The PhotoBook Journal

May 31, 2018

Douglas Stockdale – Middle Ground / En Medio Tierra

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Photographer:  Douglas Stockdale (born in Butler, PA; living in Rancho Santa Margarita, CA)

Self-published artist book of 31 images hand-bound by the artist in an accordion (leporello) presentation, yielding 66 pages (blank verso), attached to stiff covers with flip-over French fold; 8.5×6.75 inches; printed in four-color lithography by Dual Graphics, Brea, California; edition of 99 plus 5 artist proofs; © 2018

Text:  English and Spanish

Photobook Designer:  Douglas Stockdale

Notes:  This innovative artist book by Douglas Stockdale brings to mind the parable “Before the Law” by Franz Kafka, in which a man is confronted by what seems to be an overwhelming obstacle and fails to overcome it, even though he could have, as we who are the readers readily understand. How often in life are we confronted by small barriers that can easily become seemingly overwhelming …

Here is a volume of innovatively presented and artfully sequenced freeway observations. The 31 photographs that Douglas Stockdale has arranged in leporello (accordion) fashion constitute a panorama of barriers. We sense the static moments of being stuck in stop-and-go traffic, repeated moments sufficient to take photographs of dividers put up for traffic purposes, with ‘beautification’ planters placed behind them. There is the aggravation of heavy traffic along the Interstate 5 route toward the border in San Diego; there is the annoyance and challenge of being separated from that which lies beyond the barriers. And we observe details: some houses, some palm trees, the national flag almost beyond reach, and other structures to which we can’t immediately relate. And yet there must be other people there … who and where might they be? And some of the barriers are much less than perfect, they show damage or are surrounded by debris. It is a less than perfect, seemingly endless constructed landscape.

So we can consider this project, which is a typology of barriers, a metaphor for the barriers and separators of all kinds that people wish to throw between and among us. Especially in our current moment in time there are many whose main task is to foment social, racial, and/or economic anger and pin it on the “others,” whether we are talking about ethnic, social, economic, or other groups.

Can we overcome these barriers? Of course we can. Look at Stockdale’s images: there are gaps one can squeeze through, there are small boards or a bit of sand to help us take the first step beyond, to let the middle ground lead us toward reaching a better understanding of those that may be different, yet almost within reach. In every country there are many ethnic, economic,  religious groups or segments of the population with somewhat different belief systems, individual preferences, or somewhat different shades of skin color that some wish to marginalize or not give the full respect they deserve. It is important to overcome such barriers and to take the all-important steps toward others. Truly united societies require respectful collaboration rather than splintering into subgroups, and Stockdale’s visual compendium can be an impetus toward overcoming barriers and obstacles.

This project invites each viewer to engage with the presentation and to find individual meanings. It is my guess that this volume, which has been given a bilingual slant but no artist admonition as to its interpretation, will become quite a collector’s item. I would advise you to get your copy while you can, as the edition is very small. For those of you who can make it to L.A. this weekend, Stockdale will give an artist presentation about this work at the closing reception of the exhibition on Saturday, June 2, at 4-7 p.m., Fabrik Projects Gallery, 2636 South La Cienega Boulevard, Los Angeles, CA (near Culver City).

The PhotoBook Journal has previously featured or reviewed the following other books by Douglas Stockdale:  Ciociaria, In Passing, Pine Lake, Bluewater Shore, and Guide to Self-Publishing an Indie Artist Book.

Gerhard Clausing

 

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April 26, 2018

Pre-order: Douglas Stockdale – Middle Ground/En Medio Tierra

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Middle Ground/En Medio Tierra (book dummy) 2018 Douglas Stockdale

As I just announced on my personal photo-blog Singular Images, I am very excited to accept pre-orders for my artist book Middle Ground/En Medio Tierra! Which is one of the reasons that I have not been providing book reviews for the past couple of weeks. The other wonderful reason for my absence is that the book publication will occur concurrent with the exhibition of this body of work at Fabrik Projects, a gallery located in Los Angeles (adjacent to Culver City), which opens May 5th and runs through June 2nd, 2018. The artist reception will be on Saturday, May 12th, so if you are on the left coast at that time, I hope you can join me from 6-8pm on the 12th.

Also, I was just notified by Los Angeles Center of Photography (LACP), that two of the photographs from this project were selected for their third annual Fine Arts exhibition which will exhibit concurrently. This is a new experience for me!

