The PhotoBook Journal

March 4, 2018

Photo Book pop-up exhibit and curator talk at Palos Verdes Art Center

Filed under: Artist Books, Photo Book NEWS, Photo Books — Tags: , , , — Doug Stockdale @ 3:31 pm

02-28-18 Stockdale Photo Book Presentation for PADA by Karen Schuenemann

Photo Book Pop-up exhibition, Palos Verdes Art Center, February 2018 copyright photos by Karen Schuenemann

As was previously announced, I gave a curatorial talk about Photo Books as Art for the Photographic and Digital Art (PADA) group of the Palos Verdes Art Center (PVAC) at their facility last week.

I had intended to highlight just the photobooks that Gerhard and I had selected as the Most Interesting Photo Books for 2017, but as I set these aside, on the spur of the moment I included some additional photobooks from my collection that provided a more diverse look at the creative side of the photo book object. Thus I included the following photographer’s photobooks; Mariela Sancari’s self-published Moises (one of the best photobooks of 2016), Claire Felicie’s self-published Only the Sky Remains Untouched (second place, Photo Independent’s International Photo Book Competition), Ellen Korth’s self-published CHARKOW (winner, Photo Independent’s International Photo Book Competition), Roger Ballen’s Ballenesque and The Theatre of Apparitions, Max Pam’s Ramadan in Yemen, Kate Nolan’s Neither, Andrej Lamut’s Nokturno, Renee Jacobs’s Slow Burn (limited edition version) Tymon Markowski’s self-published Flow, Harvey Benge’s Home Town Dream, Matej Sitar’s self-published America, My Way and Nancy Rexroth’s IOWA. I also shared by Blurb book dummy In Passing and introduced my photographic project Middle Ground to illustrate the development of a book dummy, which I had all three versions of Middle Ground.

The group was pretty enthusiastic about the international scope and creative designs that I included in this pop-up mini exhibition. The discussions were pretty wide ranging from the book designs, book designers, self-publishing, book printing and just about everything in between. At the conclusion of my presentation, everyone had a chance to inspect and further discuss the featured books.

Later this month I will be providing a mini-seminar, Photo Book Pre-visualization, as well as leading a book discussion panel for Los Angeles Center of Photography (LACP) on Saturday, March 17th, details here. I will also have available some of my photobooks, including Bluewater Shore, Ciociaria and Guide to Self-publishing an Indie Artist Book.


02-28-18 Stockdale during Photo Book Presentation for PADA by Karen Schuenemann

February 24, 2018

Photobook Day March 17 With Douglas Stockdale & Special Guests – LACP Open House (March 16-18, 2018)


Photo courtesy of Douglas Stockdale, Founder/Editor of  The PhotoBook Journal


Join LACP for our Sixth Annual
Spring Open House

Featuring workshops, panel discussions, portfolio & photo book walk, raffle prizes, vendors, food, drink and much more!!

March 16th – 18th, 10 am – 5 pm


On Friday, March 16, 10 am – 5 pm, bring your old, used camera equipmentand turn it into cash! 

  • KEH Camera will be at LACP all day buying used photo equipment
    On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!


Saturday, March 17, 10 am – 5 pm

On Saturday, March 17th, 10 am – 5 pm, celebrate the Photo Book with workshops, panel discussions, portfolio walks and more!

10:15-11:00 am – “Photo Book Pre-Visualization” taught by  Douglas Stockdale, Founder/Editor, The PhotoBook Journal
$20 for Members; $40 for Non-Members

11:15 am-12:00 pm – “Self-Publishing for Photographers: Blurb Books” with Dan Milnor,
$20 for Members; $40 for Non-Members

12:30-1:30 pm – Free Panel Discussion, “How to Get Your Photo Book Published,
moderated by Douglas Stockdale, Founder/Editor, The PhotoBook Journal
Panelists include Dan Milnor, Cat Gwynn, and more (TBA).

