The PhotoBook Journal

November 29, 2017

Interesting Photobooks of 2017 (plus a few from 2016)

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Interesting Photobooks of 2017, copyright Douglas Stockdale

As in years past, we have been providing a short list of photobooks we have found interesting, whether it was the photographic content, concept of the project, the book’s design or production qualities; and most interesting when it was a delightful combination of all of these book elements.

For our editorial team selection we limited ourselves to the photobooks we received with time to really evaluate the book object in its entirety. I have readily admitted in the past we do not have access to read and study every photobook that was published during the year, thus our list is not meant to be inclusive as there are a great many other interesting photobooks that were published this year. Our list may not be the “Best” photobooks of 2017, but rather we have selected some of the more interesting photobooks for your consideration. In a couple of cases, we have included books that were published in late 2016 that have come to our attention this year.

We have published commentaries for most of these, which are linked-up. It is our intent to publish commentaries for the remaining photobooks shortly. So in alphabetic order:

Roger Ballen, Ballenesque, Thames & Hudson, 2017, a really interesting retrospective of Ballen’s creative body of work (pending review), also The Theatre of Apparitions, Thames & Hudson, 2016 (we did not see this until early this year); An astute personal investigation of the mind against intercultural backgrounds.

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Roger Ballen

Paula Bronstein, Afghanistan: Between Hope and Fear, University of Texas Press, 2016; a long term photo-documentary project about the on-going social impact of war in Afghanistan.

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Paula Bronstein

Claire Felicie, Only the Sky Remains Untouched, Self-published, 2016; provides an intriguing layered visual design that creatively investigates the concepts of lingering trauma after warfare.

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Claire Felicie

Lea Habourdin, Survivalists, Fuego Books, 2017; an intriguing book design that investigates a concept about personal/cultural survival. (Review pending)

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Lea Habourdin

Ellen Korth, CHARKOW, Self-published, 2016; presenting difficult parts of a personal history using a very innovative set of books.

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Ellen Korth

Andrej Lamut, Nokturno, The Angry Bat, 2017; a dark and moody investigation which provides an interesting environment to explore a diverse range of metaphoric potentials.

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Andrej Lamut

Robert Lyons, Pictures From the Next Day, Zatara Press; An introspective project that explores aging, personal relationships and American culture. (Review pending)

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Robert Lyons

Tymon Markowski, Flow, Self-published, 2017; a great utilization of a book design that captures the essence of photo-documentary project’s investigation of a region.

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Tymon Markowski

Duane Michals, Portraits, Thames & Hudson, 2017; a retrospective of his portrait work in the context of his trademark, if not iconic, creative storytelling.

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Duane Michals

Nancy Rexroth, IOWA, University of Texas Press, 2017 (first edition, self-published, 1977); an updated and re-edited edition of this fine art photobook “classic”, which still maintains its artistic vitality. (Review pending)

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Nancy Rexroth

Douglas Stockdale, Bluewater Shore, self-published, 2017; (A little bit of personal bias) Exploring American culture and family as well in part for its production merit as it is the first photo book that was printed with a duotone (black & white) digital lithography printing process.

Bluewater Shore limited edition artist book

Cheers!

Douglas & Gerhard

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October 12, 2017

Tymon Markowski – Flow

Filed under: Book Reviews, Photo Book Discussions, Photo Books — Tags: , , — Doug Stockdale @ 4:32 pm

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Photographer: Tymon Markowski (born Kraków & resides Bydgoszcz, Poland)

Self-Published & Print Edition (400), Limited Edition (100): Bydgoszcz, Poland, copyright 2017

Text: English & Polish

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Hard cover, Leporello (Concertina) layout, sewn binding, four-color lithography, printed by Chromapress (Bydgoszcz, Poland)

Photobook designer: Katarzyna Kubicka

Editor: Joanna Kinowska

Notes: Tymon Markowski’s self-published photobook Flow is a book design that conceptually emulates his subject, a leporello that unfolds almost as continuously as the Brda River. This is a classic design in which form follows function.

The captions for each photograph, English and Polish, are provide on the reverse of the photographs, and due to the leporello design, requires the viewer to physically flip from the front to the back (verso) to attempt to comprehend the photograph/caption relationship. As Markowski states “I wanted to hide the captions so you can follow the two stories – one created by the pictures, and second created by text….It was extremely important to me that the viewer first see the pictures that provokes questions and is is my habit to create a caption that may resolve a mystery

Markowski follows the small river Brda to capture the citizens of Kujawsko-Pomorskie Voivodeship as this river meanders to the Vistula River in the city of Bydgoszcz, the eighth largest city in Poland.

This is an investigation of the culture of this region, frequently tongue-in-cheek, providing subtle humor as he gently pokes fun at his adopted city and adjacent country side. A fireman stands in the midst of a green forest with his limp hose line attempting to practice his trade of extinguishing a forest fire without benefit of either water or a fire to quench.  A kayaker navigates a stream of water that is so absurdly narrow that the Kayak barely fits and one wonders how he was able to get to this place and where he is going next. The accompanying captions provide documentation of these tasks in an understated matter-of-fact style that belies a dry wit.

The ability to spread out the book’s interior photographs, a key attribute of the book’s Leporello design, also signifies a potential interconnectedness of this large community and points to the underlying social order.

Cheers,

Douglas Stockdale

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