook design: Ania Nałęcka, Tapir Book Design / Photo editing: Mark Power, Magnum.

 

Notes:   PKiN is the abbreviation of the Polish name (Pałac Kultury i Nauki) for the Palace of Culture and Science in the country’s capital, Warsaw. This huge building containing in excess of 3200 rooms was a gift from the Soviet Union under Stalin to the people of Poland and was created between 1952 and 1955. Construction elements include some of the finest workmanship by craftsmen from Poland and the Soviet Union. This beautifully printed volume of photographs and ten pages of personal notes based on staff interviews shows an embossed replica of the so-called “frog” diagram of the ventilation system of this impressive edifice on the cover as an introduction to the myriad of details inside.

Jacek Fota’s 70 images delve behind the scenes of this magnificent structure as it exists today. In the words of Krzysiek, one of the Palace staff members interviewed, “Now there is much less going on and one can feel that the palace has been neglected.”  Fota’s distanced views evoke a sense of the range of public responses – awe, respect, and perhaps even some resentment of this overwhelming structure, with all its elements and all its history. Fota states that his goal was to document how the palace functions on the inside, “to convey the mysterious, surreal ambience” which the Palace exudes.

And sure enough, the administrators and caretakers of the palace are depicted as relatively small elements of the photographs in which they appear. The general impression of the viewer is one of distance, which enhances the mysteries of what is shown. The viewer also feels overcome by the sheer number and size of the many magnificent structural elements, as they mix with items neglected or in disrepair, mere reflections of the “glory” of former times. One can let one’s imagination take a journey, thinking of events that once gave even more luster to the structure than may be the case today. The images of this astute photographer are well composed and sequenced, and it is a pleasure to wander through the volume from beginning to end.

Gerhard Clausing

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November 24, 2016

Indie Photobook Library moves to Yale University

Filed under: Photo Book NEWS, Photo Books — Tags: , , , — Doug Stockdale @ 10:13 pm

Ciociaria published by Edizioni Punctum, now in the Beinecke Rare Book & Manuscript Library

Just announced by the Beinecke Rare Book & Manuscript Library at Yale University that the Indie Photobook Library (iPL) has been just incorporated into their collection. The collection includes more than 2,000 photobooks from around the world along with related ephemera, archives of the iPL’s history, and Larissa Leclair’s personal collection related to self-publishing. The iPL  had focused on self-published photobooks, imprints independently published and distributed, photography exhibition catalogs, print-on-demand photobooks, artists’ books, zines, photobooks printed on newsprint, limited edition photobooks, non-English language photography books, and more. This collection covers the period of indie photobooks starting in 2008 through 2016. These volumes build on an already great strength of this library and will surely be used extensively by scholars and students at Yale and beyond for a long time.

In conjunction with this change, the iPL will cease operations and no longer be accepting any more book submissions.

November 5, 2016

Alex Van Gelder – Mumbling Beauty Louise Bourgeois

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Photographer:  Alex Van Gelder (now based in Paris)

Publisher:  Thames & Hudson, New York, NY, 2015

Essays:  Foreword by Hans Ulrich Obrist: “Ever Louise” / Introduction by Alex Van Gelder

Text:  English

Hardcover book with 112 pages, not numbered; 81 color photographs without captions; sewn binding; cloth cover with dust jacket, printed and bound in China.

Photobook designer: Béatrice Akar

Notes: This photobook presents 81 extraordinary collaborative images taken during the last three years of life of the French-American artist Louise Bourgeois (1911-2010), who came to the US in 1938 and was primarily known for her sculptures and installations, but also for her paintings and prints. Her art received the most attention from the 1970s on, and she was also a strong fighter for artistic freedom and social justice. Alex Van Gelder, the photographer now based in Paris, became her friend and, from 2008 to 2010, was repeatedly invited to her home in New York City in order to participate in the creation of this personal yet public reality of a highly creative and spirited individual. As Van Gelder says in the foreword, “She became a consummate performer in front of the camera.”

In viewing the images, we can literally experience the joy of the artist in the process of creation, as well as the pain of aging, perhaps foremost among them her inability to move around as freely as possible, as she was paralyzed from the hip down. The photographer uses a variety of techniques to show the difficulties of both artistic creation and old age, such as distortions and long exposures with the resulting blurred appearances: self-reflection through visual ambiguity. The viewer is not only reminded of the work of John Coplans, but also of Cindy Sherman: Louise Bourgeois here assumes many roles (some with disguises) in a number of settings within her house. A very creative look at the last few years of this artist as a result; she is shown working in her studio on paintings, posing with some small sculptures, as well as in mundane settings of everyday life.

This book confronts the viewer with his or her own aging process and creativity. It is a stark yet supportive and positive, even optimistic presentation, at times with some humor as well. As the artist is shown active even at the very end, we get the idea that she is creative and hopeful in spite of it all. Since Louise Bourgeois considered much of her work autobiographical, based in part on childhood traumas, these portraits give us a glimpses of the relationships between the artist and her art, and many other dimensions to reflect on as well. The human body, with its fragile and temporary nature, was a main theme in her art, and this is certainly well represented in this visceral yet elegant collaborative photographic study.

Gerhard Clausing

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October 28, 2016

Yanina Shevchenko – Crossing Over

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Copyright 2013 Yanina Shevchenko

Photographer: Yanina Shevchenko (born: Russia – resides: Barcelona, Spain)

Publisher: The Velvet Cell (London, Taipei)

Essays: Yanina Shevchenko

Text: English

Stiffcover book, saddle-stitch binding, four-color lithography, printed in Taiwan

Photobook designer: Velvet Cell Graphics

Notes: In America a “road-trip” in which one wants get up-close and personal with the land is usually by accomplished by means a car. To cross an even greater expanse of Russia and attempt to create a personal relationship with the land, a road-trip one usually associates with is by means of the Trans-Siberian Railway. This photobook is Yanina Schevchenko’s narrative using a documentary style and resulting from riding the rails over a duration of fourteen days; from Moscow to the end of the Trans-Siberian Railway and then immediately returning. Her subject was the expansive rural and intermittent urban landscape of Russia in an attempt to investigate the regional culture along this route.

As a reader who has traveled by railway in both the United States and Europe, what can be observed in Shevchenko’s photographs appears similar in one aspect but not all-together different; stretches of open and frequently monotonous rural landscape with short duration’s of the urban industrial landscape. I also found myself recently returning to this book as I am now make frequent commutes to a laboratory space about an hour and half away that involves a long drive with a short stretch of stop and go traffic. During the drive, the ensuing landscape is a soft blur, but due to the serendipity and chance of where I made the brief stops in heavy traffic, the adjacent landscape takes on a startling clarity. These are similar elements that Shevchenko captures in her investigation. Perhaps some of the structures of the steppes are a bit unique, but the land adjacent to a noisy rail line is a place that is not usually attractive but can still be a very interesting to contemplate.

Cheers

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