This project investigates an urban landscape in a documentary style. Although this project was initially developed as a political satire to create a parody of “bigley” wall on the America”s southern border with Mexico, it has come to symbolically represent some issues that are more universal. This American landscape is a metaphor for political, economic, social, and cultural barriers and walls that people create to impede the progress and acceptance of others. If you are building or maintaining walls, you are not building bridges to acceptance. Aesthetically, this project has already been likened to a mash-up of Ed Ruscha’s “Every Building on the Sunset Strip” with Christo’s “Running Fence”.

The books will be ready to ship by the middle to end of next month. I am doing the leporello binding and it may take me a little while to complete each of the dozen connections required for these artist books.

So here are the artist book publication details:

Self-published, publication date; May 2018 (concurrent with exhibition at Fabrik Projects, Los Angeles, CA)

Stiff covers with flap-over French fold, Leporello book design

Pages: 66 pages (blank verso)

Photographs: 31 Images, color

Printing: 4 color lithographic printing

Leporello binding: hand-bound by the artist

Book design and layout by the artist

Artist book, edition size 99 + 5 A/P

Book trim size: 6-1/2” x 8-1/4” (165mm x 210mm)

Acknowledgements & Colophon, without essays, captions or pagination

Text: English and Spanish

Cover paper: 18 pt C1s Tango

Interior paper: 80# GPA Uncoated Text (Gloss)

Retail price: $59.50 USD (CA residents add sales tax)

I can process your book orders through Paypal. Until May 5th, for those in the United States, the price will include my shipping costs. For outside the U.S. I need to add an additional $15.00 to the cost of the book for shipping (if it turns out that it is more, I will absorb it).

Note: since the book will not been printed until next week, the book images are from my book-dummy.

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February 24, 2018

Photobook Day March 17 With Douglas Stockdale & Special Guests – LACP Open House (March 16-18, 2018)

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Photo courtesy of Douglas Stockdale, Founder/Editor of  The PhotoBook Journal

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Join LACP for our Sixth Annual
Spring Open House


Featuring workshops, panel discussions, portfolio & photo book walk, raffle prizes, vendors, food, drink and much more!!

March 16th – 18th, 10 am – 5 pm

 

On Friday, March 16, 10 am – 5 pm, bring your old, used camera equipmentand turn it into cash! 

  • KEH Camera will be at LACP all day buying used photo equipment
    On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

 

Saturday, March 17, 10 am – 5 pm

On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

10:15-11:00 am – “Photo Book Pre-Visualization” taught by  Douglas Stockdale, Founder/Editor, The PhotoBook Journal
$20 for Members; $40 for Non-Members

11:15 am-12:00 pm – “Self-Publishing for Photographers: Blurb Books” with Dan Milnor,
$20 for Members; $40 for Non-Members

12:30-1:30 pm – Free Panel Discussion, “How to Get Your Photo Book Published,
moderated by Douglas Stockdale, Founder/Editor, The PhotoBook Journal
Panelists include Dan Milnor, Cat Gwynn, and more (TBA).

2:30-4:30 pm – Free Portfolio and Photo Book Walk featuring the work of LACP Members  (contact info@lacphoto.org to sign up for a table space)

Throughout the day:
• There will be various organizations and vendors present including ASMP Los Angeles, Hahnemühle, Freestyle, Blurb, The Artist Corner, and more!
• Raffle tickets available and prize drawings!
• Complimentary lunch (served from 1:30 – 2:30 pm)
• Complimentary wine and beer (served from 1:30-4:30 pm)

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Sunday, March 18, 10 am – 5 pm

  • Come take part in one of several of our 17 “mini” classes and seminars.  A full day pass is only $100!!

10:00 am:
1) “Portraiture: An Artistic Journey” with Ken Merfeld
2) “Understanding Your Camera’s Features” with Peter Bennett

11:00 am:
1) “Introduction to the Documentary World” with Kevin Weinstein
2) “Let’s Talk Lenses” with Peter Bennett
3) “Creating Worlds and Stories with Photomontage” with Ry Sangalang

12:00 pm:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “The Singular Vision” with Andrew Southam
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

2:00 pm:
1) “Street Photography Essentials” with Ibarionex Perello
2) “Moving Your Career Forward: Steps to Success for Photographers” with Sherrie Berger
3) “Black & White Conversion using Lightroom” with Rollence Patugan

3:00 pm:
1) “Crash Flash” with Julia Dean
2) “Best Practices Using Social Media for Photographers” with Paul-Michael Carr, TBA
3) “Monitor Calibration” with Eric Joseph

4:00 pm:
1) “How to Teach Photography” with Julia Dean
2) TBA
3) “Digital Printmaking Primer” with Eric Joseph

  • Click HERE to sign up for the classes.  (Please note not all classes are posted yet.)
    • Individual classes are $20 for Members; $40 for Non-Members. Sign up now! Seating is limited.
    A one-day Sunday pass is $100 for Members; $200 for Non-Members.

