The PhotoBook

January 17, 2017

Nancy Baron – Palm Springs > The Good Life Goes On

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Photographer:  Nancy Baron (born in Illinois, residing in California, USA)

Publisher:  Kehrer Verlag, Heidelberg, Germany

Published October 2016. Hardcover book with 120 pages; 63 numbered and titled color photographs; sewn binding, printed and bound in Germany. 22.5 x 22.5 cm. ISBN 978-3-86828-706-6

Essays:  Foreword by Alexa Dilworth; statements by Matthew Weiner and Nancy Baron; quotations by Martha Stewart and Hugh Kaptur

Text:  English

Photobook designer:  Kehrer Design Heidelberg – Katharina Stumpf

Copyright  © 2016 Nancy Baron and Kehrer Verlag

Notes:  Palm Springs has been a geographical and cultural mecca (not only for Southern Californians) since the early twentieth century, a place where a variety of endeavors have had the freedom to unfold. Especially in our time, both celebrities and others consider this desert city a notable attraction, an informed center of cultural activities of all kinds, most notably several film and art festivals, a summer photo festival, an excellent Museum of Art, and many more, also in association with its eight sister communities in the Coachella Valley. The dry air supplies a healthy environment for outdoor activities much of the year as well.

Mid-century modern is the architectural style that makes many of the private residences in Palm Springs especially appealing. Some fifty years later, one marvels at the manner and style that seem to seamlessly integrate residential buildings into the desert environment with its seasonal challenges in temperatures, and at the “good life” it supports. Nancy Baron excels as an observer who lets us look over her shoulder to see the marvels which this impactful town presents. It is almost as if time has stood still: In an era of world turmoil the serenity of the desert and its structures forming an enclave for residents serve as the basis for this second volume of Palm Springs photographs by Nancy Baron. (The first volume was previously featured on The PhotoBook by Douglas Stockdale.)

The volume is designed with a square format, as are almost all of the photographs; square compositions have a satisfying feeling of completion when well done, as is the case here. This is in line with the feeling of serenity of the “good life” depicted here. The colors are bright, a series of portraits of the environment and its inhabitants to match the bright desert sun. The emphasis is on the structures in their surroundings; the occupants and owners and their possessions seem part of an ever-changing context that is subject to some cultural influences and interpretations, as well as to a great deal of nostalgia. The volume is well thought out and is pleasant to view and read. The writers of the essays share some personal impressions and experiences regarding this unique town. Nancy Baron shows a special knack for portraying the special characteristics of places along with their cultural phenomena. We are looking forward to her future projects!

Gerhard Clausing

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January 13, 2017

David Carol – No Plan B

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Copyright 2016 David Carol

Photographer: David Carol (born and resides NYC, NY)

Publisher: Peanut Press (Los Angeles, CA)

Essays: David Carol Introduction, Afterword by Jason Eskenazi

Text: English

Hardcover book with debossed cover, sewn binding, duotone printing with slight varnish, captions, printed by Meridian Printing in RI

Photobook designer: Ashly Stohl

Notes: This monograph of David Carol’s photographs recaps twenty-three years of candid and ironic black and white street photography and is a visual testament to his love of this medium. He has been fortunate to have a career as working photographer, but these are his personal out-takes of situations that momentarily captured his wild imagination. These mini-narratives speak to the power of always having a camera available and constantly looking for the possibilities, open to what might unexpectedly come by your way.

His photographs range from the subtle reflection in a window that juxtapositions oil wells with wedding dresses, the surreal image of an oversized white gorilla sitting in front of a suburban home, humorous photographs of his son doing funny kid’s stuff, to the poignant  self-portrait of his cast shadow on the snow holding his symbolic son’s hand. Who has not found themselves trying to talk to someone and something is blocking their face, but Carol recognized this humorous situation and captured it.

Carol seizes upon the opportunity to create humorous antidotes about mankind and as he states “My job is to find stuff and report back”. Which he is doing quite well and he has no plans to do otherwise.

Other photobooks by David Carol featured on The PhotoBook: All of My Lies are True

Cheers

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January 11, 2017

Claire Felicie – Only The Sky Remains Untouched

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Copyright 2016 Claire Felicie

Photographer: Claire Felicie (born Breda, NL, resides Amsterdam, NL)

Self-published (the Nederland)

Essays: Claire Felicie

Text: English

Stiffcover book, sewn binding, quad-color (2 blacks, dark grey, warm grey) lithography by Colour and Books, printed in the Nederland

Photobook designer: Sybren Kuiper ( -SYB- )

Notes: Claire Felicie has undertaken a daunting task of investigating the dark inner psyche of war veterans who after engaging in terrifying military combat, have returned home with the invisible wounds of PTSD (post-traumatic stress disorder). Felicie carefully chose a symbolic location to stage her portraits, which is a former military weapons factory.  Her portraits and landscapes are subsequently mashed-up and interwoven together in an attempt create a more chaotic and disjointed narrative. The black and white photographs lean heavily into grey and dark tonalities, providing a very somber setting for this body of work.