2:30-4:30 pm – Free Portfolio and Photo Book Walk featuring the work of LACP Members  (contact to sign up for a table space)

Throughout the day:
• There will be various organizations and vendors present including ASMP Los Angeles, Hahnemühle, Freestyle, Blurb, The Artist Corner, and more!
• Raffle tickets available and prize drawings!
• Complimentary lunch (served from 1:30 – 2:30 pm)
• Complimentary wine and beer (served from 1:30-4:30 pm)


Sunday, March 18, 10 am – 5 pm

  • Come take part in one of several of our 17 “mini” classes and seminars.  A full day pass is only $100!!

10:00 am:
1) “Portraiture: An Artistic Journey” with Ken Merfeld
2) “Understanding Your Camera’s Features” with Peter Bennett

11:00 am:
1) “Introduction to the Documentary World” with Kevin Weinstein
2) “Let’s Talk Lenses” with Peter Bennett
3) “Creating Worlds and Stories with Photomontage” with Ry Sangalang

12:00 pm:
1) “Portrait Studio Lighting” with Jennifer Emery
2) “The Singular Vision” with Andrew Southam
3) “Optimizing Your Images in Camera Raw Before using Photoshop” with Ed Freeman

2:00 pm:
1) “Street Photography Essentials” with Ibarionex Perello
2) “Moving Your Career Forward: Steps to Success for Photographers” with Sherrie Berger
3) “Black & White Conversion using Lightroom” with Rollence Patugan

3:00 pm:
1) “Crash Flash” with Julia Dean
2) “Best Practices Using Social Media for Photographers” with Paul-Michael Carr, TBA
3) “Monitor Calibration” with Eric Joseph

4:00 pm:
1) “How to Teach Photography” with Julia Dean
2) TBA
3) “Digital Printmaking Primer” with Eric Joseph

  • Click HERE to sign up for the classes.  (Please note not all classes are posted yet.)
    • Individual classes are $20 for Members; $40 for Non-Members. Sign up now! Seating is limited.
    A one-day Sunday pass is $100 for Members; $200 for Non-Members.

The Open House is all about community. It’s a time and place for all those interested in photography and the arts to come together and meet, socialize, learn, laugh and grow. Network with other artists, try your luck at some terrific raffle prizes, sell your used camera equipment, meet organizational vendors, take some classes and more! Whatever your pleasure may be, we encourage you to spend a weekend with us, invite your family and friends, and enjoy some good camaraderie, fellowship and fun!

A Time and Place for the
Photo Community to Come Together


February 20, 2018

Workshop on Photobook Editing with Valentina Abenavoli – Kassel, Germany, May 28-30, 2018

Filed under: Book Publications, Photo Book Discussions, Photo Books — Tags: — Gerhard Clausing @ 8:55 am



The Tenth Photobook Festival in Kassel, Germany, will feature an interesting collaborative workshop on editing photographs in preparation for photobook publication, “From the Theory to the Book.” It will be led by Valentina Abenavoli, who is also a successful publisher of photobooks (AKINA Books).

The description of this English-language workshop states in part:

FROM THE THEORY TO THE BOOK  is a collaborative workshop aimed to analyse how to read an image, understanding the endless possibilities of the editing process and its meaningful limitations, as well as exploring and developing a method both creative and practical, with a hand-on approach for the sequence. The workshop will attempt to cover all the theoretical tools useful to build up a visual narrative in the book form: shifting the reading of a single image to a sequence of images, editing according to the concept and the intentions of the work, questioning the visual representation and the messages conveyed in the images, when placed in a sequence. Collective feedback and trials will lead to discover possible pairs and sequences of photographs, understanding the potential of a photographic project and re-imagine it in a book form. Every photobook is a self-contained universe with its own set of rules. A series of photographs can be a starting point for the process of creating a story, within two covers. During the genesis of a photobook, ambiguities and clashes, unexpected juxtapositions and riddles will emerge, revealing the pleasure and pain of visual language. Every picture will gain a different meaning when placed in a broader perspective of the book as a whole.

More information can be found on their website.

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