The Open House is all about community. It’s a time and place for all those interested in photography and the arts to come together and meet, socialize, learn, laugh and grow. Network with other artists, try your luck at some terrific raffle prizes, sell your used camera equipment, meet organizational vendors, take some classes and more! Whatever your pleasure may be, we encourage you to spend a weekend with us, invite your family and friends, and enjoy some good camaraderie, fellowship and fun!

A Time and Place for the
Photo Community to Come Together

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November 29, 2017

Interesting Photobooks of 2017 (plus a few from 2016)

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Interesting Photobooks of 2017, copyright Douglas Stockdale

As in years past, we have been providing a short list of photobooks we have found interesting, whether it was the photographic content, concept of the project, the book’s design or production qualities; and most interesting when it was a delightful combination of all of these book elements.

For our editorial team selection we limited ourselves to the photobooks we received with time to really evaluate the book object in its entirety. I have readily admitted in the past we do not have access to read and study every photobook that was published during the year, thus our list is not meant to be inclusive as there are a great many other interesting photobooks that were published this year. Our list may not be the “Best” photobooks of 2017, but rather we have selected some of the more interesting photobooks for your consideration. In a couple of cases, we have included books that were published in late 2016 that have come to our attention this year.

We have published commentaries for most of these, which are linked-up. It is our intent to publish commentaries for the remaining photobooks shortly. So in alphabetic order:

Roger Ballen, Ballenesque, Thames & Hudson, 2017, a really interesting retrospective of Ballen’s creative body of work, also The Theatre of Apparitions, Thames & Hudson, 2016 (we did not see this until early this year); An astute personal investigation of the mind against intercultural backgrounds.

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Roger Ballen

Paula Bronstein, Afghanistan: Between Hope and Fear, University of Texas Press, 2016; a long term photo-documentary project about the on-going social impact of war in Afghanistan.

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Paula Bronstein

Claire Felicie, Only the Sky Remains Untouched, Self-published, 2016; provides an intriguing layered visual design that creatively investigates the concepts of lingering trauma after warfare.

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Claire Felicie

Lea Habourdin, Survivalists, Fuego Books, 2017; an intriguing book design that investigates a concept about personal/cultural survival. (Review pending)

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Lea Habourdin

Ellen Korth, CHARKOW, Self-published, 2016; presenting difficult parts of a personal history using a very innovative set of books.

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Ellen Korth

Andrej Lamut, Nokturno, The Angry Bat, 2017; a dark and moody investigation which provides an interesting environment to explore a diverse range of metaphoric potentials.

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Andrej Lamut

Robert Lyons, Pictures From the Next Day, Zatara Press; An introspective project that explores aging, personal relationships and American culture. (Review pending)

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Robert Lyons

Tymon Markowski, Flow, Self-published, 2017; a great utilization of a book design that captures the essence of photo-documentary project’s investigation of a region.

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Tymon Markowski

Duane Michals, Portraits, Thames & Hudson, 2017; a retrospective of his portrait work in the context of his trademark, if not iconic, creative storytelling.

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Duane Michals

Nancy Rexroth, IOWA, University of Texas Press, 2017 (first edition, self-published, 1977); an updated and re-edited edition of this fine art photobook “classic”, which still maintains its artistic vitality. (Review pending)

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Nancy Rexroth

Douglas Stockdale, Bluewater Shore, self-published, 2017; (A little bit of personal bias) Exploring American culture and family as well in part for its production merit as it is the first photo book that was printed with a duotone (black & white) digital lithography printing process.

Bluewarter Shore artist book

Cheers!

Douglas & Gerhard

November 3, 2017

Douglas Stockdale – Guide to Self-Publishing an Indie Artist Book

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Author and Principal Photographer:  Douglas Stockdale (born Butler, PA; resides Rancho Santa Margarita, CA)

Publisher: Self-published; first edition, first printing of 400; copyright © 2017

Text: English

Stiff-cover saddle-stitched book of 40 numbered pages with 14 images on several types of paper; 7.5×9 inches; full-color digital lithography, printed by Dual Graphics, Brea, California; $19.95 plus shipping ($4.50 in US & $15.00 USD other countries)

Book Design: Douglas Stockdale and Craig Evans – Text Editor: Gerhard Clausing – Cover Photograph: Scott Mathews

 

Notes: 

This book had its debut at the Medium Festival of Photography in San Diego, California, on October 26, 2017, and was received with great enthusiasm. It is a detailed guide to help the artist through all the steps and considerations to keep in mind when thinking about and executing an independently published artist book.