Her subjects recline half-dressed on a minimalist and symbolic military style cot within a stark space. Some cannot confront the camera, needing to turn their backs to look away. The remaining gazes appear blank, dull, without energy and momentarily without resistance. Many of her portraits are truncated with the interleaving of pages, see images 2 and 3 below, and as well as images 5 and 6, visually revealing only a partial embodiment of her subject, as though that person is no longer whole and symbolically broken.

Many of portraits are paired with images of a decaying structure; a desolate and foreboding environmental context that seems well suited to the disturbing war stories her subjects share in the afterword. Her subjects have experiences that are difficult for a non-combatant viewer to fathom, even after reading about the events that have been witnessed. These are the experiences that subsequently result in sudden bouts of intense anxiety, fear, and sadness accompanied with a loss of trust and a sense of security. Thus pairing a portrait with an abstract marking that could be representative of a weeping wall, bottom image below, is a beautiful symbolic metaphor for a depressing sadness.

Essentially all conceptual projects, although especially portraits, attempt to find ways to explain the unexplained and visualize the invisible. Books and photographs become a silent witness. Nevertheless, I find her photographs of these veterans sequenced among the moody rural and urban landscape photographs elicits a perceived sadness emulating from her subjects and although I don’t know the extent of their pain, it feels palpable.

The surrounding forest, although rendered darkly, is steadily reclaiming the man-made structures, thus offers hope for a slowly regenerative healing for her subjects and mankind as well.

In closing, a beautiful book object that results from the creative collaboration of Felicie with the smart book designer Sybren Kuiper and the beautifully lithography by Sebastiaan Hanekroot at Colour and Books. Recommended.

Cheers

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January 8, 2017

Barbara Kyne – By Fire

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Ph­otography:  Barbara Kyne (Oakland, California)

Fall 2015, self-published; ISBN 978-0-578-16037-5. Softcover book with 32 pages, not numbered; 10 duotone photographs; 8.75 x 7.25″; $20. Marketed by Norfolk Press  and by the photographer.  For a limited time included as a bonus upon purchase of the second book, A Crack in the World, to be reviewed here shortly.

Essay:  “On Contemplation and Perception” by Barbara Kyne

Text:  English

Photobook design: Yon Sim

Notes:  By Fire is a fascinating seminal volume that has as its goal creating a connection between severe personal tragedy and the universe of nature as a sphere of continuity and as a context permitting some healing. In ten well-chosen images that have also been given intriguing titles, Barbara Kyne allows the viewer to enter a foreboding yet promising atmosphere: we can project events that have fundamentally affected our lives into a series of fiery depictions of nature. These often include a shadowy figure – a stand-in and ethereal spirit, hinting at a gutsy universality beyond the comprehension of any one individual being, as well as pointing toward some solace and an understanding that we are not alone.

Barbara Kyne has a keen interest in pursuing the deeper meaning of reality and discovering clues to the great existential questions, using her photography to serve as a conduit to understanding “the cycles of life, death, and rebirth, often and surprisingly connecting pathos and joy.” Regarding this volume, she states, “If we move through the metaphorical fire with awareness, we may find that facing mortality creates expansion and renewed life.” Indeed, there is a mysterious and mythical quality to her photography that envelops and fascinates the viewer, inviting several types of discovery.

Barbara Kyne is continuing her important photography in further volumes. We admire her work and are looking forward to further illuminations.

Gerhard Clausing

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January 1, 2017

Daniel Alexander & Andrew Haslam – When War is Over

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Copyright 2016 Daniel Alexander & Andrew Haslam

Photographer: Daniel Alexander (born Edinburgh, Scotland, resides London, UK)

Publisher: Dewi Lewis Publishing (UK)

Essay: Daniel Alexander

Text: English

Hardcover book with embossed cover, inserts, multiple gatefolds, sewn binding, four-color lithography, printed in Italy

Photobook designer: Daniel Alexander

Notes: Towards the end of World War I in 1917, the United Kingdom made a decision to establish the Imperial War Graves Commission that currently tracks and maintains the burial of 1.7 million Commonwealth war dead from World War I and II in perpetuity. Daniel Alexander’s photobook When War is Over provides a documentary style investigation of this on-going process of memorialization.

