The PhotoBook Journal

July 10, 2017

Elena Kholkina – Time of the Moon

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Artist: Elena Kholkina (born & resides Moscow, RU)

Self-published artist book (Moscow, RU)

Essays: Elena Kholkina

Text: English

Glued Board on cloth with original color transparency in mount on cover, sewn binding, four-color lithography, Index of photographs, limited edition artist book (E of 50), printed in Moscow (RU)

Photobook designer: Elena Kholkina

Notes:  Elena Kholkina’s Time of the Moon is a mashup of created and found photographic material, including icon movie images, which is interwoven with quotes. One aspect of her multimedia practice that she has included in her book are the photographs of the resulting images after she projected movie stills and other images onto her subjects at night.

Her artist book is an investigation of a public site located within Moscow that is a collection of large buildings and structures, some dating back to the late 1920’s and associated open spaces. Due to current Russian economics’ many of the buildings in this large site are in a state of “hibernation” and the future appears to be unknown. Even as the political pendulum swings in Russia, it is difficult to foresee what the fate is for such structures that have a strong historical linkage to a different political period.

This situation of what should society do with old buildings that have a defined history but are no longer viable in the current economy or consistent with the political mood is more common that we might want to acknowledge. In America we have similar situations that range from small dusty Midwest towns with almost abandoned Main streets to large cities with dormant and decaying factories and public buildings which became too expensive to retrofit and are considered obsolete and abandoned in place. Chris Mottalini photographed various homes built by the 1950’s avant-garde architect Paul Rudolph which Mottalini documented just prior to demolition, as the design of these homes are considered too severe for current tastes.

Unlike the ruin porn photographs of a decaying city, Elena is attempting to create a dialog with the current structures still potentially variable and in place as a call to action. To potential save the destruction of this region of Moscow while the political bureaucrats slowly ponder what to do next. She raises questions, while recalling the historical past, such as the collective quest to visit the Moon, in hopes of changing the course of history. Reading this book is an emotional roller coaster ride with an unsettling ending.

Cheers! Douglas Stockdale

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