Douglas Stockdale, editorial founder of and prolific contributor to The PhotoBook Journal and SoCal PhotoExchange, who has been our guide through many artistic and publishing intricacies which he has discussed in hundreds of book reviews and articles, really gets to the point in this publication. Fortunately, his collaborator and sponsor in this venture is the renowned printing and communications company Dual Graphics in Brea, California, which already assisted Ansel Adams in artfully transferring his photography to print many years ago.

Doug certainly practices what he preaches. As a successful mentor and leader of workshops dealing with planning, producing, and marketing photo books, and as an author of a number of them himself (In Passing, Ciociaria, Pine Lake, Bluewater Shore), he is able to lay out logical and creative patterns for planning and doing artist books that are designed to help artists avoid many possible pitfalls that he has observed over time. The discussion is divided into five stages, which also constitute the chapters of this book:

  1. Book Pre-Visualization
  2. Marketing (including funding and fundraising)
  3. Book Development (including editing, sequencing the images, and making a book “dummy”)
  4. Book Design (and options)
  5. Book Production

Just to name one very important consideration, this Guide introduces marketing issues early in the process, rather than at the end, as others have done, since marketing information and decisions are integral to all other considerations that follow. Doug also devotes important space to the topics of selecting and sequencing the images to be included in an artist book, a topic that is sketchy in other guides on publishing your own artist book. There are many other planning considerations that he discusses to help the reader untangle potential difficulties.

Another fascinating feature of this book, extremely useful and exclusive, is the addition of sample pages of several different types of paper on which the same color and monochrome images are printed, so that the effect of printing on papers with different surfaces and characteristics can be seen. While the images below are no substitute for getting the actual book and studying the printing on the actual paper, they allow you to begin to see some differences. This feature alone is worth more than the cost of the book, as it is the best demonstration for working closely with a top-notch printing company, and to alert the potential maker of an artist book to all the details that can make a huge difference. There are also detailed descriptions of the papers included, as well as definitions of many terms that make the artist more knowledgeable when dealing with the printing and binding options. Needless to say, the author’s style is to the point, easy to read, and not filled with unnecessary technical jargon.

This book is highly recommended, especially if you are not quite sure about doing an artist book. The overview and the details provided here will help you understand and appreciate the process and will serve as a checklist to guide you through the entire process when you have made the decision to take the plunge, which will be greatly facilitated when consulting this publication during the sojourn.

Gerhard Clausing

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April 28, 2017

Douglas Stockdale – Bluewater Shore

Bluewarter Shore artist book

Artist:  Douglas Stockdale (born Butler, PA; resides Rancho Santa Margarita, CA)

Publisher: Self-published, hand-inscribed, limited signed edition of 99; Copyright © 2017

Text: English

Stiff-cover book of 32 pages with 16 prong-bound images, unnumbered; in poly slip-cover; Fultone® digital lithography, printed by Dual Graphics, Brea, California

Notes: Photobooks that present their images in a loose format, i.e., not permanently bound and sequenced but changeable, are still the exception. One such successful work was David Alan Harvey’s 2012 project entitled (based on a true story), dealing with life in Rio, with real and imagined storylines. That innovative volume (which received a number of important awards) was designed with double pages whose sequence could be rearranged to tell a different story from the viewer’s perspective, using the same images, but with new juxtapositions. A more recent predecessor to Bluewater Shore is Douglas Stockdale’s Pine Lake, reviewed previously; it shares a similar image presentation format with Bluewater Shore, which is its sequel.

In the case of Douglas Stockdale’s Bluewater Shore, we have a hand-inscribed and hand-assembled limited edition artist book presenting a simulated drugstore-issued set of 16 prints that take the viewer on an imaginary trip taking place in the 1940s: a young woman traveling to “bluewater shore” with her women friends. Since that was a time in which women were able to feel some greater sense of self and independence, they were not accompanied by males as might have been the expected practice in previous times. We see them on their journey, we see them at the beach in various activities, and – lo and behold! – suddenly males also appear in the pictures. That’s where the story gets interesting – we don’t know who they are, or what relationships there are between them and the women, but we can project our ideas into the pictures. There are also some children in the photographs, and we don’t know whether they are relatives, or bystanders, or symbols of things to come. Since the roll of film fictitiously presented in this publication is made up of only 16 pictures and the people depicted are not available, we are only able to guess what might be taking place. Consider it a story puzzle that allows us to participate vicariously. Creative photographic storytelling at its finest!