Alexander and Haslam’s photographic project took on more meaning for me as I had recently completed a related photographic project documenting road-side memorials. In my investigation I was documenting what family and friends had erected as a personal memorial at the site of a tragic accident in an attempt to create a remembrance and deal with their personal grief. Similarly Alexander and Haslam investigate an organized process of remembrance for those who tragically passed while serving in the military with the government acting on the behalf of families who might not otherwise have a means or capacity to do so, such that those who passed were honored equally.

For me this photobook calls into the question of how we create a remembrance of those who we have known and loved, but who have now passed on. How do we maintain that memory and how that memory is passed on to later generations? Does a well maintained cemetery create this experience, or does it provide an associated remembrance as an example that is available to us all? Likewise this photobook, although not about someone specifically still elicits a poignant remembrance of my family members who were lost in military action during these wars as well as those who were in the war but have passed since, such as my own father who was in the American army during World War Two.

This photobook documents the various aspects of maintaining these burial sites, which engages administrators, quarry-men, stone cutters, and gardeners for the upkeep of 2,500 cemeteries, 21,000 other burial grounds and 200 memorials for the missing in 154 countries. I also find that this photobook is a sober narrative about the terrible price of war, but if so engaged, those valiantly involved will be remembered.

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December 30, 2016

Ara Oshagan – Mirror

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Copyright 2015 Ara Oshagan

Photographer: Ara Oshagan (born Beirut, Lebanon, resides Glendale, CA, USA)

Self-Published (USA)

Essay by Ara Oshagan

Music & Lyrics by Gor Mkhitarian

Text: English & Armenian

Hardcover exposed boards with tipped in image, sewn binding, four-color lithography, printed in China

Photobook designer: Ara Oshagan & Varoujan Hovakimyan

Notes: Ara Oshagan and his self-published photobook Mirror uses a documentary style to create a predominately black and white diary of the Gor Mkhitarian band but with an unusual twist; he incorporates some new technology that allows the viewer to scan the appropriate interior pages and link up the related music on their phone. Oshagan has incorporated the free Aurasma.app (available from Apple or Google) that after downloading and subsequently pointing the phone’s camera to the red icon pages of his book, the reader will be able to experience Mkhitarian’s band play the related music.

Oshagan states “Images mirror music. Music is a mirror of images. Darkness and light reflected in both. The diary’s very structure is a mirror; the lexicon of the pages that follow one another has a visual rhythm, an echo of the ebb and flow of music itself.”

Oshagan was present at Photo Book Independent last spring when I had an opportunity to meet him and discuss his photographs as well as the technology lurking in this book. I usually do not provide reviews of musical band documentaries, but this was really an intriguing collaboration of a nice physical photobook with the download of the related music, which I find more interesting that an iPad experience. I am guessing that once the reader downloads this app, that they should even be able to scan the photographs in this review and interact with the music. Cool.

Cheers

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December 16, 2016

Early bird discount for photobook workshop ends this Saturday

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LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could also be a wonderful Christmas present for someone special ;- )

Just saying…

your wonderful Editor.

December 6, 2016

Photo-eye Santa Fe

Filed under: Book Publications, Photo Book Stores, Photo Books — Tags: , , — Doug Stockdale @ 6:02 pm

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photo-eye Santa Fe NM 2016 copyright Douglas Stockdale

One of the pleasures of our recent Thanksgiving road trip to Santa Fe was visiting the photo-eye book store. After the first visit, I had to return for a second visit as there were holiday deals to take advantage of.

The photo-eye bookstore is pretty unique in the United States as other than photographic galleries it is one of the few, if perhaps only, book stores dedicated entirely to contemporary photobooks. Note: this is NOT a book store where you will find any photographic books that attempt to explain photographic techniques, e.g. Lightroom, Photoshop or how to use a Canon 5DMarkIII.

I met up with Christopher Johnson, in the photo above, the Bookstore Manager who provided a quick orientation to the store’s layout as well as some photobook titles to check out. This is not a huge store by any means, but very, very well stocked!

It’s my guess that the majority of their book sales are derived from their website, and similar to other photobook websites, they have leveraged their photobook inventory into a nice retail operation.A little frustration for me that some of the photobooks that photo-eye had recently featured in their newsletter were not available in the store that day; Greogroy Halpern’s  ZZYZX (MACK) is in second printing as first edition is sold out, Mark Steinmetz’s Fifteen Miles to K-Ville (Stanley/Baker, London) which were still with Steinmetz being signed, and Mark Ruwedel’s Message from the Exterior (MACK), which was not in stock yet.

