The PhotoBook Journal

February 7, 2017

Barbara Kyne – A Crack In The World

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Copyright 2016 Barbara Kyne

Photographer: Barbara Kyne (b. Hoboken, New Jersey – resides. Oakland, CA)

Publisher: Daylight Books (USA)

Essays: Barbara Kyne, Susan Griffin, Jasmine Moorhead

Text: English

Hardcover book with dust jacket, sewn binding, four-color lithography, Index, printed in China

Photobook designer: Ursula Damm

Notes: Barbara Kyne and her partner Fran Lowe have property in Mariposa, located east of the San Francisco bay in the foothills of the Sierra Mountains. The land is a bit rough and tumble, which is to say a little on the wild side. Although her book appears to be an abstraction of the natural landscape, Kyne is seeking to go beyond the apparent and investigate an aspect of nature that we do not usually think may be occurring; how does nature view itself?

In nature we take for granted that there is an active interplay between the wildlife animals, birds and other crawly creatures, but we have not been taught or made aware that perhaps the trees and vegetation may actively communicating among themselves. Kyne has tapped into the writings and scientific investigations that gives credence that plants and trees are in a sense actively communicating with each other. Thus raising the question; if plants and trees can perceive, what might they comprehend and what could that vision look like?

In discussing this book, she stated “And my work is about reality. Reality and time. I’m just looking at reality from what I imagine is the perception of another species. I’m attempting to expand our perception of reality and let go of or at least loosen the grip of our human-centric perception.”

Her photographs are abstract and very lyrical as I find Kyne’s hypothesis and subsequent investigating to be very intriguing and visually beautiful.

Other photobooks by Barbara Kyne reviewed on The Photobook: Gerhard Clausing’s review of By Fire

Cheers

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June 24, 2012

Gytis Skudzinskas – Tyla – Silence

Photographs copyright Gytis Skudzinskas 2011 published by Culture Menu (Kulturos Meniu)

Gytis Skudzinskas joins the minimalist ranks of the 1960’s color field painters and the recent cadre of long exposure photographers who reveal that with the passing of elastic time, that there are other “realities” that exist beyond our everyday comprehension and perception.

He creates contemplative images with beautiful lyrical colors of things that are, but yet are not. The results can be somewhat serendipitous as the final results are seldom visualized yet there is a core essence that can be anticipated.

The photographs are created with a neutral and static composition with the boundary between the upper and lower sections drawn mid way, dividing the two color fields into equal halves. This ccompositional tool is then consistently employed providing a sameness and interrelationship to and between the various photographs.

Beyond a contemplative opportunity for these photographs I regretfully do not find anything of sustaining value. The photographic content exists entirely within the boundaries of these photographs and other than the variations in color there is little else to hold my attention, to tweak my curiosity or create a desire to return.

The hardcover book is nicely printed and bound, the color photographs are suburb, but the textual design element of using a light color font on a paper of similar value increases the difficulty to read and comprehend the essays. This may be a case in which the attempt to be creative in design fell short, but an attempt to challenge the basics of book design is applauded. As an artist, risk need to be ventured and creative failure is a surrogate for success, as nothing ventured, nothing gained.

By Douglas Stockdale for The PhotoBook

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