Douglas Stockdale has taken vernacular images from his family’s archives and has repurposed them for this semi-fictitious narrative as a new single set of 16. They have been appropriately aged and once printed slightly enlarged, prong-bound into a folder that simulates how prints were once delivered with processed rolls for a small additional fee (Kodak/Ansco flip-books). There is even a seemingly unintentional double exposure. Since they are bound with a prong that can be removed from the folder, the images can be rearranged and spread out on the table as might have once been the case if they were to be evaluated or placed in an album. Thus we can experience parts of a family history and relate what we see to our own history and our shared cultural past as well. A most enjoyable photographic puzzle of memories and times gone by.

This site has also featured Douglas Stockdale’s hardbound volume, Ciociaria, his self-published artist book Pine Lake and his book dummy In Passing.

Update: TPBJ has recently featured Stockdale’s self-published artist book Middle Ground and his self-published book on book design Guide to Self-Publishing an Artist Book.

Gerhard Clausing

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October 4, 2013

Douglas Stockdale – Pine Lake

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Pine Lake copyright 2013 Douglas Stockdale self-published Limited Edition Artist Book

I am very thrilled to announce the publication of my hand-made artist book Pine Lake. Thus post is not intended to be a book review, as I need to let others provide more objective assessments. This is just blatant self promotion.

Pine Lake is sequenced as a semi-fictional story about an American multi-generational summer rite, a weekend fishing trip.

As to how this project came about, it started with my recently discovered family photographs of my grandfathers fishing, a passion of which was unknown and totally foreign to me. Thus the small, worn vernacular photographs I found became talismans for the lost memories and stories of my family.  This has led me to create this artist book to tell a story of what might have been. Pine Lake is another of my on-going series that investigates memory and its preservation.

The interior flip-book is formatted in a style reminiscent of a promotional processing book common in the 1960′s produced by Kodak and Ansco, which could be purchase with a film processing order. The book is accompanied by a small collection of preserved ephemera that represent the memorabilia that might be saved after a favorite vacation.

The stiff cover book contains 17 black & white photographs. The outer cover is fabricated from a sheet of 120 gm Canson Mi-Teintes paper, hand trimmed to size and inkjet printed which is then hand inscribed.  This cover is bone creased, hand hole punched and an aluminum prong binding is attached to manually bind the interior pages. The book resides inside a hand inscribed poly slip-cover (a zip-lock bag) accompanied with three pieces of ephemera; a fishing stamp, a fishing notice & a section of fishing line with small weight attached mid-way.

The book and ephemera are housed in a hand-made wood frame with a printed cover constructed from 110# Daler-Rowney Canford paper, cut to size, ink-jet printed, hand bone crease and glued to the frame to create a gate fold flap, and has an elastic band closure.

Exterior size is 8 1/2″ x 10″ x 7/16″ (210 mm x  250mm   x 100mm)

The photographic images are anonymous and from my family archive and have been re-photographed and modified to provide a consistent appearance to illustrate this short visual story. Pine Lake is produced in a Limited Edition of 25, with a price of $150.00 USD per book plus shipping (and taxes where applicable).

I hope you enjoy it.

Cheers!

Notes:

price increase to $250 on 2/01/2014 as edition is almost sold out. For the three remaining editions, the price is now $350.00 each.

August 18th, 2017: Pine Lake is now available from Arcana: Books on the Arts (Culver City, CA)

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June 1, 2013

Douglas Stockdale – In Passing

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Copyright Douglas Stockdale 2008, self published.

This aftermath project explores my on-going series; memory and its preservation.

Hardcover book with dust jacket, one photograph plate per page spread with captions on the facing page. This book is out of print and now sold out.

Best regards

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May 12, 2012

Douglas Stockdale – Ciociaria Limited Edition Book + Photograph Set

Copyright Douglas Stockdale 2011

Warning Notice: this is a self-serving personal shout-out about the availability of my book in a Limited Edition Book + Photograph set. You may find yourself spending a small amount of loot while yet making a wonderful investment so be warned before proceeding any further!!