Nevertheless, what I did purchase was Jason Fulford and Gregory Halpern’s The Photographer’s Playbook (Aperture) and then on my return to the store to take advantage of their holiday sale discount, Mark Steinmetz’s The Players (Nazraeli Press) which was signed. I wanted to have an actual copy of The Photographer’s Playbook for a couple of reasons, first as one of my reference books for my photobook workshop and when I am reviewing submissions for LensCulture I reference this book to those photographers who seem to be in the midst of searching for a photographic project to focus on. For Steinmetz, he’s a photographer whom we have not reviewed yet and I felt it was about time. Expect to see Steinmetz’s book review after the first of the year.

I will had to admit that I am a bit biased; photo-eye has in stock and selling my photobook Ciociaria (signed!) and the last copies of my limited edition artist-book Pine Lake.

Cheers

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November 24, 2016

Indie Photobook Library moves to Yale University

Filed under: Photo Books, Photo Book NEWS — Tags: , , , — Doug Stockdale @ 10:13 pm

Ciociaria published by Edizioni Punctum, now in the Beinecke Rare Book & Manuscript Library

Just announced by the Beinecke Rare Book & Manuscript Library at Yale University that the Indie Photobook Library (iPL) has been just incorporated into their collection. The collection includes more than 2,000 photobooks from around the world along with related ephemera, archives of the iPL’s history, and Larissa Leclair’s personal collection related to self-publishing. The iPL  had focused on self-published photobooks, imprints independently published and distributed, photography exhibition catalogs, print-on-demand photobooks, artists’ books, zines, photobooks printed on newsprint, limited edition photobooks, non-English language photography books, and more. This collection covers the period of indie photobooks starting in 2008 through 2016. These volumes build on an already great strength of this library and will surely be used extensively by scholars and students at Yale and beyond for a long time.

In conjunction with this change, the iPL will cease operations and no longer be accepting any more book submissions.

November 5, 2016

Alex Van Gelder – Mumbling Beauty Louise Bourgeois

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Photographer:  Alex Van Gelder (now based in Paris)

Publisher:  Thames & Hudson, New York, NY, 2015

Essays:  Foreword by Hans Ulrich Obrist: “Ever Louise” / Introduction by Alex Van Gelder

Text:  English

Hardcover book with 112 pages, not numbered; 81 color photographs without captions; sewn binding; cloth cover with dust jacket, printed and bound in China.

Photobook designer: Béatrice Akar

Notes: This photobook presents 81 extraordinary collaborative images taken during the last three years of life of the French-American artist Louise Bourgeois (1911-2010), who came to the US in 1938 and was primarily known for her sculptures and installations, but also for her paintings and prints. Her art received the most attention from the 1970s on, and she was also a strong fighter for artistic freedom and social justice. Alex Van Gelder, the photographer now based in Paris, became her friend and, from 2008 to 2010, was repeatedly invited to her home in New York City in order to participate in the creation of this personal yet public reality of a highly creative and spirited individual. As Van Gelder says in the foreword, “She became a consummate performer in front of the camera.”

In viewing the images, we can literally experience the joy of the artist in the process of creation, as well as the pain of aging, perhaps foremost among them her inability to move around as freely as possible, as she was paralyzed from the hip down. The photographer uses a variety of techniques to show the difficulties of both artistic creation and old age, such as distortions and long exposures with the resulting blurred appearances: self-reflection through visual ambiguity. The viewer is not only reminded of the work of John Coplans, but also of Cindy Sherman: Louise Bourgeois here assumes many roles (some with disguises) in a number of settings within her house. A very creative look at the last few years of this artist as a result; she is shown working in her studio on paintings, posing with some small sculptures, as well as in mundane settings of everyday life.

This book confronts the viewer with his or her own aging process and creativity. It is a stark yet supportive and positive, even optimistic presentation, at times with some humor as well. As the artist is shown active even at the very end, we get the idea that she is creative and hopeful in spite of it all. Since Louise Bourgeois considered much of her work autobiographical, based in part on childhood traumas, these portraits give us a glimpses of the relationships between the artist and her art, and many other dimensions to reflect on as well. The human body, with its fragile and temporary nature, was a main theme in her art, and this is certainly well represented in this visceral yet elegant collaborative photographic study.

Gerhard Clausing

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