The PhotoBook Journal

April 11, 2017

International Photobook Competition 2017 – The Results!

Marisa Caichioio - photobook competition judges Douglas Stockdale - Sarah Hadley - Chris Davies_1000px

Douglas Stockdale, Sarah Hadley & Chris Davies photo 2017 copyright by Marissa Caichiolo

I was very honored to be a jurist for a second time of the International Photobook Competition. which is sponsored by Photo Independent. The selected photographic books will be featured as part of Photobook Independent during the same event in Los Angeles later this month.

From the press release: Los Angeles, Calif. (April 3, 2017) – Photo Independent announces the winners of the 2017 International Photobook Awards. The competition received photobooks from 16 countries. The judges selected six books as Best in Show, three self-published/handmade photobooks and three published photobooks.

Self-Published/Handmade photo books include:

Ellen Korth, Netherlands: Charkow 

Claire Felicie, Netherlands: Only The Sky Remains Untouched

Frank Hamrick, USA: Harder Than Writing a Good Haiku

Published photo books include:

Manca Juvan, Slovenia: Guardians of the SpoonZalobzba ZRC / ZRC Publishing

Stanislav Briza, Czech Republic: Hitchhike — BFLMPSVZ

Susan Burnstine, USA: Absence of BeingDamiani

Honorable Mentions were also awarded to:

Jason Paul Reimer, USA: 197 — Dummy Book

Shane Lavalette, USA: One Sun, One Shadow Self-Published

Xiomara Bender, Switzerland: North Korea, The Power of Dreams — Kehrer Verlag

Steve Diet Goedde, USA: Arrangements -Volume III | 2007-2015 — Century Guild

The Best in Show photobooks, as well as the Four Honorable Mentions will be exhibited and available for purchase during Photo Independent, April 21-23, 2017 in Los Angeles, California.

Photo Independent location: The REEF, DTLA (Down Town Los Angeles), 1933 South Broadway, Los Angeles, CA 90007

General Fair Hours: Saturday, April 22, 11am–7pm & Sunday, April 23, 11am–6pm

A number of the winners of this competition have been previously featured on The PhotoBook (links are provided, above) while I have noted the photographers and their photobook which have reviews that are still in process. So more to come, stay tuned!

The competition judging panel had a slight change and included (in addition to me):

  • Marisa Caichiolo, Curator and Executive Director, Building Bridges Art Exchange
  • Chris Davies, Publisher, Fabrik Magazine
  • Sarah Hadlee, Independent Curator and Founder of the Filter Photo Festival
  • Sarah Lee, Curator
  • Douglas Stockdale, Photographer, Book Artist, Educator, Editor/Founder The PhotoBook Journal

This was a really interesting and wonderful opportunity to review a broad and diverse group of photobooks. I feel fortunate to be able to get a strong pulse of what is happening in the greater photo book community.

Congratulations to those photographers whose books were juried in!

Cheers!

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September 1, 2016

Susan Burnstine – Absence of Being

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Copyright 2016 Susan Burnstine

Photographer: Susan Burnstine (b. Chicago, IL  & resides Los Angeles, CA, USA)

Publisher: Damiani Editore (Italy)

Essays: Text by Del Zogg, Chantel Paul, Susan Burnstine

Text: English

Hardcover book, sewn binding, four-color lithography, Biography, printed in Italy

Photobook designer: Masumi Shibata

Notes: Susan Burnstine’s second photobook Absence of Being is a collection of singular poetic black & white photographs, which are dreamy and mysterious landscapes. These photographic images result in part from her photographic equipment, a series of homemade photographic contraptions she created that utilized medium format film, but to a larger extent the concept and visions she is cathartically engaging. The overall darkness that engulfs her moody photographs hints at the underlying tension of her poetic narratives, what has been described has “an idiosyncratic and deeply personal visual landscape”.

Another visual theme woven in this body of work, more so than her first monograph, is the presence of a singular person or vehicle, which can be found in the midst of these landscapes. This is a strongly autobiographic element that visually places her within these narratives. Her subjects appear to be engaged in a journey, a dark metaphor that relates back to her night terrors as the source of her artistic endeavors and the mystic road she alone is traveling.

This wonderful body of work is sequenced with a single image per double page per spread; the left edge is run into the gutter with an edge bleed on the right, accompanied with a facing pagination and caption. The layout is metaphoric, with the binding providing the central source from which the pages and photographs radiate, while the bleed off the end of the page implying that her narrative does not simply end on this page. There are two styles of captions that reflect the two different states Burnstine deals with her dreadful night terrors. Also interwoven through the body of work are handwritten excerpts from Burnstine’s personal dream journal that provides some insights to the internal dialogue she is working against.

Burnstine’s photobook is a beautiful object and her wonderful luminous interior images are printed on a warm coated paper with a spot coat of luster varnish that emulates her photographic prints. Viewing this photobook is very similar to the experience of studying her print portfolio, which I was fortunate to do this last spring when we had adjacent tables at Photo Independent and the final galleys for her book were being completed. Recommended.

Susan Burnstine has been previously featured on The PhotoBook: Within Shadows (2011)

Cheers

Cheers!

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