I recently published two small versions of a Limited Edition Book + Photograph Set in conjunction with my hardcover book Ciociaria. The edition size for both versions is 25 and I choose two photographs which were not included in the the book. The photograph and book are signed and numbered with the photograph an archival pigment print. After a number of discussions with Susan Burnstine during the development of this Limited Edition set I opted to go with an inexpensive version to keep my costs lower and a provide a reasonable price of $150.00 per set.

The initial interest in the two Limited Edition sets is good and I am nearing the halfway point for selling the editions. I can’t say they are selling like hotcakes yet but are doing well enough and building a small reserve fund to finance my next book that I hope to be able to announce shortly.

The Fiuggi Edition photograph below, was an interesting turning point for me while working on this project. I had been deferring to a more topographical investigation of the memories of this area, which is to say photographing the urban landscape without the presence of any individuals. As this scene unfolded before me it spoke of another way to create a narrative as to how memory is preserved. But as book designs go with the choice, pairing and sequencing of the images, this photograph did not find a good home within the book. So it seemed a nature to include this as a special edition.

Fiuggi Editon

The other version of the Limited Edition is the Morolo Edition that includes the photograph below. I saw this lyrical web of branches with the different phases of the decaying fruit and hints of the surrounding residences. It speaks to the past memories intersecting with the current moment.

The Limited Edition Book + Photograph sets of Ciociaria will be available from specialty photographic bookstores.

Now available at:

Ampersand, Portland Oregon (Sold out)

photo-eye: Santa Fe, NM

The standard hardcover book at $55.00 is currently available at photo-eye.

Additional interior photographs from the book and links to some of the book reviews can be found here.

Check back as I expect this bookseller list to grow.

Best regards, Doug

Morolo Edition

 Now back to your normal programing…

September 24, 2011

Douglas Stockdale – Ciociaria

Filed under: Book Publications, Photo Book Discussions, Photo Books — Tags: , — Doug Stockdale @ 8:57 pm

Photographs copyright 2011 Douglas Stockdale & published by Edizioni Punctum (Punctum Press)

Okay, this is not an official book review per se as I really do need to defer to other reviewers to provide commentaries about my book. That said I have been very fortunate to have a few others post about Ciociaria, including  Aline Smithson (Lenscratch), Andrew Phelps (Buffet) and Harvey Benge (Photograhy+art+ideas), as well as various shout-outs by Pierre Bessard, Elizabeth Avedon and a host of others.

Update: Very nice reviews by Karen Jenkins in photo-eye Magazine and Tomás de Teresa on Libros de Fotografia (Spanish), who also posted a video review of Ciociaria set to Spanish guitar on YouTube.

Publisher’s synopsis;

Douglas Stockdale’s Ciociaria builds an “organized” flanerie that goes beyond the topography/street photography dichotomy; he erases the direct human aspect and the need of a nearly scientific witness at the same time, enhancing the concept of how every single human being can become acquainted with a place in varied unpredictable ways and times, as well as readapting the landscape to one’s visions and needs.

Stockdale personalizes Ciociaria, a loosely defined rocky and hilly region with memories of ancient Latin yet without a known history, putting aside all stereotypes and re-launching a sort of “personal anonymity”, very typical to areas that developed due to the middle class explosion. Houses, banners, woods, monuments, cars and the outskirts of little towns, nothing is magnificent and luckily nothing is picturesque. The truly great difference lies here: Stockdale does not overdramatically criticize the Italian landscape per se, perceived as an embarrassing overlap of architectural abuse and ignorance, but then again his flanerie is nothing more than an actualization of the grand tour.

His photographs hint of a street photographer’s reportage yet lacks an obvious narrative, providing many hints of a complex and multi-layered culture, creating an indirect portrait of Ciociaria, while leaving most questions tantalizingly unanswered.  The photographs capture a paradox of strangeness mixed with familiarity, mystery mixed with beauty, within a context of color, space, and texture.

This book is an investigation into complexities of ambiguity intertwined with feelings of belonging while yet still not fitting in. Stockdale crosses Ciociaria and looks for answers, adhering to that landscape and photographing it in such a way as to illustrate what it personally conveys to him. It is about being a stranger in a vaguely familiar land.

As a photobook object it is a hardcover book with dust jacket and includes 50 color photographs with four-color lithographic printing, 96 pages without captions or page numbering. There is an essay by Marco Delogu and an afterword by me with both texts provided in Italian and English.

Best regards, Douglas

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